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"When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. The Ordinary Man of Cinema delineates the phenomenology of movie-going and the fleeting, impalpable zone in which an individuals personal memory confronts the cinemas ideological images to create a new way of thinking. It is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaksfigures that are fundamental to Schefers conception of the cinema, because the worlds that cinema traverses (our worlds, interior and exterior) are worlds of pain, unconscious desire, decay, repressed violence, and the endless mystery of the body. Fear and pleasure breed monsters, and such are what Schefers emblematic "ordinary man" seeks and encounters when engaging in the disordering of the ordinary that the movie theater offers him. Among other things, Schefer considers "The Gods" in 31 brief essays on film stills and "The Criminal Life" with reflections on spectatorship and autobiography. While Schefers book has long been standard reading in French film scholarship, until now it has been something of a missing link to the field (and more broadly, French theory) in English. It is one of the building blocks of more widely known and read translations of Gilles Deleuze (who cited this book as an influence on his own cinema books) and Jacques Rancière."--

Characters and characteristics in motion pictures. --- Motion pictures --- Phenomenology. --- Subjectivity in motion pictures. --- Philosophy. --- Characters and characteristics in motion pictures --- Phenomenology --- Subjectivity in motion pictures --- flm --- filmtheorie --- kunst --- kunstfilosofie --- filosofie --- fenomenologie --- twintigste eeuw --- Frankrijk --- 791.41 --- Point of view in motion pictures --- Subjective camera --- Characters and characteristics in moving-pictures --- Motion picture characters --- Philosophy --- Philosophy, Modern

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Popular films have always included elderly characters, but until recently, old age only played a supporting role on screen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt, where aging is a central theme. This book is a sustained discussion of old age in cinema. It brings together theories from disability studies, critical gerontology, and cultural studies, to examine how the film industry has linked old age with physical and mental disability. The author further examines Hollywood's mixed messages, the applauding of actors who portray the debilitating side of aging, while promoting a culture of youth, as well as the gendering of old age on film. The book makes an attempt to counter the fear of aging implicit in these readings by proposing alternate ways to value getting older.

Aging in motion pictures. --- People with disabilities in motion pictures. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Handicapped in motion pictures --- History and criticism --- Audio-visual materials --- Mass media --- Performing arts --- Motion pictures --- Alter, ... --- Umschulungswerkstätten für Siedler und Auswanderer --- Bibel --- USA. --- Umschulungswerkstätte für Siedler und Auswanderer --- USA --- Bitterfeld --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus

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Ecclesiology --- Church --- Ecumenical movement --- Unity --- World Council of Churches --- Lutheran World Federation --- -Ecumenical movement --- 261.8*42 --- Ecumenism --- Movement, Ecumenical --- Oecumenical movement --- Christian sects --- Christian union --- Ecclesiastical theology --- Theology, Ecclesiastical --- People of God --- Theology --- Oecumenische theologie: ecclesiologie --- Lutherischer Weltbund --- Fédération luthérienne mondiale --- Lutherska världsförbundet --- LVF --- Lutherske verdensforbund --- LWB --- Luterilainen maailmanliitto --- LWF --- L.W.F. --- FLM --- F.L.M. --- Federação Luterana Mundial --- Federación Luterana Mundial --- Lutheran World Convention --- Ökumenischer Rat der Kirchen --- Weltkonferenz der Kirchen --- Weltkirchenbund --- Vsemīrnoe sovi︠e︡shchanīe t︠s︡erkveĭ --- Majlis al-Kanāʼis al-ʻĀlamī --- Pankosmio Symvoulion tōn Ekklēsiōn --- Dewan Gereja Sedunia --- WCC --- Kirkenes verdensråd --- Kyrkornas världsråd --- Conseil œcuménique des Églises --- Weltkirchenrat --- Wereldraad van Kerken --- W.C.C. --- Consejo Mundial de Iglesias --- C.M.I. --- Conselho Mundial de Igrejas --- Ökumenischer Weltrat der Kirchen --- Concilio Ecuménico de las Iglesias --- Consejo Ecuménico de las Iglesias --- ÖRK --- CMI --- Kirkkojen Maailmanneuvosto --- KMN --- Kharacʻyānʻ Guiṇʻʺ poṅʻʺ cuṃ Dhamma Sippaṃ --- Vsemirnyĭ sovet t︠s︡erkveĭ --- Всемирный совет церквей --- 261.8*42 Oecumenische theologie: ecclesiologie --- Lutheran World Federation. --- World Council of Churches. --- Oekumenischer Rat der Kirchen --- F.L.M. (Federação Luterana Mundial) --- FLM (Federação Luterana Mundial) --- L.W.F. (Lutheran World Federation) --- LVF (Lutheran World Federation) --- LWB (Lutherischer Weltbund) --- LWF (Lutheran World Federation) --- Church - Unity

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This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema.

French literature --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- Film adaptations --- History --- History and criticism --- Rezeption --- Literatur --- Französisch --- French literature. --- Motion pictures. --- 24.32 history of film art. --- 18.25 French literature. --- Bibel --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus --- France. --- France (Provisional government, 1944-1946) --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- Film Studies --- Film Theory & Criticism --- PERFORMING ARTS / Film / History & Criticism --- Cultural studies --- Farans --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Pʻŭrangs --- Adaptation. --- American Film. --- British Film. --- Film History. --- Film Studies. --- French Film. --- French Literature. --- Industry Studies. --- National Cinema. --- Silent Film.

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A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.

Lubitsch, Ernst --- Silent films --- Films muets --- History and criticism --- Histoire et critique --- Lubitsch, Ernst, --- Criticism and interpretation --- History and criticism. --- Criticism and interpretation. --- Film. --- Motion picture producers and directors --- Films. --- Silent films. --- Histoire et critique. --- Lubitsch, Ernst. --- Critique et interpretation. --- Bibel --- Germany. --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Philemonbrief --- <> Brief an Philemon --- Phlm --- Philem --- Philm --- Phm --- Film --- Flm --- Fm --- Epistula ad Philomenem --- <> letter to Philemon --- Epître à Philémon --- Epistle to Philemon --- Paulus --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Angel. --- Anna Boleyn. --- Austernprinzessin, Die. --- Berger, Ludwig. --- Bergkatze, Die. --- Blind Husbands. --- Boese, Carl. --- Bourget, Jean-Loup. --- Buchanan, Jack. --- Buchowetzki, Dimitri. --- Capra, Frank. --- Carmen. --- Chevalier, Maurice. --- Colbert, Claudette. --- Corliss, Richard. --- Danton. --- Davidson, Paul. --- Design for Living. --- Dingelmann, Wilhelm. --- Doane, Mary Ann. --- Dreier, Hans. --- Durgnat, Raymond. --- Ebert, Friedrich. --- Eisenstein, Sergei. --- Eisner, Lotte. --- Fall, Leo. --- Forbidden Paradise. --- Ford, John. --- Froelich, Carl. --- Fräulein Seifenschaum. --- Genuine. --- Grafe, Frieda. --- Gregor, Ulrich. --- Hallelujah. --- Hasenclever, Walter. --- Hintertreppe. --- HufF, Theodore. --- If I Had a Million. --- Intolerance. --- Iser, Wolfgang. --- Jacobs, Lewis. --- Janson, Victor. --- Kracauer, Siegfried. --- Lang, Fritz. --- Lombard, Carole. --- Monsieur Beaucaire. --- Negri, Pola. --- Ossis Tagebuch. --- Oswalda, Ossi. --- Porten, Henny. --- Rausch. --- Réveillon. --- Shearer, Norma. --- Tannenbaum, Eugen. --- Lubitsch, Ernesto --- Filmregisseur --- Schauspieler --- Filmproduzent --- Drehbuchautor --- Berlin --- Los Angeles- Bel Air, Calif. --- Oswalda, Ossi --- 29.01.1892-30.11.1947 --- 1892-1947 --- Europe