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Frederick Wiseman is among America's foremost documentary filmmakers. The recipient of many awards, including three Emmys, Wiseman has made more than thirty feature-length documentaries during a career that has spanned five decades. Together, these films provide a fascinating chronicle of American social and institutional life. This book makes available for the first time transcriptions of five of Wiseman's most important films- Titicut Follies, High School, Welfare, High School II, Public Housing-providing all of the dialogue as well as annotations about other aspects of the soundtracks such as music and ambient noise, and notes about editing and camera movement. These scene-by-scene transcripts enable readers to scrutinize the films' complex structural patterns, recurring motifs, editing regimes, and the unscripted dialogue that makes Wiseman's cinema a rich repository of American speech. Editor Barry Keith Grant's critical introduction discusses the importance of sound in Wiseman's documentaries. Liberally illustrated with images from the films, these meticulous transcriptions are accompanied by a bibliography and filmography.
Motion picture plays. --- PERFORMING ARTS / Film & Video / General. --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- america. --- american filmmakers. --- american institutions. --- american society. --- annotated. --- cinema. --- critical introduction. --- documentaries. --- emmy winners. --- famous filmmakers. --- feature length documentaries. --- film criticism. --- film critics. --- film editing. --- film scholars. --- film studies. --- film transcriptions. --- filmmakers. --- filmography. --- frederick wiseman. --- high school ii. --- high school. --- performing arts. --- public housing. --- social life. --- sound. --- students and teachers. --- titicut follies. --- welfare.
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Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray's films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.
PERFORMING ARTS / Film & Video / General. --- Ray, Satyajit, --- Rāẏa, Satyajit̲, --- Rāya, Satyajita, --- R̲ē, Satyajit, --- Satyajit Ray, --- Satyajit R̲ē, --- Satyajita Rāya, --- Rai, Sathyajith, --- Criticism and interpretation. --- Motion picture producers and directors --- 20th century. --- avant garde. --- cinema and film. --- cinema lovers. --- cinema. --- committed art. --- contemporary. --- critique. --- european ideas. --- expression. --- famous filmmakers. --- film buffs. --- film critique. --- film experiments. --- film studies. --- filmmakers. --- indian director. --- indian life. --- international film. --- internationalism. --- modern artists. --- modernism. --- movies. --- new wave cinema. --- non western film. --- nonfiction study. --- performing arts. --- political films. --- radical future. --- satyajit ray. --- world cinema.
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