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This text brings into mutual dialogue several existing strands of the study of pain and embodied violence. Its two-fold approach, themed both on the hurt and hurt-inducing body, is unique and encompasses both the victim's presence as an image or performed event of pain and the transmitted burden or 'pain' experienced by the watching audience.

Acting --- Pain in literature --- Pain in art --- Emotions --- Art dramatique --- Douleur dans la littérature --- Douleur dans l'art --- Psychological aspects --- Research --- Aspect psychologique --- Recherche --- Pain in the performing arts. --- Performing arts --- Pain in literature. --- Literature, Modern --- History --- History and criticism --- Show business --- Arts --- Performance art --- History and criticism. --- History of civilization --- History of Europe --- anno 1600-1699 --- anno 1700-1799 --- Douleur dans la littérature --- Research. --- Pain in the performing arts --- Philosophical anthropology --- Art --- 1600-1799 --- Dutch stock trade. --- French tragedy. --- Irish Rebellion. --- Palermo's executions. --- colonial massacres. --- dramatic cruelty. --- early modern colonial body. --- epicurean tastes. --- female gaze. --- hurt(ful) body. --- infanticide. --- masochism. --- painful excitements. --- religious massacres. --- suffering. --- theatrical torture. --- wounding realities.