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The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives and characters along with other forms of convergence such as the Internet. While ‘New Media' is a broad concept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the ‘new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation.

Mass communications --- Computer. Automation --- Film --- Film adaptations --- 798.2 --- adaptatie (adaptation) --- nieuwe media --- History and criticism --- film, inleiding, hand- en leerboeken

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Motion pictures --- Cinéma --- 098 --- 798.2 --- beeldcultuur --- beeldtaal --- film --- geluid --- geschiedenis --- montage --- scenario --- massamedia - publiciteitswezen - audiovisuele media; algemeen, audiovisuele media, algemeen --- film, inleiding, hand- en leerboeken --- Cold War --- Motion pictures. --- World politics --- Sources.

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Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice. Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee Features historically important, foundational texts as well as contemporary pieces Includes numerous student features, such as a general editor's introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features Each essay deliberately focuses across film makers' oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi

Film --- 791.41 --- auteurtheorie --- film --- filmregisseurs --- filmtheorie --- twintigste eeuw --- 798.2 --- Filmregisseurs --- auteurschap --- film, inleiding, hand- en leerboeken --- Auteur theory (Motion pictures) --- Auteur theory (Motion pictures). --- #SBIB:309H1323 --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Politique des auteurs (Motion pictures) --- Motion pictures

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Sound motion pictures. --- Television broadcasting --- Television. --- Sound effects. --- 791.42 --- film --- filmklank --- filmtechniek --- geluid --- 778.5 --- bewegend beeld --- cinematografie --- geluidseffecten --- televisie --- 665 --- 798.2 --- geluidsmontage --- geluidsopnames --- microfonen --- sounddesign --- cinematografie, scenario's --- audio-video --- film, inleiding, hand- en leerboeken --- Contains audio-visual material

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798.2 --- 798.75 --- film --- filmtechnieken --- montage --- postproductie --- film, inleiding, hand- en leerboeken --- film, filmtechniek --- editing --- -Videotapes --- -Tape recordings, Video --- Tapes, Video --- Videotapes --- Magnetic tapes --- Television film --- Motion pictures --- Video tapes --- 778.53 --- cinematografie --- Editing --- Film editing (Cinematography) --- Motion picture editing --- Motion picture film editing --- filmopneming, werkwijzen, opneemapparaten, camera's, montage --- Montage