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Dynamic artificial light in museums In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum architecture – not only in terms of design practice, but also in terms of real-time spatial experiences. Computer-controlled lighting technologies are breaking boundaries, allowing the individual to take full control of lighting design. Light Up explores the potential of dynamic artificial lighting technologies in museum architecture, offering new insights into the use of light in exhibition spaces. How LED technologies can be used to develop customized lighting scenarios Studies in the real context of art institutions as well as programming of interactive light simulations Documents the research project “White Cube Teleporter” Dynamisches Kunstlicht im Museum In Galerien und Museen wird die Wahrnehmung von Kunst, Raum und Atmosphäre wesentlich durch den Faktor Licht bestimmt. Doch welche Lichteinstellungen sollen von Kunst- und Museumsexpert:innen und Ausstellungsgestalter:innen vorgenommen werden, und wie und auf welcher Basis wird eine Wahl getroffen? Zukunftsweisende LED-Technologien ermöglichen maßgeschneiderte Beleuchtungsszenarien. Kunstlicht wird so zum interaktiven Material in der Museumsarchitektur – nicht nur in der Entwurfspraxis, auch in Echtzeit-Raumerfahrungen. Computergesteuerte Lichttechnologien setzen neue Maßstäbe: Das Individuum entscheidet und übernimmt die Gestaltungshoheit. Light Up ergründet das Potenzial dynamischer Kunstlichttechnologien in der Museumsarchitektur – und eröffnet damit neue Sichtweisen im Umgang mit Licht im Ausstellungsraum. Wie mit LED-Technologien maßgeschneiderte Beleuchtungsszenarien entwickelt werden können Studien im realen Kontext von Kunstinstitutionen und Programmierung interaktiver Lichtsimulationen Dokumentiert das Forschungsprojekt „White Cube Teleporter“
Lighting. --- artificial lighting. --- exhibition design. --- lighting design. --- museum architecture. --- white cube.
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How can the museum of the future look like? This publication deals with the currently strongly changing landscape of museums in Germany and Berlin. The museum complex in Dahlem is the starting point for the explorations of a place that is to be established as a new type of research location in the next few years. To be able to think of such a research campus at a location that is already anchored in the cultural memory of Berliners and has a positive connotation in society presents itself as a unique opportunity, which the department CODE I Design and Building Construction of the TU Berlin together with the foundation Seize Prussian cultural heritage approaches with numerous illustrated design strategies.
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How can the museum of the future look like? This publication deals with the currently strongly changing landscape of museums in Germany and Berlin. The museum complex in Dahlem is the starting point for the explorations of a place that is to be established as a new type of research location in the next few years. To be able to think of such a research campus at a location that is already anchored in the cultural memory of Berliners and has a positive connotation in society presents itself as a unique opportunity, which the department CODE I Design and Building Construction of the TU Berlin together with the foundation Seize Prussian cultural heritage approaches with numerous illustrated design strategies.
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- Introduction : Practice makes perfect / Paula Marincola##- Show and tell / Robert Storr##- In lieu of higher ground / Lynne Cooke##- You talking to me? On curating group shows that give you a chance to join the group / Ralph Rugoff##- The unstable institution / Carlos Basualdo##- With our faces to the rising sun / Thelma Golden with Glenn Ligon##- Mies's new national gallery : empty and full / Detlef Mertins##- Design and architecture / Paola Antonelli interviewed by Bennett Simpson##- Who's afraid of gift-wrapped kazoos? / Jeffrey Kipnis##- Handy-crafts : a doctrine / Glenn Adamson##- Temple/White cube/Laboratory / Iwona Blazwick##- Making space for art / Mary Jane Jacob##- Questions of practice / Mark Nash##- Wall text / Ingrid Schaffner.
Art --- 069.53 --- Exhibition design --- Tijdelijke tentoonstellingen ; gallerijen ; musea ; biennales --- Tentoonstellingen ; vormgeven ; ontwerpen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Exhibition techniques. --- Museologie ; collecties ; techniek van het tentoonstellen --- Display techniques --- Exhibition techniques
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Advertising. Public relations --- Art --- Trade shows --- 069.53 --- Exhibition design --- Museologie ; museumpresentatie --- Tentoonstellingen ; vormgeven ; ontwerpen --- Industrial exhibitions --- Technology --- Trade expositions --- Trade fairs --- Exhibitions --- Fairs --- Museologie ; collecties ; techniek van het tentoonstellen
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ALFA (Architecture Papers of the Faculty of Architecture and Design STU) is an international peer-reviewed, open access journal dedicated to the research fields of the Faculty (architecture, urban, landscape, product and exhibition design, art and culture) and related disciplines. Interdisciplinary contributions are welcome. The Journal is published in English and provides a variety of authors' origins.
architecture --- urban design --- landscape design --- product design --- exhibition design --- art --- Architecture --- Architecture. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction
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Dit boek gaat over standenbouw voor (commerciële) beurzen
exhibitions [events] --- tentoonstellingsbouw --- museology --- tentoonstellingen --- museumkunde --- Museology --- etalages --- Exhibition design --- Museologie ; museumpresentatie --- Arnold Rattenbury --- Tentoonstellingen ; vormgeven ; ontwerpen --- beurzen --- Architectuur ; tijdelijke ; voor beurzen ; handelsbeurzen ; standenbouw --- Tentoonstellingen ; verplaatsbare systemen --- 747.054 --- 069.53 --- Museologie ; collecties ; techniek van het tentoonstellen --- Trade shows --- Industrial exhibitions --- Technology --- Trade expositions --- Trade fairs --- Exhibitions --- Fairs
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Today, exhibitions have to compete in an increasingly sophisticated leisure market. Consequently, the way in which the contemporary exhibition is designed is changing fast; previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retail. Exhibition-making is now synonymous with image-making, communication, and the creation of a powerful experience. Exhibition Design features examples of a wide variety of exhibitions from around the world, from major trade and commerce fairs to well-known fine-art institutions and small-scale artist-designed displays. The introduction gives an historical perspective on the development of exhibitions and museums, with particular focus on the developments of the twentieth century. The book is divided into two parts: Approaches and Techniques. Approaches is devoted to the conceptual themes of narrative space, performative space, and simulated experience. Techniques covers the practical concerns of display, lighting, color, sound, and graphics. To illustrate these themes the book features photographs, drawings, and diagrams of exhibitions from around the world, including the work of such internationally renowned architects and designers as Ralph Appelbaum Associates, Atelier Bruckner, Casson Mann, Frank Gehry, Zaha Hadid, Imagination, METStudio, and Jean Nouvel.
galleries [display spaces] --- stands [mercantile structures] --- Architecture --- 069.53 --- Exhibition design --- Museologie ; museumpresentatie --- Tentoonstellingen ; vormgeven ; ontwerpen --- 725.2 --- handelsgebouwen --- standenbouw --- tentoonstellingsruimten --- 369.6 --- Museologie ; collecties ; techniek van het tentoonstellen --- bedrijfsgebouwen, handelsgebouwen --- bedrijfseconomie, etaleren - organisatie en inrichting van tentoonstellingen --- Standenbouw --- Vormgeving --- Tentoonstellingen --- Muséologie --- Scénographie --- Exposition --- Musée --- Tentoonstelling --- China
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Architecture is often seen as the art of a thinking mind that arranges, organizes and establishes relationships between the parts and the whole. It is also seen as the art of designing spaces, which we experience through movement and use. Conceptual ordering, spatial and social narrative are fundamental to the ways in which buildings are shaped, used and perceived. Examining and exploring the ways in which these three dimensions interact in the design and life of buildings, this intriguing book will be of use to anyone with an interest in the theory of architecture.
Architecture --- Architecture and society. --- Architecture et société --- Composition, proportion, etc. --- Philosophy --- Composition, proportion, etc --- Philosophie --- 72.01 --- Architectuurtheorie ; 21ste eeuw --- Narratieve architectuur --- Exhibition design --- Architectuur ; interieurarchitectuur ; ruimtelijke organisatie --- Museologie --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Proportion (Architecture) --- Architectural design --- Composition (Art) --- Architectuur ; theorie, filosofie, esthetica --- Social aspects --- Human factors --- Proportion --- Architecture et société --- Architecture and society
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