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Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the pacifist King James? How do the concept of costume as high fashion and as self-fashioning, as disguise and as the very essence of theatre, relate to one other? How do portraits of poets help make the author readers want, and why should books, the embodiment of the word, be illustrated at all? What conventions connect image to text, and what impulses generated the great art collections of the early seventeenth century? In this richly illustrated collection on theatre, books, art and personal style, the eminent literary critic and cultural historian Stephen Orgel addresses himself to such questions in order to reflect generally on early modern representation and, in the largest sense, early modern performance. As wide-ranging as they are perceptive, the essays deal with Shakespeare, Jonson and Milton, with Renaissance magic and Renaissance costume, with books and book illustration, art collecting and mythography. All are recent, and five are hitherto unpublished.
Theater --- Performing arts --- Show business --- Arts --- Performance art --- History --- England --- Social life and customs --- Civilization --- European history / British and Irish history. --- LITERARY CRITICISM --- History & Archaeology --- General. --- European history. --- books. --- costume. --- culture. --- disguise. --- drama. --- dramatic performance. --- performative elements. --- personal style. --- theater. --- visual arts.
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What can the performance of a single play on one specific night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, DC on October 17, 1863-with Abraham Lincoln in attendance-to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar," in which a single object organizes the wilderness around it in the consciousness of the poet. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change.
Theater and society --- Theater --- History --- Shakespeare, William, --- Stage history --- United States --- Washington (D.C.) --- Virginia --- Theater and the war. --- Social aspects. --- Social conditions --- 1863. --- 19th century. --- abraham lincoln. --- acting. --- american art. --- american history. --- american life. --- american politics. --- art historians. --- civil war buffs. --- civil war era. --- civil war. --- democracy. --- discussion books. --- drama. --- dramatic performance. --- dramatic. --- english drama. --- historical performances. --- literary criticism. --- live arts. --- macbeth. --- performing arts. --- play performance. --- poetic consciousness. --- politics. --- shakespeare. --- technology. --- theatre. --- tragedy. --- united states. --- wallace stevens. --- washington dc.
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