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Becoming Judy Chicago : a biography of the artist
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ISBN: 9780520300064 Year: 2018 Publisher: Oakland, Calif. University of California Press

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Kudo : nouvelle écologie
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Year: 1989 Publisher: Paris Galerie du Génie

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Hannah Wilke : sculpture in the landscape
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ISBN: 9780988545793 Year: 2019 Publisher: Philadelphia, Pa Temple University. Tyler School of Art. Temple Contemporary

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Peru : Checan: Studie über die erotischen Darstellungen in der peruanischen Kunst
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Year: 1978 Publisher: Genf Nagel Verlag

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From ornamentation to mutilation : genital decorations and cultural operations in the male.
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ISBN: 9071868885 Year: 2004 Publisher: Arnhem Historical Committee of the European Association of Urology

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Kris Lemsalu
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ISBN: 9788867493951 Year: 2019 Publisher: Milan Mousse Publishing


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Hermann Nitsch : das Orgien Mysterien Theater, 1960-1983
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Year: 1983 Publisher: Eindhoven Van Abbemuseum

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Alexandra Bircken : stretch

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Monica Bonvicini : I cannot hide my anger
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ISBN: 9783960986416 Year: 2019 Publisher: Cologne Verlag der Buchhandlung Walther König


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Eva Hesse, Hannah Wilke : erotic abstraction
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ISBN: 9780847868100 Year: 2020 Publisher: New York, N.Y. Rizzoli

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An in-depth look at these two American artists, who explored issues of sexuality and feminism in the 1960s and 1970s in their sculpture and photography.&#13;&#13;This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke. Both artists found themselves drawn to unconventional materials, such as latex, plastics, erasers, and laundry lint, which they used to make work that was viscerally related to the body. They shared an interest in repetition to amplify the absurdity of their work. These repeated forms–whether Hesse’s spiraling breast or Wilke’s labial fold–sought to confront the phallo-centricism of twentieth-century sculpture with a texture that might capture a more intimate, psychologically charged experience. Eleanor Nairne, the curator of the exhibition, writes the lead essay, followed by texts by Jo Applin and Anne Wagner. An extensive chronology by Amy Tobin includes primary-source materials, which bring a new history of how both artists’ work sits in relation to the wider New York scene. Also included are excerpts of both artists’ writing.

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