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Icons of Life tells the engrossing and provocative story of an early twentieth-century undertaking, the Carnegie Institution of Washington's project to collect thousands of embryos for scientific study. Lynn M. Morgan blends social analysis, sleuthing, and humor to trace the history of specimen collecting. In the process, she illuminates how a hundred-year-old scientific endeavor continues to be felt in today's fraught arena of maternal and fetal politics. Until the embryo collecting project-which she follows from the Johns Hopkins anatomy department, through Baltimore foundling homes, and all the way to China-most people had no idea what human embryos looked like. But by the 1950's, modern citizens saw in embryos an image of "ourselves unborn," and embryology had developed a biologically based story about how we came to be. Morgan explains how dead specimens paradoxically became icons of life, how embryos were generated as social artifacts separate from pregnant women, and how a fetus thwarted Gertrude Stein's medical career. By resurrecting a nearly forgotten scientific project, Morgan sheds light on the roots of a modern origin story and raises the still controversial issue of how we decide what embryos mean.

Embryology, Human --- Tissue culture --- Human reproductive technology --- Medical anthropology. --- Social aspects. --- 20th century american history. --- 20th century scientific history. --- baltimore foundling homes. --- biology. --- carnegie institute of washington. --- embryo babies. --- embryo collection. --- embryo production factory. --- embryology. --- fetal politics. --- gertrude stein. --- healthcare. --- icons of life. --- johns hopkins anatomy department. --- maternal politics. --- medial treatment. --- medical care. --- mount holyoke collection. --- ourselves unborn. --- pregnancy. --- pregnant women. --- science. --- scientific study. --- social artifacts. --- specimen collecting. --- united states of america.