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575.117.2 <043> --- Academic collection --- Gene expressivity--Dissertaties --- Theses --- 575.117.2 <043> Gene expressivity--Dissertaties

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In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.

The arts --- artistic practice --- creative agency --- chamber music --- collaborative musicking --- distributed creativity --- expressivity in performance --- intercorporeality --- music performance --- performance practice --- artistic practice --- creative agency --- chamber music --- collaborative musicking --- distributed creativity --- expressivity in performance --- intercorporeality --- music performance --- performance practice

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In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.

artistic practice --- creative agency --- chamber music --- collaborative musicking --- distributed creativity --- expressivity in performance --- intercorporeality --- music performance --- performance practice

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Ce travail de reconstruction conceptuelle s’inscrit dans le domaine de l’histoire de la linguistique et plus spécifiquement de l’histoire de l’école genevoise de linguistique générale. L’ouvrage propose un éclairage nouveau sur l’identité de cette école à travers l’étude comparative des théories développées par Charles Bally, Albert Sechehaye et Henri Frei entre 1900 et 1940. Faisant l’objet d’élaborations conceptuelles à la fois diversifiées et convergentes, les catégories d’expression et d’expressivité permettent de montrer en quoi se rencontrent et se distinguent les modes de représentation de cette problématique. L’effet d’homogénéité qui s’en dégage contribue également à approfondir l’image de l’héritage de Ferdinand de Saussure dans les théories de ses successeurs à la chaire de linguistique générale de l’université de Genève. This conceptual reconstruction workinscribes itself in the history of linguistics, or, more precisely, in the history of the Geneva School of general linguistics. It brings new light on the identity of this school through the comparative study of the theories developed by Charles Bally, Albert Sechehaye and Henri Frei between 1900 and 1940. Being the subject of various conceptual elaborations, both diversified and confluent, the expression and expressivity categories illustrate to what extent their ways of representing this problematic may converge or diverge. Additionally, the homogeneity effect emerging offers a new image of Ferdinand de Saussure’s legacy, as reflected in the theories developed by his successors of the Geneva School.

Linguistics --- History --- Bally, Charles, --- Sechehaye, Albert, --- Frei, Henri. --- Linguistic science --- Science of language --- Language and languages --- Sechehaye, Charles Albert, --- Sechehaye, A. --- Sechehaye, Ch. Albert --- Balli, Sh. --- Балли, Ш. --- Balli, Sharlʹ, --- Балли, Шарль, --- Linguistique historique. --- Expression. --- Ecole de Genève. --- Saussure, Ferdinand de / (1857-1913) / Appréciation --- Cercle Ferdinand de Saussure (Genève) --- Geschichte 1900-1940 --- expression --- expressivity --- history of linguistic ideas --- School of Geneva --- general linguistics --- Genfer Schule

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575.164 --- 577.218 --- 577.113 --- Mechanism of gene expression. Pleistropy --- Molecular mechanisms of control : gene expression. Molecular embryology --- PROTEINS --- biochemical --- microbial --- 576.316 --- biochemical. --- microbial. --- 576.316 Chromosomes --- 577.218 Molecular mechanisms of control : gene expression. Molecular embryology --- 575.164 Mechanism of gene expression. Pleistropy --- 577.113 Nucleic acids --- Biochemical. --- Microbial. --- 575.117 --- Expressivity and penetrance of genes --- Viral genetics --- 578.5 Viral genetics --- 575.117 Expressivity and penetrance of genes --- Genetics, Microbial. --- Molecular Biology. --- Protein Biosynthesis. --- #WPLT:dd.prof.J.Vendrig --- Chromosomes --- Protein Biosynthesis, Ribosomal --- Protein Synthesis, Ribosomal --- Ribosomal Peptide Biosynthesis --- mRNA Translation --- Genetic Translation --- Peptide Biosynthesis, Ribosomal --- Protein Translation --- Translation, Genetic --- Biosynthesis, Protein --- Biosynthesis, Ribosomal Peptide --- Biosynthesis, Ribosomal Protein --- Genetic Translations --- Ribosomal Protein Biosynthesis --- Ribosomal Protein Synthesis --- Synthesis, Ribosomal Protein --- Translation, Protein --- Translation, mRNA --- mRNA Translations --- Proteins --- Genetic Code --- Peptide Biosynthesis --- Codon, Initiator --- Codon, Terminator --- Biochemical Genetics --- Biology, Molecular --- Genetics, Biochemical --- Genetics, Molecular --- Molecular Genetics --- Biochemical Genetic --- Genetic, Biochemical --- Genetic, Molecular --- Molecular Genetic --- Genetic Phenomena --- Microbial Genetics --- Genetic, Microbial --- Microbial Genetic --- Virus Physiological Phenomena --- Bacterial Physiological Phenomena --- Genome, Microbial --- biosynthesis --- 579.25 --- 579.25 Microbial genetics --- Microbial genetics --- Nucleic acids --- 579.252.5 --- 578.5 --- 579.252.5 Extrachromosomal hereditary determinants. Episomes. Plasmide. --- Extrachromosomal hereditary determinants. Episomes. Plasmide. --- Gene expression --- Gene expression. --- Genetics --- Molecular biology. --- Molecular genetics. --- Biosynthesis. --- Genetics, Microbial --- Molecular Biology --- Protein Biosynthesis