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"Que sont les humanités numériques ? D'abord une rencontre, au lendemain de la Seconde Guerre mondiale. Celle d’un prêtre jésuite soucieux d’analyser la "Somme théologique" de Thomas d’Aquin avec les ordinateurs d’IBM. Cette collaboration donnera naissance à ce qu’on appellera plus tard les humanités numériques. Porteuses de l’histoire des technologies, marquée par le développement des technosciences et du complexe militaro-industriel, les humanités numériques conduisent à s’interroger en retour sur ce qui fait la spécificité des humanités. L’union des technologies numériques et des humanités conduit-elle à remettre en cause ce qui les dinstingue traditionnellement ? Le numérique pousse-t-il, par les méthodes et modèles qu’il permet de développer dans ce champ de recherche, à placer les humanités sous la domination de modèles scientifiques qui leur sont étrangers ? Quels dangers ces approches comportent-elles, en particulier lorsqu’une part croissante des productions culturelles et des interactions sociales est désormais placée sous l’emprise de sociétés commerciales globalisées qui font un usage massif du numérique ? Dans cet ouvrage, Pierre Mounier nous livre une histoire critique des humanités numériques et propose de redéfinir à la lumière de ces analyses le contrat moral que les humanités peuvent établir avec la société."
Digital humanities --- Humanités digitales --- Sciences humaines --- Histoire --- Effets des innovations technologiques --- Humanités numériques --- Histoire. --- Effets des innovations technologiques. --- Humanities, Multidisciplinary --- digital studies --- épistémologie --- humanisme --- Humanités --- IBM --- numérique --- sciences humaines et sociales --- technoscience --- théorie critique
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Die Zunahme der durch die »Neue Steuerung« des Bildungssystems produzierten emotionalen und sozialen Problematiken in Schule und Gesellschaft ist evident. Die Antwort darauf liegt jedoch nicht in einer präziseren sonderpädagogischen Diagnostik, Förderung und Intervention, sondern im Umbau von Schule, Universität und Gesellschaft. Joachim Bröcher plädiert für eine selbstgestaltete Bildungspflicht, ein bedingungsloses Grundeinkommen, die Gründung von selbstbestimmten Community-Projekten (in denen gearbeitet, gelernt und gelebt wird) sowie eine handlungsorientierte, philosophische Pädagogik. Die »Kontrollgesellschaft« (Gilles Deleuze) verwandelt sich so in eine Zivilgesellschaft der Entrepreneur*innen.
EDUCATION / Organizations & Institutions. --- Community. --- Education. --- Educational Research. --- Pedagogy. --- Social Learning. --- Social Pedagogy. --- Society. --- Sociology of Education. --- Theory of Education. --- Transformation. --- Urban Studies. --- Emotionales Lernen; Soziales Lernen; Bildung; Transformation; Digital Studies; Urban Studies; Gesellschaft; Community; Sozialpädagogik; Bildungsforschung; Bildungstheorie; Bildungssoziologie; Pädagogik; Emotional Learning; Social Learning; Education; Society; Social Pedagogy; Educational Research; Theory of Education; Sociology of Education; Pedagogy
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Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Arts, Modern --- Computer art. --- Art and computers. --- alison knowles. --- art and media. --- art criticism. --- art history. --- art. --- computer art criticism. --- computer art history. --- computer art. --- computer artists. --- computers and art. --- computers. --- digital art. --- digital artist. --- digital culture. --- digital media. --- digital scholarship. --- digital studies. --- early computer art. --- film arts. --- information aesthetics. --- media studies. --- modern art. --- nam june paik. --- stuttgart school. --- visual research. --- visual rhetoric. --- visual studies.
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There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre.
Situation comedies (Television programs) --- Television --- Social aspects --- History --- Borowczyk, Walerian --- Criticism and interpretation. --- academia. --- academics. --- archival. --- archive. --- art cinema. --- art. --- artistic. --- artsy film. --- avant garde. --- career map. --- cinematography. --- classic. --- comprehensive. --- cult favorite. --- essential companion. --- experimental film. --- experimental media. --- famous directors. --- film history. --- film studies textbook. --- film studies. --- filmography. --- france. --- french art. --- guide to borowczyk. --- impressionistic. --- literary and digital studies. --- movie history. --- polish film director. --- polish movies. --- research. --- scholar. --- students and teachers. --- wide ranging survey.
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There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre.
Situation comedies (Television programs) --- Situation comedies (Television programs) --- Situation comedies (Television programs) --- Television --- Television --- Television --- Social aspects --- History --- Social aspects --- History --- Social aspects --- History --- Borowczyk, Walerian --- Criticism and interpretation. --- academia. --- academics. --- archival. --- archive. --- art cinema. --- art. --- artistic. --- artsy film. --- avant garde. --- career map. --- cinematography. --- classic. --- comprehensive. --- cult favorite. --- essential companion. --- experimental film. --- experimental media. --- famous directors. --- film history. --- film studies textbook. --- film studies. --- filmography. --- france. --- french art. --- guide to borowczyk. --- impressionistic. --- literary and digital studies. --- movie history. --- polish film director. --- polish movies. --- research. --- scholar. --- students and teachers. --- wide ranging survey.
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On a near-daily basis, data is being used to narrate our lives. Categorizing algorithms draw from amassed personal data to assign narrative destinies to individuals at crucial junctures, simultaneously predicting and shaping the paths of our lives. Data is commonly assumed to bring us closer to objectivity, but the narrative paths these algorithms assign seem, more often than not, to replicate biases about who an individual is and could become. While the social effects of such algorithmic logics seem new and newly urgent to consider, Collecting Lives looks to the late nineteenth and early twentieth century US to provide an instructive prehistory to the underlying question of the relationship between data, life, and narrative. Rodrigues contextualizes the application of data collection to human selfhood in the late nineteenth and early twentieth century US in order to uncover a modernist aesthetic of data that offers an alternative to the algorithmic logic pervading our sense of data's revelatory potential. Examining the work of W. E. B. Du Bois, Henry Adams, Gertrude Stein, and Ida B. Wells-Barnett, Rodrigues asks how each of these authors draw from their work in sociology, history, psychology, and journalism to formulate a critical data aesthetic as they attempt to answer questions of identity around race, gender, and nation both in their research and their life writing. These data-driven modernists not only tell different life stories with data, they tell life stories differently because of data.
Biography --- American literature --- Litterature americaine --- Modernism (Literature) --- Research --- Methodology. --- Data processing. --- Recherche --- Methodologie. --- Aesthetics. --- United States. --- United States --- English literature --- Agrarians (Group of writers) --- Crepuscolarismo --- Literary movements --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- AB --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Saharat ʻAmērik --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené obce severoamerick --- Spojené staty americk --- Stáit Aontaithe Mheirice --- SUA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Zʹi͡ednani Derz͡havy Ameryky --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- États-Unis --- É.-U. --- ÉU --- data, critical data studies, critical digital studies, critical information studies, information studies, information science, modernism, multiethnic modernism, modernist studies, US modernism, multiethnic US literature, US literature, American literature, African American literature, life writing, autobiography, narrative, selfhood, W.E.B Du Bois, Henry Adams, Gertrude Stein, Ida B. Wells, Ida B. Wells-Barnett --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė
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