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Jean-Claude Coquet, Heidi de Mare, Jean-Louis Leutrat [et al.] --- film --- filmtheorie --- filmgeschiedenis --- film en semiotiek --- film en feminisme --- Mulvey Laura --- Godard Jean-Luc --- Ophüls Max --- semiotiek --- 791.41 --- 791.43

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Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films.Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image.Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.

Amy Lawrence --- film --- filmtheorie --- Hollywood --- vrouwen --- geluid --- geluidstechniek --- film en feminisme --- 791.41 --- Sociology of the family. Sociology of sexuality --- Film --- Los Angeles --- Motion pictures --- Sex role in motion pictures --- Women in motion pictures --- Cinéma --- Rôle selon le sexe au cinéma --- Femmes au cinéma --- History --- Histoire --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Los Angeles [California]

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Edited by Jean Petrolle & Virginia Wright Wexman --- film --- experimentele film --- film en feminisme --- gender studies --- avant-garde --- Thornton Leslie --- Friedrich Sue --- Child Abigail --- Akerman Chantal --- Dulac Germaine --- Deren Maya --- Rainer Yvonne --- Abramovic Marina --- Menkes Nina --- Portillo Lourdes --- Tajiri Rea --- Dunye Cheryl --- Potter Sally --- Faye Safi --- Minh-ha Trinh T. --- Hubley Faith --- Leaf Caroline --- Menken Marie --- Schneemann Carolee --- Keller Marjorie --- Robertson Anne Charlotte --- Lowder Rose --- 791.43 --- Experimental films --- Women motion picture producers and directors --- History and criticism. --- Minh-ha Trinh T --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- History and criticism

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82:791.43 --- 82:3 --- #SBIB:023.AANKOOP --- #SBIB:309H1300 --- ed. by Joanne Hollows, Peter Huchings, Mark Jancovich --- film --- filmtheorie --- cultuurfilosofie --- cultuurgeschiedenis --- film en politiek --- kunst en politiek --- Adorno Theodor W. --- Macdonald Dwight --- Garnham Nicholas --- Meeham Eileen R. --- Wasko Janet --- Batman --- Hollywood --- filmkritiek --- filmgenres --- genre --- film noir --- filmsterren --- experimentele film --- film en marxisme --- film en psychoanalyse --- gender studies --- film en feminisme --- homoseksualiteit --- film en homoseksualiteit --- 791.41 --- Literatuur en film --- Literatuur en maatschappijwetenschappen --- Filmwezen: algemene werken --- Motion pictures. --- 82:3 Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Film --- Motion pictures --- Adorno Theodor W --- Meeham Eileen R --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Cinéma

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Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.

Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.