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ISBN: 9048530253 9789048530250 9462980772 9789462980778 9048561299 Year: 2017 Publisher: Amsterdam
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Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.
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Aesthetics --- Arts and society --- Aesthetics. --- Arts and society. --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Social aspects --- Psychology --- Religious studies --- Aesthetics of art --- aesthetics --- esthetica --- architecture --- aesthetics --- film science --- art theory --- literature studies --- music studies
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