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"The author was a commercial fisher in Nova Scotia in the early 1990s and witnessed first-hand the collapse of Canada's East Coast fishery. His book examines the parallels between his experience and that of 19th-century crofters from the same area who, with their entire communities, suffered dispossession and the imposition of new ways of life, all in the name of economic progress."--
Fisheries --- Rogers, Raymond A., --- Nova Scotia fishery. --- Scottish Clearances. --- collapse of North Atlantic fishery. --- critiques of capitalism. --- crofting. --- enclosure of the commons. --- first-hand accounts. --- life writing. --- settlement.
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This book examines the modern performance history of one of Shakespeare's best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goers to explore the pleasures of pastoral, gender masquerade and sexual ambiguity. Powered by Shakespeare's greatest female comic role, the play invites us into a deeply English woodland that has also been richly imagined as a space of dreams. The study retrieves the untold stories of stage productions in Britain, France and Germany, which include Royal Shakespeare Company productions starring Vanessa Redgrave, Eileen Atkins and Juliet Stevenson, the ground-breaking all-male productions at the National Theatre in 1967 and by Cheek by Jowl in 1992, and the versions directed by Jacques Copeau in Paris in 1934, and by Peter Stein in Berlin in 1977. It also addresses the four major screen versions of the play, ranging from Paul Czinner's 1936 film to Kenneth Branagh's seventy years later
Shakespeare, William, --- Shakespeare, William, --- Shakespeare, William, --- Shakespeare, William, --- Stage history. --- Film adaptations. --- As you like it (Shakespeare, William) --- Adrian Noble. --- As You Like It. --- Buzz Goodbody. --- Declan Donnellan. --- Jacques Copeau. --- National Theatre. --- Peter Stein. --- RSC productions. --- Shakespeare's Globe. --- Shakespearean comedy. --- early modern stage. --- first players. --- first-hand audience experience. --- theatrical logic. --- twentieth century performance.
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Since 1999 hundreds of thousands of young American Jews have visited Israel on an all-expense-paid 10-day pilgrimage-tour known as Birthright Israel. The most elaborate of the state-supported homeland tours that are cropping up all over the world, this tour seeks to foster in the American Jewish diaspora a lifelong sense of attachment to Israel based on ethnic and political solidarity. Over a half-billion dollars (and counting) has been spent cultivating this attachment, and despite 9/11 and the ongoing Israeli-Palestinian conflict the tours are still going strong.Based on over seven years of first-hand observation in modern day Israel, Shaul Kelner provides an on-the-ground look at this hotly debated and widely emulated use of tourism to forge transnational ties. We ride the bus, attend speeches with the Prime Minister, hang out in the hotel bar, and get a fresh feel for young American Jewish identity and contemporary Israel. We see how tourism's dynamism coupled with the vibrant human agency of the individual tourists inevitably complicate tour leaders' efforts to rein tourism in and bring it under control. By looking at the broader meaning of tourism, Kelner brings to light the contradictions inherent in the tours and the ways that people understandtheir relationship to place both materially and symbolically. Rich in detail, engagingly written, and sensitive to the complexities of modern travel and modern diaspora Jewishness, Tours that Bind offers a new way of thinking about tourism as a way through which people develop understandings of place, society, and self.
Tourism --- Heritage tourism --- Jews --- Travel --- Identity. --- 10-day. --- 1999. --- American. --- Based. --- Birthright. --- Israel. --- Jews. --- Kelner. --- Shaul. --- Since. --- all-expense-paid. --- effort. --- first-hand. --- forge. --- have. --- hundreds. --- known. --- look. --- modern. --- much-debated. --- much-emulated. --- observation. --- on-the-ground. --- over. --- pilgrimage-tour. --- provides. --- seven. --- this. --- thousands. --- ties. --- tourism. --- transnational. --- visited. --- years. --- young.
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Written by a leading dermatologist, The Blue Man and Other Stories of the Skin provides a compelling and accessible introduction to the life of our largest organ, while also recounting the author's experiences with memorable patients he has treated who suffer from mysterious skin conditions. Robert Norman begins by highlighting the qualities of the skin, tracing the history of its conditions and diseases, then examining the cultural, social and psychological impact of both color and irregularity. The book also features an absorbing collection of stories about some of his most intriguing patients: from a man whose skin mysteriously turned blue, to a hypochondriacal woman who begins to show signs of a life-threatening disease. This is a fascinating account of the dynamic nature of the skin, and the people who inhabit it.
Skin --- Human beings --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Persons --- Cutaneous diseases --- Dermatoses --- Dermatology --- Diseases. --- Care and hygiene. --- books about healthcare. --- dermatology history. --- dermatology. --- easy to read. --- engaging. --- examples of intriguing skin conditions. --- experiments. --- first hand accounts. --- health medicine. --- history of skin. --- how to treat skin conditions. --- human skin. --- informative books. --- introduction to skin. --- largest organ of the body. --- learning from experts. --- learning while reading. --- life threatening diseases. --- medical conditions. --- medical. --- mystery skin conditions. --- psychological impact. --- science and math. --- skin disease. --- skin irregularity. --- skin rashes.
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"A performance-centered history of the Australian "assimilation" era that centralizes auditory worlds and audio-visual evidence of Aboriginal music and dance"--
Aboriginal Australians --- Dance, Aboriginal Australian --- Music --- Non-Western music: traditional & classical --- History and criticism. --- History. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aboriginal Australian dance --- Dance --- Aboriginals, Australian --- Aborigines, Australian --- Australian aboriginal people --- Australian aboriginals --- Australian aborigines --- Australians, Aboriginal --- Australians, Native (Aboriginal Australians) --- Native Australians (Aboriginal Australians) --- Ethnology --- Indigenous peoples --- aboriginal --- indigenous --- Australia --- traditional music --- folk music --- music technique --- dance --- genre --- history --- culture --- identity --- first-hand --- interview --- Music - Performance techniques --- Culture - Theory and criticism - Postcolonial --- Dance - Analysis --- Colonisation - Ethical issues --- Dance, Aboriginal Australian. --- Music. --- 1900-1999 --- Australia.
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"A project originally conceived to document the biographies of Elders by the Gwich'in Social and Cultural Institute, Our Whole Gwich'in Way of Life Has Changed / Gwich'in K'yuu Gwiidandài' Tthak Ejuk Gòonlih is an invaluable compilation of historical and cultural information. The stories of twenty-three Gwich'in Elders from the Northwest Territories communities of Fort McPherson, Tsiigehtshik, Inuvik, and Aklavik talk about the pleasures of living and travelling on the land. Their distinctive voices speak to their values, world views, and cultural assumptions, while McCartney assists by providing context and background on the lives of the narrators and their communities. Scholars, students, and all those interested in Canadian/Northern history, anthropology, Indigenous Studies, oral history, or cultural geography will benefit from this critical resource. Contributors: Antoine Andre, Caroline Andre, Hyacinthe Andre, Annie Benoit, Pierre Benoit, Sarah Bonnetplume, Marka Bullock, Lydia Elias, Mary M. Firth, Sarah Ann Gardlund, Elizabeth Greenland, Gwich'in Tribal Council, Violet Jerome, Peter Kay Sr., Mary Rose Kendi, Leslie McCartney, Ruby McLeod, Catherine Mitchell, Eunice Mitchell, Joan Nazon, Annie Norbert, Marie Therese Remy-Sawyer, Alfred Semple, Sarah Simon, Ellen Vittrekwa, Jim Julius Vittrekwa."--
Indigenous peoples --- Gwich'in Indians --- Social life and customs. --- History. --- Northwest Territories --- Gwitchin Indians --- Kutchin Indians --- Loucheux Indians --- Athapascan Indians --- Indians of North America --- Ethnology --- Territoires du Nord-Ouest --- North West Territories --- NWT --- N.W.T. --- GNWT --- Government of the Northwest Territories --- Government of the N.W.T. --- Government of Northwest Territories --- Gouvernement des Territoires du Nord-Ouest --- Nunavut --- Indigenous teaching, first-hand account, traditional knowledge, fundamental virtues, testament of self-determination, identity, Caribou people, historical accounts, land, spirituality, cross-cultural understanding, Dene, North, oral tradition.
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