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Avec ceux du cinéma : comment on fait un film
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Year: 1957 Publisher: [Paris] Editions fleurus

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Film --- filmmaking

A. B. C. du cinéma : lexique
Author:
Year: 1961 Publisher: Place of publication unknown Editions universitaires

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Abstract

Keywords

Film --- filmmaking

Avec ceux du cinéma : comment on fait un film
Author:
Year: 1957 Publisher: [Paris] Editions Fleurus

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Abstract

Keywords

Film --- filmmaking

ABC du cinéma : lexique
Author:
Year: 1961 Publisher: Place of publication unknown Editions universitaires

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Abstract

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Film --- filmmaking


Book
A star is born : the making of the 1954 movie and its 1983 restoration
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ISBN: 0060972742 Year: 1990 Publisher: New York, N.Y. Harper & Row

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Film --- filmmaking


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Avec ceux du cinéma : comment on fait un film
Author:
Year: 1957 Publisher: [Paris] Editions Fleurus

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Abstract

Keywords

Film --- filmmaking


Book
ABC du cinéma : lexique
Author:
Year: 1961 Publisher: Place of publication unknown Editions universitaires

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Film --- filmmaking


Book
Monde de cinéma
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Publisher: Paris Étienne Chiron, éditeur

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Film --- filmmaking


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L'usine aux images
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Year: 1927 Publisher: Genève Office central d'édition

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Film --- filmmaking


Book
Geological Filmmaking
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Year: 2022 Publisher: London Open Humanities Press

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Abstract

Every film image is geological. As a technical medium derived from the metals and minerals extracted from the earth, every moving image is materially embedded in the world it records. It is also temporally linked to the almost inconceivably vast deep time of the planet’s formation. What would it mean to make films in response to this situation? Geological Filmmaking argues that the challenge lies in situating oneself in the space between the concrete object of a film and the broader planetary conditions of its existence. The nuances of this position are at once formal, ethical and political. Sasha Litvintseva discusses her process of developing such a film practice as a way of tackling the perceptual and aesthetic difficulties presented by ongoing ecological crises. These concerns are explored through the prism of the author’s own films about asbestos and sinkholes in their respective economic and colonial contexts.Geological Filmmaking develops a new genre of writing rooted in a reciprocity between the practice of making films and the theoretical study of the relations they participate in. Litvintseva expands current conversations in the environmental humanities through building on the rich legacy of experimental film as a tool for producing alternative modes of experiencing the world. The book is intended for readers from a broad range of backgrounds, looking for new ways of dealing with questions about the life and death of our planet.

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