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Book
Takiguchi Shuzo and the artists who captivated him
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Year: 2018 Publisher: Tokyo The National Museum of Modern Art

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The tale of the Heike = Heike monogatari
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ISBN: 0860081281 9780860081289 Year: 1975 Publisher: Tokyo: University of Tokyo press,

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Swords, Oaths, and Prophetic Visions
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ISBN: 9780824829223 0824829220 9780824864538 0824864530 Year: 2005 Publisher: Honolulu

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Swords, Oaths, and Prophetic Visions investigates some of the most historically important political and social issues raised by the Genpei War (1180-1185). This epic civil conflict, which ushered in Japan's age of the warriors, is most famously articulated in the monumental narrative Heike monogatari (The Tale of the Heike). Elizabeth Oyler's ambitious work lays out the complex interconnections between the numerous variant texts of the Heike and the historical events they describe. But Oyler's innovative methodology also brings other texts and genres—the Gikeiki, the Soga monogatari, the Azuma kagami, and pieces from the kōwakamai (ballad-dramas) repertoire—into her analysis. Rather than concentrating on individual texts, Oyler focuses on the inter-textual relationships within this larger body of narrative and drama and the collective role of these works in creating and disseminating stories about some of the Genpei War's most contentious events. In so doing, she works toward a new understanding of the underlying cultural problems of which these tales are symptomatic and which they attempt to address.


Book
Contemporary art in Asia : a critical reader
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Year: 2011 Publisher: Cambridge, Mass. MIT Press

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The Princeton companion to classical Japanese literature
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ISBN: 0691008256 0691065993 0691218382 Year: 1985 Publisher: Princeton (N.J.) : Princeton university press,


Book
Tokyo 1955-1970: a new avant-garde
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Year: 2012 Publisher: New York The Museum of Modern Art

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Keywords

Iconography --- Art --- Sculpture --- Painting --- Film --- installations [visual works] --- art [discipline] --- painting [image-making] --- video art --- performance art --- sculpting --- kunstsociologie --- Tomatsu, Shomei --- Ono, Yoko --- Akiyama, Kuniharu --- Awazu, Kiyoshi --- Ay-O --- Fukase, Masahisa --- Fukushima, Hideko --- Hamada, Chimei --- Haraguchi, Noriyuki --- Hosoe, Eikoh --- Ikeda, Tatsuo --- Ishii, Shigeo --- Kawada, Kikuji --- Kawaguchi, Tatsuo --- Kikuhata, Mokuma --- Kikutake, Kiyonori --- Kojima, Nobuaki --- Maeda, Josaku --- Miki, Tomio --- Moriyama, Daido --- Motonaga, Sadamasa --- Murakami, Saburō --- Nakamura, Hiroshi --- Nakanishi, Natsuyuki --- Narita, Katsuhiko --- Okamoto, Taro --- Sekine, Nobuo --- Shinohara, Ushio --- Shiomi, Mieko --- Shiraga, Kazuo --- Tanaka, Atsuko --- Tone, Yasunao --- Kawara, On --- Yamaguchi, Katsuhiro --- Yamashita, Kikuji --- Yoshimura, Masunobu --- Akiyama, Ryoji --- Ichimura, Tetsuya --- Imura, Takahiko --- Jonouchi, Motoharu --- Kanko Geijutsu Kenkyujo --- Katsuragawa, Hiroshi --- Kitadai, Shozo --- Madokoro, Saori --- Matsumoto, Toshio --- Oikawa, Masamichi --- Okanoue, Toshiko --- Otsuji, Kiyoji --- Shigeko, Kubota --- Sugiura, Kohei --- Tateishi, Koichi --- Arakawa, Shusaku --- Tadanori, Yokoo --- Gempei, Akasegawa --- Kudo, Tetsumi --- Kusama, Yayoi --- Isozaki, Arata --- Kamekura, Yusaku --- Kawabata, Minoru --- Kurokawa, Kisho --- Takamatsu, Jiro --- Tange, Kenzo --- Lee, Ufan --- Hi Red Center [Tokyo] --- Anonymous Artists --- Zero Jigen --- anno 1900-1999 --- Japan

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