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Book
Plantenteelt in Voedingsfilm : Eindwerk voorgedragen voor het het bekomen van de titel en de graad van industrieel ingenieur
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Year: 1982 Publisher: Gent

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Dissertation
Contribution à l'étude des P.G.P.R. (Plant growth - Promoting Rhizobacteria).
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Year: 1991

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Book
Wastewater treatment with plants in nutrient films.
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Year: 1983 Publisher: Springfield : National Technical Information Service, US Department of Commerce (NTIS),

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Book
Les cultures végétales hors sol.
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ISBN: 2950929702 9782950929709 Year: 1995 Publisher: Agen : SARL Publications Agricoles,


Dissertation
Utilisation de l'épuvalisation en tant que traitement des eaux usées.
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Year: 1995


Book
Invisible Storytellers
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ISBN: 1282355600 9786612355608 0520909666 9780520909663 9781282355606 Year: 1989 Publisher: Berkeley University of California Press

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"Let me tell you a story," each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voice-an off-screen narrator-for all or part of the story. From Wuthering Heights and Double Indemnity to Annie Hall and Platoon, voice-over narration has been an integral part of American movies.Through examples from films such as How Green Was My Valley, All About Eve, The Naked City, and Barry Lyndon, Sarah Kozloff examines and analyzes voice-over narration. She refutes the assumptions that words should only play a minimal role in film, that "showing" is superior to "telling," or that the technique is inescapably authoritarian (the "voice of god"). She questions the common conception that voice-over is a literary technique by tracing its origins in the silent era and by highlighting the influence of radio, documentaries, and television. She explores how first-person or third-person narration really affects a film, in terms of genre conventions, viewer identification, time and nostalgia, subjectivity, and reliability. In conclusion she argues that voice-over increases film's potential for intimacy and sophisticated irony.

What is cinema?
Authors: --- --- ---
ISBN: 0520931254 9780520931251 9780520931268 0520931262 0520242270 9780520242272 0520242289 9780520242289 130607360X Year: 2005 Publisher: Berkeley, Calif. University of California Press

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André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his foreword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

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