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Motion pictures --- History. --- 791.43 <09> --- David A. Cook --- film --- filmgeschiedenis --- filmtheorie --- filmtechniek --- naslagwerk --- twintigste eeuw --- 791.43 --- 791.41 --- 791.42 --- #SBIB:309H1320 --- 798.4 --- filmcultuur --- Filmgeschiedenis. Filmhistorie --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- History --- History and criticism --- Film
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791.43 --- geschiedkundige beschrijvingen --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- film [performing arts] --- filmkunde --- red. Peter Bosma --- filmcultuur --- Arnheim Rudolf --- Kracauer Siegfried --- Bazin André --- film en psychologie --- pragmatisme --- film en pragmatisme --- semiotisch pragmatisme --- 791 --- filmkunst --- Filmgeschiedenis --- Filmkritiek --- Filmtheorie --- #SBIB:309H1300 --- #BAVD --- film --- filmtheorie --- narratologie --- filmmuziek --- geluid --- filmgeschiedenis --- filmkritiek --- Hollywood --- retoriek --- structuralisme --- semiotiek --- film en semiotiek --- psychologie --- 791.41 --- Filmwezen: algemene werken --- Film --- Motion pictures --- 780 --- dans, toneel, film --- danse, théâtre, cinéma --- film [discipline]
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This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period. It examines the cross-cultural relationship between British cinema and other media, including popular music and television. The analysis covers mainstream and experimental film cultures, identifying their production contexts and the economic, legislative and censorship constraints on British cinema throughout the decade.The essays in Part I contextualise the study and illustrate the diversity of 1970s moving image culture. In Part II, Sue Harper and Justin Smith examine how gender relations and social space were addressed in film. They show how a shared visual manner and performance style characterises this fragmented cinema, and how irony and anxiety suffuse the whole film culture. This volume charts the shifting boundaries of permission in 1970s film culture and changes in audience taste.This book is the culmination of an AHRC-funded project at the University of Portsmouth, For more information about 1970s British Cinema, Film and Video: Mainstream and Counter-Culture (2006-2009) please visit the project website at www.1970sproject.co.uk."
Motion pictures --- Motion picture industry --- Nineteen seventies. --- History --- Plots, themes, etc. --- Années soixante-dix (Vingtième siècle) --- filmcultuur --- filmcensuur --- popcultuur --- filmindustrie --- Années soixante-dix (Vingtième siècle) --- Nineteen seventies --- 791.43 --- cultuurgeschiedenis --- film --- filmgeschiedenis --- Groot-Brittannië --- kunstonderwijs --- muziek --- televisie --- twintigste eeuw --- 1970s --- 70s (Twentieth century decade) --- Seventies (Twentieth century decade) --- Twentieth century --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Plots, themes, etc --- History and criticism --- Film --- anno 1970-1979 --- United Kingdom --- Cinéma --- Histoire --- Industrie
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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema's audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others. Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses. Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution. Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences. Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema.
Film --- Motion picture audiences. --- Motion pictures --- Motion picture theaters. --- Motion picture industry --- Cinéma --- Distribution des films --- Cinémas --- Distribution. --- History --- Publics --- Motion picture audiences --- Distribution --- Political aspects --- Law and legislation --- Histoire et critique --- Sociologie --- 798.2 --- filmbezoek --- filmcultuur --- filmgeschiedenis --- filmgoing (moviegoing) --- #SBIB:309H1313 --- #SBIB:309H1312 --- film, inleiding, hand- en leerboeken --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Cinéma --- Cinémas --- Motion picture theaters --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Circulation of motion pictures --- Distribution of motion pictures --- Film distribution --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture circulation --- Motion picture distribution --- Movie-making --- Moviemaking --- Release of motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Release --- Audiences --- Sociologie. --- Distribution des films. --- Cinémas. --- Histoire et critique. --- Publics. --- Histoire du cinéma. --- Motion pictures - Distribution --- Motion pictures - Distribution - Political aspects --- Motion picture industry - Law and legislation --- Motion picture audiences - History
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Naast een chronologisch luik behandelt het boek belangrijke thema's zoals de toekomst van de film, de moeilijkheden van de art house-bioscoop, of de gespannen verhouding tussen verzuiling en film. Antwerpen en Gent vormen de locaties voor enkele concrete gevalstudies. Culturele, sociale en structurele analyses worden aangevuld met inzichten over de artistieke ontwikkelingen van de film en de bioscooparchitectuur. Ten slotte krijgen politieke aspecten (bijvoorbeeld katholieken en film), de plaats van film in de vrije tijd en affichekunst ruime aandacht.
Motion picture theaters --- Motion pictures --- History. --- bioscoop --- film --- Vlaanderen --- History --- cultuurgeschiedenis --- motion picture theaters --- Film --- screening rooms --- filmsociologie --- History of civilization --- filmgeschiedenis --- Flanders --- Motion picture projection --- Cinémas --- Cinéma --- Projection cinématographique --- Public opinion --- Histoire --- Opinion publique --- Flanders (Belgium) --- Cinematography --- Vrije tijd en toerisme (cultuur) --- bioscopen --- cultuur --- #SBIB:309H1313 --- #SBIB:316.7C321 --- #SBIB:949.3H1 --- 798.42 --- filmcultuur --- 791.43 --- België --- twintigste eeuw --- 791.43 <493> --- 624.1 Film --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- 791.43 <493> Filmkunst. Films. Cinema--België --- Filmkunst. Films. Cinema--België --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Culturele-, ontmoetings- vrijetijdscentra --- Geschiedenis van België: godsdienst en cultuur --- film, geschiedenis der filmkunst, België --- History and criticism --- Media --- Geschiedenis --- Cultuurstudies --- Cultuursociologie --- België --- Geschiedenis van België: godsdienst en cultuur --- film, geschiedenis der filmkunst, België --- Filmkunst. Films. Cinema--België --- Film (cinematografie) --- Cultuurstudie --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Emigratie --- cinema --- Motion picture theaters - Belgium - Flanders - History --- Motion pictures - Belgium - Flanders - History --- Vlaanderen.
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