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Smithsonian kids collecting
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Year: 2001 Publisher: [Washington, D.C.] : Medimax Productions for Smithsonian Center for Education and Museum Studies,

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Abstract

Web site designed especially for children. The site is geared to help users learn from Smithsonian experts about starting and caring for collections. Explore treasures that the Smithsonian has collected-from the Hope Diamond to Franklin D. Roosevelt's stamp sketches and watch online videos of other kids sharing their passions for collecting.

Masters of illusion
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ISBN: 0814769179 0814776760 1429490233 9781429490238 9780814776766 9780814775851 0814775853 9780814769171 Year: 2007 Publisher: New York New York University Press

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Many legal theorists and judges agree on one major premise in the field of law and religion: that religion clause jurisprudence is in a state of disarray and has been for some time. In Masters of Illusion , Frank S. Ravitch provocatively contends that both hard originalism (a strict focus on the intent of the Framers) and neutrality are illusory in religion clause jurisprudence, the former because it cannot live up to its promise for either side in the debate and the latter because it is simply impossible in the religion clause context. Yet these two principles have been used in almost every S


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The origins of the exhibition space (1450-1750)
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ISBN: 9789048556021 9789463728676 9048556023 9463728678 Year: 2023 Publisher: Amsterdam Amsterdam University Press

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"Before the first purpose-designed exhibition spaces and painting exhibitions emerged, showing art was mainly related to the habit of dressing up spaces for political commemorations, religious festivals, and marketing strategies. Palaces, cloisters, façades, squares, and shops became temporary and privileged venues for art display, where sociability was performed, and the idea of exhibition developed. What were those places and events? What aesthetic, cultural, social and political discourses intersected with the early idea of exhibition space? How did displaying art shape a new vocabulary within these events, and conversely, how have these occasions conditioned exhibiting practices? This book traces the origins of the exhibition space by studying its visual and written imagery in the early modern period. It reconsiders events and habits that contributed to shaping the imagery of the exhibition space, and to defining exhibition-making practices, exploring micro-histories and long-term changes."--

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