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fotografie --- fotoromans --- fotografie en literatuur --- fotografie en film --- Nous deux --- Frankrijk --- 77.05
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Dutch literature --- fotografie --- literatuur --- 77.041 --- 791.471 DIDDEN --- 77.071 SELLESLAGS --- New York --- Schaarbeek --- Brussel --- fotografie en film --- fotografie en muziek --- België --- rock --- muziek --- Sint-Lukas --- Selleslags Herman --- film --- Didden Marc --- Journalism --- Belgium --- Personal narratives --- Photojournalism
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This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker. 'Photography and cinema' considers the importance of the still image for filmmakers such as the Lumière brothers, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Chris Marker, Mark Lewis, Agnès Varda, Peter Weir, Christopher Nolan and many others. In parallel it looks at the cinematic in the work of photographers and artists that include Germaine Krull, William Klein, John Baldesari, Jeff Wall, Victor Burgin and Cindy Sherman.
Cinematography --- Photography, Artistic --- 778.5 --- 77.01 --- eenentwintigste eeuw --- enscenering --- film en fotografie --- film --- fotografie en film --- fotografie --- fotoromans --- twintigste eeuw --- 760.4 --- filmkunst --- Filmfotografie. Filmkunst --- fotografie als kunst --- 778.5 Filmfotografie. Filmkunst --- Art et cinéma --- Art et photographie
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This collection of essays by leading photographic and film theorists considers the changing relationship between the still and moving image in contemporary culture. The photograph has traditionally been seen as a quintessentially still image. Its ability to freeze and hold a moment in time has been the source of its peculiar fascination and the foundation of much of the theoretical discussion about it. New technological developments in digital media, however, have fundamentally altered the ways in which we think about photography, in particular forcing us to reconsider our assumptions about the still and the moving image and their relationships to differing concecptions of time. Amongst the topics addressed in these essays are: the work of artists who extend the still image in time through the use of video or narrative sequencing; the aesthetic and philosophical analyses of stasis; the place of the pose and tableau in contemporary photography in cinema; and the notion of the cinematic fragment and cultural memory.
kunst --- fotografie --- fotografietheorie --- film --- video --- beweging --- filmstills --- enscenering --- fotografie en film --- tijd --- tijdelijkheid --- twintigste eeuw --- eenentwintigste eeuw --- 77.01 --- film [performing arts] --- Film --- photography [process] --- moving images --- Photography --- videobeelden --- film [discipline]
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Chronophotography. --- Art and photography. --- Human locomotion. --- Animal locomotion. --- Human mechanics. --- Animal mechanics. --- Photography --- Chronophotographie --- Art et photographie --- Locomotion humaine --- Locomotion animale --- Mécanique humaine --- Mécanique animale --- Photographie --- History --- Histoire --- Marey, Etienne-Jules, --- Marta Braun --- fotografie en film --- chronofotografie --- Marey Etienne-Jules --- 77.071 MAREY --- 77.037 BRAUN --- 77.01 BRAUN --- fotografie --- beweging --- Frankrijk --- negentiende eeuw
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"Addresses the relationship between cinema and photography during the 20th century. It comes out of a dialogue between historians from both fields, equally represented in the table of contents. It opens the field of study beyond the domains of art and cinephilia to take into account the social uses of images, of popular media, and of a diversity of discursive fields, from medicine to pedagogy. It aims to move beyond general aesthetic considerations to deal with specific historical objects, including discourses"--Back cover.
Motion pictures. --- Photography. --- fotografie --- film --- fotografie en film --- film en fotografie --- Man Ray --- Ray Man --- pathéorama --- magazines --- fotoromans --- Marker Chris --- postkaarten --- Varda Agnès --- Scorsese Martin --- Muybridge Eadweard --- concept art --- conceptuele kunst --- Goldin Nan --- Depardon Raymond --- beeldverhaal --- strips --- 7.01 --- 791.41 --- 77.01
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Film --- 791.43-2 --- #SBIB:309H1321 --- Nestor Almendros ; Préface de François Truffaut --- film --- camera's --- camerawerk --- cameramannen --- filmtechniek --- cinematografie --- DP --- DOP --- Director of Photography --- fotografie --- licht --- Almendros Nestor --- belichting --- Truffaut François --- Frankrijk --- fotografie en film --- 791.42 --- 791.47 --- 791.43-2 Speelfilms. Filmdrama's --- Speelfilms. Filmdrama's --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- CDL --- ALMENDROS, NESTOR [CHEF OPERATEUR] (1930-1992) --- CHEFS OPERATEUR --- CINEMA --- FILMOGRAPHIE --- ESPAGNE
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Cinematographers --- Cinematography --- Experimental films --- Photographers --- History --- History and criticism. --- fotografie --- film --- film en fotografie --- fotografie en film --- experimentele film --- Marker Chris --- Lerski Helmar --- Strand Paul --- Moholy-Nagy Laszlo --- Levitt Helen --- Frank Robert --- Lyon Danny --- van der Elsken Ed --- twintigste eeuw --- 791.41 --- 77.01 --- 791.43 --- 77.036 --- History and criticism --- Artists --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Photography --- Chronophotography --- Cameramen, Lighting --- Directors of photography (Cinematographers) --- Lighting cameramen --- Animated pictures
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Fotojournalistiek --- Fotografie --- Perswezen --- Beeldcommunicatie --- 761 --- 766.6 --- fotografie --- geschiedenis --- persfotografie --- reportagefotografie --- fotografie, geschiedenis --- persfotografie en fotoreportage --- Nick Yapp (Part I), Amanda Hopkinson (Part II) --- twintigste eeuw --- negentiende eeuw --- documentaire fotografie --- politiek --- straatfotografie --- industrie --- transport --- spoorwegen --- sport --- sportfotografie --- kunst --- etnografie --- etnologie --- wetenschap --- fotografie en wetenschap --- fotografie en kunst --- Wereldoorlog I --- Rusland --- Sovjet-Unie --- fascisme --- nazisme --- mode --- modefotografie --- film --- fotografie en film --- feminisme --- muziek --- fotografie en muziek --- luchtvaart --- ruimtevaart --- 77.044
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791.42 --- Cardiff Jack --- Chapman Michael --- Contard Raoul --- DOP --- DP --- Deakins Roger --- Dryburgh Stuart --- Kaminski Janusz --- Khondji Darius --- Kovacs Laszlo --- Mitra Subrata --- Müller Robby --- Nykvist Sven --- Peter Ettedgui --- Seale John --- Serra Eduardo --- Slocombe Douglas --- Wexler Haskell --- Williams Billy --- Willis Gordon --- belichting --- camera's --- cameramannen --- camerawerk --- cinematografie --- director of photography --- film --- filmfotografie --- filmtechniek --- fotografie en film --- fotografie --- licht --- 798.53 --- Cardiff, Jack --- Chapman, Michael --- Coutard, Raoul --- Deakins, Roger --- Dryburgh, Stuart --- Kaminski, Janusz --- Khondji, Darius --- Kovacs, Laszlo --- Mitra, Subrata --- Müller, Robby --- Nykvist, Sven --- Seale, John --- Serra, Eduardo --- Slocombe, Douglas --- Wexler, Haskell --- Williams, Billy --- Willis, Gordon --- cineasten --- film, cineasten
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