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The film handbook.
Authors: ---
ISBN: 9780415557603 9780415557610 9780203146446 9781136508523 9781136508479 9781136508516 Year: 2013 Publisher: Abingdon Routledge

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Current research in film : audiences, economics, and law
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ISBN: 0893912697 0893913154 0893913197 0893914142 0893915521 Year: 1985 Publisher: Norwood, N.J. : Ablex,


Book
Empire and film
Authors: ---
ISBN: 9781844574223 9781844574216 1844574210 1844574229 Year: 2011 Publisher: London BFI


Book
Film in België : een permanente revolte : inleiding tot de geschiedenis & actualteit van de filmproductie, -distributie & -exploitatie in België : documentaire, speelfilm & animatiefilm : een verhaal van romantici & cynici, opportunisten & idealisten, provocateurs & grappenmakers, koppigaards, collectieven & productie-ateliers
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ISBN: 9076692033 Year: 2000 Publisher: Brussel : Mediadoc,


Book
Cine Zoologie hoe film de Antwerpse dierentuin heeft gered.
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ISBN: 9789082571271 Year: 2018 Publisher: Borgerhout,

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In de Eerste Wereldoorlog kwam de Antwerpse dierentuin in grote moeilijkheden. Dieren stierven door voedseltekort en bombardementen. Er kwamen steeds minder bezoekers. Het faillissement dreigde. In 1915, volle oorlogstijd, nam de directie een drastische beslissing. De feestzaal werd omgetoverd tot een bioscoop, met live-orkest. Het werd een weergaloos succes. Dankzij de nieuwe inkomsten kon de Antwerpse ZOO de oorlogsjaren overleven. Ook na de oorlog floreerde de bioscoop. In 1929 werd succesvol de omslag naar de geluidsfilm gemaakt. Midden jaren dertig ging het de bioscoop steeds minder voor de wind. De concurrentie in de buurt was flink toegenomen. In 1936 hield de directie het voor bekeken. In dit boek leest en ziet u het hele verhaal.


Book
After unique- ness
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ISBN: 9780231176927 9780231176934 0231176929 0231176937 0231543123 9780231543125 Year: 2017 Publisher: New York

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Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity-or both at once.From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.


Book
Film and the end of empire
Authors: ---
ISBN: 9781844574247 9781844574230 1844574237 1844574245 Year: 2011 Publisher: London BFI

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"In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperalism, to moments of decolonization and the ending of formal imperialism in the post-Second World War"--

Keywords

Film --- Motion pictures --- Colonies in motion pictures --- Cinéma --- Colonies au cinéma --- Colonies --- History --- Histoire --- Great Britain --- Grande-Bretagne --- Impérialisme --- Cinéma et propagande --- Colonies in motion pictures. --- Histoire et critique --- Au cinéma --- Colonies. --- Great Britain. --- History. --- film --- filmgeschiedenis --- twintigste eeuw --- documentaire film --- postkolonialisme --- kolonialisme --- Groot-Brittannië --- filmtheorie --- filmproductie --- filmdistributie --- 791.43 --- Documentary films --- Historical films --- Imperialism in motion pictures. --- Motion pictures in propaganda --- World War, 1939-1945 --- Performing arts --- Political aspects --- Motion pictures and the war. --- Film & Video --- General. --- History & Criticism. --- Cinéma --- Colonies au cinéma --- Imperialism in motion pictures --- World War, 1939-1945, in motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Moving-pictures in propaganda --- Propaganda in motion pictures --- Propaganda --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Motion pictures and the war --- History and criticism --- Colonial Film Unit (Great Britain) --- Histoire. --- Histoire et critique. --- Au cinéma. --- Impérialisme --- Cinéma et propagande --- Au cinéma.

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