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Douglas Merritt --- grafiek --- reclamegrafiek --- televisie --- film --- tekenfilm --- animatie --- 791.46 --- 766.02 --- 766.03 --- 754.9 --- generieken --- 754.29 --- grafische vormgeving , overige genres en motieven --- grafische vormgeving, verzamel --- Telecommunication technology --- Advertising. Public relations --- Graphic arts --- graphic design --- computer art [visual works] --- television [telecommunication system] --- computerkunst --- TV (televisie) --- grafische vormgeving
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motion pictures [visual works] --- tituli [inscriptions] --- Grafische vormgeving --- Credit titles (Motion pictures, television, etc.) --- 766.049 --- Balsmeyer Randy --- Bass Saul --- Binder Maurice --- Brownjohn Robert --- Cooper Kyle --- Cuppa Coffee --- Dawson Robert --- Doyle Stephen --- Everett Mimi --- Ferro Pablo --- filmcredits --- film en grafische vormgeving --- filmgeschiedenis --- Fitzgerald Wayne --- Fouchet Jean --- Frankfurt Stephen O --- Fuel --- Gatti Juan --- generieken --- Girvin --- Godard Jean-Luc --- Greenberg Richard --- Greenberg Robert --- King Brian --- Kleinman Daniel --- Mariné Oscar --- McCarthy Marlene --- McFetridge Geoff --- Núñez Pablo --- Perri Dan --- Picture Mill --- Riley Michael --- Russomanno Jennifer --- Swanson Carla --- Tomato --- Trollbäck Jacob --- typografie --- Yu Garson --- 791.44 --- CD-ROMS --- Grafisch design ; typografie ; film ; generieken --- Grafische vomgeving en film ; titels ; openingstitels --- Grafische vormgeving ; met betrekking tot film --- grafische vormgeving --- Titles, Credit (Motion pictures, television, etc.) --- Motion pictures --- Television --- Video recordings --- Gebruiksgrafiek ; verschillende onderwerpen --- Filmkunst ; filmproduktie --- 791.43.02 --- Filmkunst ; technieken --- Vormgeving --- Film (cinematografie)
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A fascinating exploration of the evolution of such concepts as originality and authenticity in the age of new media, including a contribution from Mieke Bal
Manuscripts. Epigraphy. Paleography --- Computer. Automation --- Writing --- Written communication --- Copying processes --- Mass media and technology --- Mass media and culture --- Social aspects --- Technological innovations --- Authorship. --- Copying processes. --- Information technology. --- Signatures (Writing). --- Writing. --- Written communication. --- Languages & Literatures --- Philology & Linguistics --- 003.64 --- Monogrammen. Anagrammen. Chronogrammen. Signeringen (als teken van originaliteit of herkomst) --- Edited by Sonja Neef, José Van Dijck, and Eric Ketelaar --- schrift --- handschrift --- nieuwe media --- computers --- generieken --- literatuur --- signatuur --- 791.5 --- 003.64 Monogrammen. Anagrammen. Chronogrammen. Signeringen (als teken van originaliteit of herkomst) --- Mass media and technology. --- Mass media and culture. --- Social aspects. --- Technological innovations. --- Culture and mass media --- Technology and mass media --- Autographic processes --- Commercial correspondence --- Duplicating processes --- Manifolding --- Reproduction processes --- Reprography --- Typewriting --- Written discourse --- Written language --- Chirography --- Handwriting --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Ciphers --- Penmanship --- Technology --- Culture --- Copying --- Copying services --- Documentation --- Letter services --- Writing - Social aspects --- Written communication - Technological innovations --- Copying processes - Social aspects --- dutch and flemish language --- nederlandse taal
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"This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta"--Publisher's web site.
Bass, Saul. --- Graphisme --- Publicité --- Logotype --- Affiche --- Emballage --- Bass, Saul --- Biografie --- Graphic artists --- Credit titles (Motion pictures, television, etc.) --- Graphistes --- Générique (Cinéma, télévision, etc.) --- Biography. --- Biographies --- Catalogs --- Criticism and interpretation. --- 766.071 BASS --- Bass Saul --- Verenigde Staten --- affiches --- corporate identity --- film --- film en grafische vormgeving --- filmaffiches --- filmtitels --- generieken --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- huisstijl --- logo's --- posters --- twintigste eeuw --- 753 --- grafische vormgevers --- regisseurs --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Ontwerpers --- Vormgevers --- 766.07 --- Bass, Saul 1920-1996 (°New York, Verenigde Staten) --- Grafische vormgeving ; met betrekking tot film --- Affiches ; filmaffiches --- Grafische vomgeving en film ; titels ; openingstitels --- Grafische vormgeving ; labels ; etiketten ; logo's ; merken --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Ontwerper --- Vormgever
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