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Fitzgerald's The Great Gatsby is widely seen as the quintessential "great American novel," and the extensive body of criticism on the work bears out its significance in American letters. American Icon traces its reception and its canonical status in American literature, popular culture, and educational experience. It begins by outlining the novel's critical reception from its publication in 1925, to very mixed reviews, through Fitzgerald's death, when it had been virtually forgotten. Next, it examines the posthumous revival of Fitzgerald studies in the 1940s and its intensification by the New Critics in the 1950s, focusing on how and why the novel began to be considered a masterpiece of American literature. It then traces the growth of the "industry" of Gatsby criticism in the ensuing decades, stressing how critics of recent decades have opened up study of the economic, sexual, racial, and historical aspects of the text. The final section discusses the larger-than-life status Gatsby has attained in American education and popular culture, suggesting that it has not only risen from the critical ash heaps into which it was initially discarded, but also that it has become part of the fabric of American culture in a way that few other works have.

American fiction --- History and criticism. --- Fitzgerald, F. Scott --- Geschichte. --- Harbison, John. --- 1920s. --- American Dream. --- American Icon. --- American Literature. --- Cultural Relevance. --- F. Scott Fitzgerald. --- Fitzgerald Studies. --- Gatsby Criticism. --- Jazz Age. --- Literary Criticism. --- Roaring Twenties. --- Robert Beuka. --- The Great Gatsby. --- LITERARY CRITICISM / American / General.

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Some of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgia is politics, but these politics are also interwoven with media and culture. Notwithstanding how nostalgia is used or contextualized in terms of politics and social practices, commodification or personal development, its power is primarily situated within its efficacy as a governing, influential human emotion. The vast and luminous contributions to this special issue on contemporary nostalgia are all investigating the role different aesthetic media formats (film, music, literature, computer games) plays in nostalgic negotiations with style, history, migration, love, nationalism, diaspora, irony, modernity, colonial and postcolonial discourses, and adoption. Mutually, these essays stand out as important, original, critical contributions to the expanding field of nostalgia studies and offer a valued insight on our world.

illustrations --- n/a --- tropic reinvention --- simulation --- émigré writers --- motherhood --- nostalgic spaces --- imagery --- Naumann --- contemporary nostalgia --- grotesque --- displacement --- intermediality --- nostalgic experience --- F. Scott Fitzgerald --- Second World War --- North Africa Campaign --- post-communism --- railways --- ostalgia --- Partition fiction --- retro aesthetics --- India --- Hollywood --- Nubia --- restorative nostalgia --- narrative modes --- Ian McEwan --- Lars Gustafsson --- post-Yugoslav music --- Rickardsson --- cosmopolitanism --- idealisation --- nostalgic dystopias --- heritage cinema --- advertisements --- partition --- responsibility --- “The Rich Boy” --- heterotopia --- childhood --- myths --- spatial production --- nostalgic narrative --- popular literature --- refugees --- commodification of feelings and memories --- modernism --- ethics --- first-person narrative --- transnational adoption --- Finland-Swedish literature --- imperial nostalgia --- Red Book Magazine --- American literature --- Atonement --- modernity --- disembodied territoriality --- expatriation --- the concept of love --- independent style --- narrative mediation --- F.R. Gruger --- nation-state --- southern gothic --- video games --- Czech history --- historical recreation --- memory --- Egypt --- media --- autobiography --- Richard Ford --- collective memory --- Czech film --- normalisation --- Pakistan --- Niklas Salmose --- reflective nostalgia --- text-image relations --- Foucault --- poetry --- nostalgia --- Yugonostalgia --- nostalgic strategies --- metanostalgia --- lost ideal --- colonial nostalgia --- pastoral --- landscape --- territory --- émigré writers --- "The Rich Boy"

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This book charts how the cartographies of American literature as an institutional category have varied radically across different times and places. Arguing that American literature was consolidated as a distinctively nationalist entity only in the wake of the U.S. Civil War, Paul Giles identifies this formation as extending until the beginning of the Reagan presidency in 1981. He contrasts this with the more amorphous boundaries of American culture in the eighteenth century, and with ways in which conditions of globalization at the turn of the twenty-first century have reconfigured the parameters of the subject. In light of these fluctuating conceptions of space, Giles suggests new ways of understanding the shifting territory of American literary history. ranging from Cotton Mather to David Foster Wallace, and from Henry Wadsworth Longfellow to Zora Neale Hurston. Giles considers why European medievalism and Native American prehistory were crucial to classic nineteenth-century authors such as Emerson, Hawthorne, and Melville. He discusses how twentieth-century technological innovations, such as air travel, affected representations of the national domain in the texts of F. Scott Fitzgerald and Gertrude Stein. And he analyzes how regional projections of the South and the Pacific Northwest helped to shape the work of writers such as William Gilmore Simms, José Martí, Elizabeth Bishop, and William Gibson. Bringing together literary analysis, political history, and cultural geography, The Global Remapping of American Literature reorients the subject for the transnational era.

National characteristics, American, in literature. --- Regionalism in literature. --- Space in literature. --- Boundaries in literature. --- Geography in literature. --- American literature --- Topography in literature --- History and criticism. --- United States --- In literature. --- American Civil War. --- American Renaissance. --- American South. --- American broadcasting. --- American culture. --- American literary studies. --- American literature. --- Augustan American literature. --- Cotton Mather. --- Dave Eggers. --- David Foster Wallace. --- Don DeLillo. --- Douglas Coupland. --- Elizabeth Bishop. --- European medievalism. --- F. O. Matthiessen. --- F. Scott Fitzgerald. --- Flix Guattari. --- Gary Snyder. --- Gertrude Stein. --- Gilles Deleuze. --- Jos Mart. --- Magnalia Christi Americana. --- Nathaniel Hawthorne. --- Native Americans. --- New England. --- Pacific Northwest. --- Philip Roth. --- Phillis Wheatley. --- Ralph Waldo Emerson. --- Richard Brautigan. --- South America. --- Timothy Dwight. --- Toni Morrison. --- U.S. national identity. --- Ursula Le Guin. --- Voice of America. --- Wallace Stevens. --- William Dean Howells. --- William Faulkner. --- William Gibson. --- William Gilmore Simms. --- Zora Neale Hurston. --- allegory. --- antebellum narratives. --- cartography. --- deterritorialization. --- electronic media. --- extravagance. --- geography. --- globalization. --- liberal democracy. --- medieval American literature. --- medievalism. --- metaregionalism. --- modernism. --- narratives. --- national space. --- place. --- plantations. --- poetry. --- pseudo-geography. --- regionalism. --- social boundaries. --- space. --- technological innovations. --- transnationalism.