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In recent years, there has been a growing interest in the use of experimental approaches to the study of media histories and their cultures. Doing media archaeological experiments, such as historical re-enactments and hands-on simulations with media historical objects, helps us to explore and better understand the workings of past media technologies and their practices of use. By systematically refl ecting on the methodological underpinnings of experimental media archaeology as a relatively new approach in media historical research and teaching, this book aims to serve as a practical handbook for doing media archaeological experiments. Doing Experimental Media Archaeology: Practice is the twin volume to Doing Experimental Media Archaeology: Theory, authored by Andreas Fickers and Annie van den Oever.

experimental history. --- hands-on history. --- media archaeology. --- media history.

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Lorsque les mots perdent leur identité, sortent des dictionnaires, que le texte se fait de plus en plus chaotique, le sens se perd dans l`illusoire cohésion de l`accumulation de phonèmes. Inextricable espace tensionnel de figures labyrinthiques, la poésiecontemporaine renoue alors avec des traditions oubliées en quête d`une nouvelle musicalité. Des Grands Rhétoriqueurs à P ierre Guyotat, des fatras de Jean Molinet aux contraintes oulipiennes, le sens, noue indéfiniment des formes d`équilibre qui inlassablement séparent les espèces. Du zaoum de Khlebnikov, du bégaiement de Ghérasim Luca, de la verbophonie de Pétronio, du spatialisme de Pierre Garnier aux crirythmes de Dufrêne, le sens devient l`énigme d`un matériau littéraire qui prend sa source dans les tréfonds de l`ombre des mots.

Literature, Experimental --- Literature, Modern --- History and criticism --- Literature, Experimental - History and criticism --- Literature, Modern - 20th century - History and criticism

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Dans quel contexte scientifique et social est née la psychologie scientifique en France ? Comment a-t-elle évolué depuis la fin du siècle dernier ? Dans quelle mesure les questions posées par les pionniers de cette psychologie préfigurent-elles celles d'aujourd'hui ? Cet ouvrage répond à ces différentes questions à partir d'une analyse et d'une mise en perspective de nombreux articles publiés pour la plupart dans les premiers volumes de "L'Année Psychologique". Il ne s'agit pas ici d'un ouvrage historique à proprement parler mais bien d'un ouvrage de réflexion sur l'histoire de la psychologie à partir de l'état actuel de nos connaissances dans différents domaines et problématiques théoriques (perception, mémoire, intelligence, aphasiologie, statistique, psychopathologie, etc.).

Psychology --- Psychologists --- Psychologie --- Psychologues --- Reviews --- History --- Comptes rendus --- Histoire --- Psychology, Experimental --- Psychologie cognitive --- --"L'année psychologique" --- --1894-1994, --- Psychologie scientifique --- --History --- 4947 --- -#psyc:gift 1996 --- Experimental psychology --- Experimental psychologists --- Research --- Experiments --- --L'Année psychologique --- --Histoire --- Psychology, Experimental - History --- -History --- Psychologie expérimentale --- Histoire. --- L'année psychologique

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Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.

82-312.9 --- 82.09 --- Fantastische literatuur --- Literaire kritiek --- Avant-garde (Aesthetics) --- Literature, Experimental --- Literature, Modern --- History and criticism. --- Avant-garde (Aesthetics). --- Literature, Experimental. --- Literature, Experimental - History and criticism. --- Literature, Modern - 19th century - History and criticism. --- Literature, Modern - 20th century - History and criticism. --- Literature, Modern. --- Literature - General --- Languages & Literatures --- History and criticism --- 82.09 Literaire kritiek --- 82-312.9 Fantastische literatuur --- Aesthetics --- Modernism (Art) --- literature, literary studies, art, artwork, terror, creativity, violence, violent, political extremism, cultural study, politics, criminals, terrorism, terrorists, fear, j m synge, hermann melville, frederick douglass, jean genet, francis ford coppola, joseph conrad, don delillo, aesthetics, william wordsworth, bret easton ellis, martin scorsese, fyodor dostoevsky, john cassavetes, thomas mann, social order.