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film --- België --- beroepsverenigingen --- filmclubs --- filminstellingen --- filmfestivals --- wetgeving --- televisie --- BRTN --- RTBF --- 791.4
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Motion pictures --- Films --- Reviews. --- Comptes rendus --- 791.45.073 --- Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- 791.45.073 Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- History --- 20th century --- History and criticism --- Cinéma
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791.45.073 --- #SBIB:309H401 --- Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Publieksgroepen in de verschillende media (pers, omroep, film, boekenindustrie, ...): gebruikersgroepen, gebruikersonderzoek --- 791.45.073 Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs
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editor-in-chief Durst György --- film --- Hongarije --- Balasz Béla Studio --- filmproductie --- filmclubs --- Balasz Bela --- filmcollecties --- filmarchieven --- filmstudio's --- 791.43
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Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Dreams --- Motion picture plays --- Motion pictures --- Psychoanalysis and motion pictures --- #SBIB:309H523 --- 791.41 --- dromen --- film --- film en psychoanalyse --- filmtheorie --- psychoanalyse --- 791.45.073 --- 791.45.073 Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Motion pictures and psychoanalysis --- Dreaming --- Subconsciousness --- Visions --- Sleep --- History and criticism --- Psychological aspects --- Audiovisuele communicatie: verhaalanalyse --- Dreams. --- Psychoanalysis and motion pictures. --- Psychological aspects. --- History and criticism.
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Film --- Sociology of culture --- Cologne --- 791.45.073 --- Motion picture audiences --- -Motion pictures --- -Motion picture audiences --- -#SBIB:309H402 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Social aspects --- -Social aspects --- -Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- History and criticism --- Audiences --- 791.45.073 Bioscoopbezoekers. Filmliefhebbers. Filmpubliek. Cinefielen. Filmclubs --- Motion pictures --- #SBIB:309H402 --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,
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Film --- anno 1900-1999 --- Motion pictures --- Cinéma --- History. --- Histoire --- Charles Boost --- film --- filmclubs --- filmmusea --- Nederland --- filmindustrie --- filmarchieven --- filmkritiek --- Canudo Ricciotto --- Delluc Louis --- experimentele film --- Art houses --- De Uitkijk --- La Sarraz --- Cinéma d'art et d'essai --- 791.43 --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism
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