Narrow your search

Library

LUCA School of Arts (2)

Odisee (2)

Thomas More Kempen (2)

Thomas More Mechelen (2)

UCLL (2)

VIVES (2)

VUB (2)

ULiège (1)


Resource type

book (2)


Language

English (2)


Year
From To Submit

2010 (1)

2006 (1)

Listing 1 - 2 of 2
Sort by
Five films by Frederick Wiseman
Authors: ---
ISBN: 1282771833 9786612771835 0520938704 9780520938700 9781282771833 0520244567 0520244575 Year: 2006 Publisher: Berkeley University of California Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

Frederick Wiseman is among America's foremost documentary filmmakers. The recipient of many awards, including three Emmys, Wiseman has made more than thirty feature-length documentaries during a career that has spanned five decades. Together, these films provide a fascinating chronicle of American social and institutional life. This book makes available for the first time transcriptions of five of Wiseman's most important films- Titicut Follies, High School, Welfare, High School II, Public Housing-providing all of the dialogue as well as annotations about other aspects of the soundtracks such as music and ambient noise, and notes about editing and camera movement. These scene-by-scene transcripts enable readers to scrutinize the films' complex structural patterns, recurring motifs, editing regimes, and the unscripted dialogue that makes Wiseman's cinema a rich repository of American speech. Editor Barry Keith Grant's critical introduction discusses the importance of sound in Wiseman's documentaries. Liberally illustrated with images from the films, these meticulous transcriptions are accompanied by a bibliography and filmography.


Book
Cinema, emergence, and the films of Satyajit Ray
Author:
ISBN: 1282697730 9786612697739 0520946049 9780520946040 9781282697737 9780520262164 0520262166 9780520262171 0520262174 6612697733 Year: 2010 Publisher: Berkeley : University of California Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray's films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.

Listing 1 - 2 of 2
Sort by