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This work deals with intertextual theories and investigates narrative texts (by Wieland, Novalis, Chamisso, Storm, Andersen and Thomas Mann) from the Enlightenment of the 18th century to Classical Modernism of the early 20th century. In addition to the fairytale requisites, the less obvious fairytale-like text structures, which show a connection between different literary genres (novella/novel and fairytale) and a confrontation between the fairytale-like and the fictitious-realistic, will also be examined. The relationship between the writing process of fairytale adaptation and literary modernity - a literary modernity that reflects a social modernity characterized by its social ambivalence and plurality (modernity as a macro epoch after Anke Lohmeier and Dirk von Petersdorff) - will be shown. The six narrative texts - Die Abentheuer des Don Sylvio von Rosalva, Die Lehrlinge zu Sais, Peter Schlemihls wundersame Geschichte, Der Schimmelreiter, Peer im Glück (as an excursion and outlook into contemporary European literature) and Königliche Hoheit - with their diversity of layers of meaning are regarded as modern narrative texts and represent various milestones in the development of the concept of modernity. Diese Arbeit beschäftigt sich mit intertextuellen Theorien und untersucht Erzähltexte (von Wieland, Novalis, Chamisso, Storm, Andersen und Thomas Mann von der Aufklärung des 18. Jahrhunderts bis zur Klassischen Moderne des frühen 20. Jahrhunderts. Betrachtet werden neben den Märchenrequisiten auch die weniger auffälligen märchenhaften Textstrukturen, die eine Verknüpfung zwischen verschiedenen literarischen Gattungen (Novelle/Roman und Märchen) und eine Auseinandersetzung zwischen dem Märchenhaften und dem Fiktiv-Realistischen zeigen. Aufgezeigt werden soll die Beziehung zwischen dem Schreibverfahren der Märchenadaption und der literarischen Moderne – einer literarischen Moderne, die eine gesellschaftliche Moderne refl ektiert, welche durch ihre gesellschaftliche Ambivalenz und Pluralität gekennzeichnet ist (die Moderne als Makroepoche nach Anke Lohmeier und Dirk von Petersdorff). Die sechs Erzähltexte – Die Abentheuer des Don Sylvio von Rosalva, Die Lehrlinge zu Sais, Peter Schlemihls wundersame Geschichte, Der Schimmelreiter, Peer im Glück (als Exkurs und Ausblick in die zeitgenössische europäische Literatur) und Königliche Hoheit – gelten mit ihrer Vielfalt der Bedeutungsschichten als moderne Erzähltexte und stellen verschiedene Meilensteine in der Entwicklung des Moderne-Begriffes dar.
Language --- fairy-tale adaptation --- literary modernism --- intertextuality
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The book consists of two parts. The first one focuses on the personality of Hans Christian Andersen, the originality of his works and its preconditions. The author concentrates on Andersens autobiographies pointing out the peculiarities of Andersen‘s character, the expression of his sexuality and belief in God, also, investigates small prose from the standpoint of genre specifics, analyses the component of simple speaking as poetic strategy and inquires into the correlation of small prose and the tradition of folklore. The second part of the book focuses on Andersen‘s works from the standpoint of comparative science relating them to the works of modern Scandinavian writers, also, the works of Lithuanian writers, especially those written on the verge of 19th – 20th c., besides, it reveals Andersen‘s impact on the development of Lithuanian literary fairy tale and artistic expression in the works meant for adults.
Botanists --- Political activists --- Comparative science --- Autobiography --- Perception of Andersen‘s works in Lithuania --- Specific features of small genres --- Folk and literary fairy tale --- Ethics of creative works --- Vailionis, Liudas, --- Comparative science --- Autobiography --- Perception of Andersen‘s works in Lithuania --- Specific features of small genres --- Folk and literary fairy tale --- Ethics of creative works
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The book consists of two parts. The first one focuses on the personality of Hans Christian Andersen, the originality of his works and its preconditions. The author concentrates on Andersens autobiographies pointing out the peculiarities of Andersen‘s character, the expression of his sexuality and belief in God, also, investigates small prose from the standpoint of genre specifics, analyses the component of simple speaking as poetic strategy and inquires into the correlation of small prose and the tradition of folklore. The second part of the book focuses on Andersen‘s works from the standpoint of comparative science relating them to the works of modern Scandinavian writers, also, the works of Lithuanian writers, especially those written on the verge of 19th – 20th c., besides, it reveals Andersen‘s impact on the development of Lithuanian literary fairy tale and artistic expression in the works meant for adults.
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The book consists of two parts. The first one focuses on the personality of Hans Christian Andersen, the originality of his works and its preconditions. The author concentrates on Andersens autobiographies pointing out the peculiarities of Andersen‘s character, the expression of his sexuality and belief in God, also, investigates small prose from the standpoint of genre specifics, analyses the component of simple speaking as poetic strategy and inquires into the correlation of small prose and the tradition of folklore. The second part of the book focuses on Andersen‘s works from the standpoint of comparative science relating them to the works of modern Scandinavian writers, also, the works of Lithuanian writers, especially those written on the verge of 19th – 20th c., besides, it reveals Andersen‘s impact on the development of Lithuanian literary fairy tale and artistic expression in the works meant for adults.
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"In 1976 John Raven caused a stir in the University of Cambridge when he began his Gray Lectures on Plants and Plant Lore in Ancient Greece, with a devastating reappraisal of long-accepted identifications of ancient names for modern plants. He soon ranged to wider questions of classical botany, in myth, medicine and illustration, from the plants of Homer and Sappho, to Theophrastus and Theocritus, Hippocrates and Dioscorides. He examined Minoan art and the tulips of modern Crete. In a tour-de-force, he sought the very pool on Cos, where fair Hylas was snatched by waternymphs, to the dismay of Heracles. John Raven's four Gray Lectures are presented here with another he gave in Oxford in 1971, which is illustrated with photographs by Faith Raven. These lectures display John Raven's sprightly scholarship and lifetime's intimacy with Greek plants on the ground. His themes are discussed and expanded in the light of recent research by distinguished botanical and classical scholars: Dr William Stearn and Professors Nicholas Jardine and Peter Warren. Two related papers (one unpublished) by Alice Lindsell, a pioneer in the field, are included, and extracts from her exquisite Botanical Sketchbook, made in Greece in 1930-31, are published among the abundant colour plates."--BOOK JACKET.
Plants --- Botany --- Folklore --- Greek World --- Fairy Tale --- Folktale --- Fairy Tales --- Folklores --- Folktales --- Plant --- Plant Proteins --- Ethnopharmacology --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Plant lore --- Ethnobotany --- Flora --- Plant kingdom --- Plantae --- Vascular plants --- Vegetable kingdom --- Vegetation --- Wildlife --- Organisms --- History --- history
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Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to everyday life that nonetheless helps us understand and deal with the anxieties of that life. Today, however, fairy tales are far from marvelous-in the hands of Hollywood, they have been stripped of their power, offering little but formulaic narratives and tame surprises. If we want to rediscover the power of fairy tales-as Armando Maggi thinks we should-we need to discover a new mythic lens, a new way of approaching and understanding, and thus re-creating, the transformative potential of these stories. In Preserving the Spell, Maggi argues that the first step is to understand the history of the various traditions of oral and written narrative that together created the fairy tales we know today. He begins his exploration with the ur-text of European fairy tales, Giambattista Basile's The Tale of Tales, then traces its path through later Italian, French, English, and German traditions, with particular emphasis on the Grimm Brothers' adaptations of the tales, which are included in the first-ever English translation in an appendix. Carrying his story into the twentieth century, Maggi mounts a powerful argument for freeing fairy tales from their bland contemporary forms, and reinvigorating our belief that we still can find new, powerfully transformative ways of telling these stories.
Fairy tales --- History and criticism. --- Social aspects. --- Basile, Giambattista, --- Criticism and interpretation. --- basile, fairy tale, folklore, tradition, narrative, literature, magic, mythology, myth, grimm brothers, adaptation, france, italy, germany, cupid and psyche, king cardiddu, orpheus, romanticism, brentano, beauty, marvel, postmodernism, disney, beasts of the southern wild, nonfiction, apuleius, robert coover, memoir, trauma, archetype, film, popular culture, history.
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"Since the beginning of the nineteenth century folklorists, and the general public in their wake, have assumed the orality of fairy tales. Only lately have more and more specialists been arguing in favour of at least an interdependence between oral and printed distribution of stories. This book takes an extreme position in that debate: as far as Tales of magic is concerned, the initial transmission proceded exclusively through prints. From a historical perspective, this is the only viable approach; the opposite assumption of a vast unrecorded and thus inaccessible reservoir of oral stories, presents a horror vacui. Only in the course of the nineteenth century, when folklorists started collecting in the field and asked their informants for fairy tales, was this particular genre incorporated into a then feeble oral tradition. Even then story tellers regularly reverted to printed texts. Every recorded fairy tale can be shown to be dependent on previous publications, or to be a new composition, constructed on the basis of fragments of stories already in existence. Tales of magic, tales in print traces the textual history of a number of fairy tale clusters, linking the findings of literary historians on the sixteenth to eighteenth centuries to the material collected by nineteenth- and twentieth-century field workers. While it places fairy tales as a genre firmly in a European context, it also follows particular stories in their dispersion over the rest of the world."--Publisher's website.
Transmission of texts --- Fairy tales --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- History. --- History and criticism. --- Grimm, Wilhelm, --- Grimm, Jacob, --- Literature --- Literary Studies: General --- LITERARY CRITICISM / European / General --- Literary studies: general --- Golden Bird. --- Jack and the Beanstalk. --- Magician and His Pupil. --- The Sky High Tree. --- conglomerate tale. --- fairy tales. --- nineteenth century folklorists. --- occult knowledge. --- post-Grimm fairy tale. --- shamanistic World Tree. --- tale-type index. --- tales of magic.
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Philosophical anthropology --- History of civilization --- Folklore --- Mortuary Practice --- Attitude to Death --- history --- Attitude to Death. --- Folklore. --- 393 --- Folklores --- Attitudes to Death --- Death, Attitude to --- Death, Attitudes to --- Death --- history. --- Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- ATTITUDE TO DEATH --- MORTUARY PRACTICE --- 393 Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Mortuary practice --- History. --- 393 Death. Treatment of corpses. Funerals. Death rites --- Death. Treatment of corpses. Funerals. Death rites --- Fairy Tale --- Folktale --- Fairy Tales --- Folktales --- Mortuary Practice - history --- Attitude to Death - history
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Folklore --- Medicine, Traditional --- essays --- history --- Folklore. --- Medicine, magic, mystic, and spagiric --- Traditional medicine --- -Traditional medicine --- -Ethnic medicine --- Ethnomedicine --- Folk medicine --- Home cures --- Home medicine --- Home remedies --- Indigenous medicine --- Medical folklore --- Medicine, Primitive --- Primitive medicine --- Surgery, Primitive --- Alternative medicine --- Medical anthropology --- Ethnopharmacology --- Magic medicine --- Medicine, Mystic --- Medicine, Occult --- Medicine, Spagiric --- Mystic medicine --- Occult medicine --- Spagiric medicine --- Spagyric medicine --- Alchemy --- Magic --- Superstition --- Folklores --- history. --- Medicine, Magic, mystic, and spagiric. --- Traditional medicine. --- Essays. --- History --- -history. --- Medicine, Magic, mystic, and spagiric --- Ethnic medicine --- essays. --- Fairy Tale --- Folktale --- Fairy Tales --- Folktales
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