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This book is about the Nammyeong and Hwadam Schools, the representative Confucian intellectual groups searching for a new way of thinking during the 16th century at a time when government officials and scholars were frequently and drastically purged.

Philosophy, Korean --- Cho, Sik, - 1501-1572 --- So, Kyong-dok, - 1489-1546

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Essays by Prem Krishnamurthy, Jan De Vylder and Tom Van Imschoot. Photo-Essay by Michiel De Cleene. With new work by Karel Martens, Tauba Auerbach, Experimental Jetset, Ben Thorp Brown, Braulio Amado, David Horvitz, Max Pinckers, Daniel Eatock, Nina Canell, Fiona Banner, Dexter Sinister, Sanam Khatibi, Filip Dujardin and many many others. 019 is an artist collective running an exhibition, performance and work space in a former welding factory in Ghent. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke & Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. In continuation of S&D#025/ APE#047: 'So Many Dark Gifts' (ISBN 9789490800291) and S&D#024/APE#069: Sabotage And Complicity (ISBN 9789490800499).

7.039(493) --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Reclame. Public relations --- Kunst --- kunst --- adverteren --- advertenties [drukwerk] --- 019 [Ghent] --- 019 [Gent] --- reclameborden --- openbare kunst --- vlaggen --- Advertising. Public relations --- Art --- art [fine art] --- advertising --- billboards [site elements] --- public art --- advertisements --- flags --- Hergebruik ; herbestemming van leegstaande ruimtes ; Gent ; Dok Noord --- Beeldende kunst ; 21ste eeuw ; 2016-2018 --- art [discipline] --- communication design

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Children's literature, American --- American children's literature --- American literature --- Seuss, --- Dokter Seuss --- Doḳṭor Sus --- Dr. Seuss --- Dr. Sus --- Dr. Zois --- Sus, --- Доктор СЬюз --- סוס, --- זויד, --- דוקטור סוס --- דוקטור --- Seuss, Theophrastus --- Susi bo shi --- 蘇斯博士 --- 苏斯博士 --- Geisel, Theodor Seuss, --- LeSieg, Theo., --- Stone, Rosetta, --- Characters

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This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).

K9125.80 --- K9790 --- Korea: Genealogy and biography -- biography -- modern period, postwar period (1945- ) --- Korea: Performing and media arts -- cinema --- Kim, Ki-dŏk, --- Kim, Ki-duk, --- Kim, Ki Dak, --- Gim, Gideok, --- Kim, Kiduk, --- 김 기덕, --- 김기덕, --- 金 基徳, --- Criticism and interpretation. --- Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Ki-duk, Kim, --- Kim, Ki-dok,

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Rising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.

Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- Biography --- History --- Biographies --- Histoire --- Im, Kwon-t'aek --- Fukasaku, Kinji --- Yi, Ch'ang-dong --- Bito, Takeshi --- Pak, Ch'an-uk, --- Kawase, Naomi --- Kim, Ki-dok, --- Miike, Takashi, --- J6839 --- J2284.90 --- K9790 --- K9125.80 --- Japan: Media arts and entertainment -- cinema --- Japan: Genealogy and biography -- biographies -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Korea: Performing and media arts -- cinema --- Korea: Genealogy and biography -- biography -- modern period, postwar period (1945- ) --- Producteurs et réalisateurs de cinéma --- Cinéma --- Im, Kwŏn-t'aek --- Bīto, Takeshi --- Pak, Chʻan-uk, --- Kim, Ki-dŏk, --- Fukasaku, Kinji. --- Bīto Takeshi. --- Biography. --- Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Bīto Takeshi --- Criticism and interpretation. --- Park, Chan-wook, --- Park, Chanwook, --- 박 찬욱, --- 朴 贊郁, --- Beat Takeshi --- Kitano, Takeshi --- Kitano, Beat Takeshi --- Takeshi --- ビートたけし --- ビート・たけし --- ビート武 --- 北野武 --- Lee, Chang Dong --- Lee, Changdong --- Lee, Joondong --- Li, Cangdong --- 이 창동 --- 李 滄東 --- Fukasaka, Kinji --- Fukasaki, Kinji --- Fukasuka, Kinji --- 深作欣二 --- 林權澤 --- 임 권택 --- Mike, Takashi, --- 三池崇史, --- 三池嵩史, --- Kim, Ki-duk, --- Ki-duk, Kim, --- Kim, Ki Dak, --- Gim, Gideok, --- Kim, Kiduk, --- 김 기덕, --- 김기덕, --- 金 基徳, --- 河瀨直美 --- 河瀬直美 --- 林 權澤 --- Im, Kwon-taek --- Lee, Chang-dong --- Park, Chan-wook --- Kim, Ki-duk --- Miike, Takashi