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Le Bourgeois gentilhomme --- Le Malade imaginaire --- Monsieur de Pourceaugnac --- Psyché --- Mélicerte --- Pastorale comique --- Le silicien --- Les amants magnifiques --- Amphitryon --- George Dandin --- La Comtesse d'Escarbagnas --- L'Avare --- Le Médecin malgré lui --- Les Femmes savantes --- Les Fourberies de Scapin --- Molière,
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La contribution des femmes à l'avènement de la science moderne en Angleterre. Cet ouvrage se propose d'évaluer la contribution des femmes à l'avènement de la science moderne en Angleterre. On s'intéresse ici à deux aristocrates du XVIIe siècle, Margaret Cavendish, duchesse de Newcastle, et Anne, vicomtesse Conway, auteurs de traités de philosophie naturelle publiés entre 1650 et 1690. Cette enquête sur les ruses conçues et mises en oeuvre par ces deux autodidactes afin d'infiltrer la communauté savante sans pour autant transgresser ouvertement les principes patriarcaux montre comment elles ont pu participer aux échanges de la République des lettres. Mais il s'agit aussi d'évaluer la contribution réelle de ces femmes aux débats de philosophie naturelle, alors orchestrés par la Royal Society de Londres. Après avoir replacé les traités de Cavendish et de Conwaydans le contexte intellectuel du milieu du XVIIe siècle, l'ouvrage propose une analyse des doctrines vitalistes que les deux femmes élaborent en réponse au mécanisme, d'une part, et au désordre politique et religieux de l'Angleterre, d'autre part. Au croisement de l'histoire des femmes et de l'histoire des sciences, il retrace le processus de cristallisation de la figure de la femme savante en Angleterre dans la seconde moitié du XVIIe siècle. Bien que largement absentes de l'historiographie traditionnelle des sciences modernes, les femmes ont contribué à leur façon aux débats philosophiques de leur temps.
Women philosophers --- Philosophy of nature --- History --- Newcastle, Margaret Cavendish, --- Conway, Anne, --- Women as philosophers --- Philosophers --- Women scholars --- Nature --- Nature, Philosophy of --- Natural theology --- Philosophy --- Conway, Anne Finch Conway, --- Finch, Anne, --- Conway, Anne Conway, --- Cavendish, Margaret, --- Lucas, Margaret, --- Margaret, --- Margareta, --- Newcastle, --- Newcastle, Margaret, --- Newcastle, Margaret Lucas Cavendish, --- Angleterre --- science moderne --- femmes savantes
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FOUQUIER Henry --- Vaudeville --- HAUPTMANN Gerhart (1862-1946) --- Heyermans Herman --- ABOUT, Edmond --- Théâtre de foire --- Les Femmes savantes --- Phèdre --- Les Tisserands --- Alladine et Palomides --- Intérieur --- Marionnettes --- Madame Sans-Gêne --- Le voile --- Antigone --- Solness le Constructeur --- Georges Dandin ou le mari confondu --- Bérénice --- La Mort de Tintagiles --- Conférence --- Boubouroche --- Corneille, Pierre --- Scarron, Paul --- Racine, Jean --- Delavigne, Casimir --- Dumas, Alexandre --- Maeterlinck, Maurice --- Sardou, Victorien --- Loti, Pierre --- Pailleron, Edouard --- Rodenbach, Georges --- Courteline, Georges --- Sophocle, --- Ibsen, Henrik --- Molière, --- Rostand, Edmond --- Brieux, Eugène --- Hervieu, Paul
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HAUPTMANN Gerhart (1862-1946) --- Heyermans Herman --- ABOUT, Edmond --- Théâtre de foire --- FOUQUIER Henry --- Vaudeville --- Antigone --- Solness le Constructeur --- Georges Dandin ou le mari confondu --- Bérénice --- La Mort de Tintagiles --- Conférence --- Boubouroche --- Les Femmes savantes --- Phèdre --- Les Tisserands --- Alladine et Palomides --- Intérieur --- Marionnettes --- Madame Sans-Gêne --- Le voile --- Sophocle, --- Ibsen, Henrik --- Molière, --- Rostand, Edmond --- Brieux, Eugène --- Hervieu, Paul --- Corneille, Pierre --- Scarron, Paul --- Racine, Jean --- Delavigne, Casimir --- Dumas, Alexandre --- Maeterlinck, Maurice --- Sardou, Victorien --- Loti, Pierre --- Pailleron, Edouard --- Rodenbach, Georges --- Courteline, Georges
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Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
LITERARY CRITICISM / Drama. --- Bernhardt, Sarah, --- Acting. --- Adrienne Lecouvreur. --- Amoureuse. --- Andromaque. --- Arthur Symons. --- Athalie. --- Bajazet (play). --- Blanche Marchesi. --- Camille Saint-Saëns. --- Cavatina. --- Charles Gounod. --- Classicism. --- Clement Scott. --- Contralto. --- Cyrano (musical). --- Declamation. --- Dinorah. --- Dion Boucicault. --- Dramaturgy. --- Edmond Rostand. --- Eleonora Duse. --- Eric Bentley. --- Ernani. --- Fairy tale. --- Five Plays. --- Francesca da Rimini. --- Giacomo Meyerbeer. --- Gianni Bettini. --- Gismonda. --- Giuseppe Verdi. --- Goethe's Faust. --- Grand opera. --- Harper's Bazaar. --- Harry Baur. --- Hernani (drama). --- Hesketh Pearson. --- His Wife's Lover. --- Hyperbole. --- Ingenue (stock character). --- Jean Giraudoux. --- Jean Richepin. --- Jean-Louis Barrault. --- Jules Barbier. --- Jules Massenet. --- King Lear. --- Le Cid (opera). --- Le Figaro. --- Les Femmes Savantes. --- Libretto. --- Liebestod. --- Lillie Langtry. --- Lorenzaccio. --- Louis Jouvet. --- Lyric soprano. --- Mad scene. --- Marcel Schwob. --- Marcella Sembrich. --- Marguerite (musical). --- Mathilde Marchesi. --- Maude Adams. --- Max Beerbohm. --- Melodrama. --- Mephistopheles. --- Mise-en-scène. --- Mithridate. --- Molière. --- Mrs. Patrick Campbell. --- Opera and Drama. --- Oreste. --- Pantomime. --- Parody. --- Passepied. --- Passion and Purity. --- Quibble (plot device). --- Rachel's. --- Revue. --- Reynaldo Hahn. --- Rodgers and Hammerstein. --- Romanticism. --- Sacha Guitry. --- Sarah Bernhardt. --- Sardou. --- Shylock. --- Six Acts. --- Soubrette. --- Sound effect. --- Superiority (short story). --- Tartuffe. --- The Actress. --- The Duenna. --- The Human Voice. --- The Lady from the Sea. --- The Marriage of Figaro. --- Title role. --- Tragedy. --- Travesti (theatre). --- Two Women. --- Victor Hugo. --- Victorien Sardou. --- William Shakespeare.
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