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Dutch --- Fundamentalism --- Multiculturalism --- Muslims --- Ethnic identity --- Netherlands --- Ethnic relations. --- History --- Philosophy. --- islamisering --- Nederland --- identiteit --- Pim Fortuyn --- de multiculturele samenleving --- racisme --- onverdraagzaamheid --- cultuur van de islam --- waarden en normen van de moderne Westerse samenleving --- 11 september 2001 --- imam Abdullah Haselhoef

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What terms do we use to describe and evaluate art, and how do we judge if art is good, and if it is for the social good? In How Art Can Be Thought Allan deSouza investigates such questions and the popular terminology through which art is discussed, valued, and taught. Adapting art viewing to contemporary demands within a rapidly changing world, deSouza outlines how art functions as politicized culture within a global industry. In addition to offering new pedagogical strategies for MFA programs and the training of artists, he provides an extensive analytical glossary of some of the most common terms used to discuss art while focusing on their current and changing usage. He also shows how these terms may be crafted to new artistic and social practices, particularly in what it means to decolonize the places of display and learning. DeSouza's work will be invaluable to the casual gallery visitor and the arts professional alike, to all those who regularly look at, think about, and make art--especially art students and faculty, artists, art critics, and curators.

Museology --- museology --- racial discrimination --- art appreciation --- art theory --- art education --- philosophy of art --- Kunstkritiek ; 21ste eeuw --- Kunst- en cultuurtheorie ; 21ste eeuw ; terminologie --- Kunstopvattingen ; over de multiculturele samenleving --- Kunsttheorie ; kunstonderwijs ; beeldende vorming --- 373.67.01 --- 7.01 --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- Kunst ; theorie, filosofie, esthetica --- dekolonisatie

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In de essays van deze publicatie wordt aandacht besteed aan actuele en historische manifestaties van monocultuur en de gevolgen ervan voor de domeinen van kunst en cultuur en de instellingen die er deel van uitmaken. In de afgelopen jaren heeft de combinatie van antiglobaliseringsgevoelens, conflicten, terreur, massamigratie en de vermeende wedergeboorte van de identiteitspolitiek de voorwaarden geschapen voor het ontstaan van nieuwe vormen van identitarisme.

Philosophy and psychology of culture --- pluralism --- multiculturalism --- ambiguity --- philosophy of art --- postcolonialism --- Art and globalization --- Multiculturalism in art --- Aesthetics, Modern --- Identity politics --- cultuurfilosofie --- globalisering --- kunst --- 7.01 --- eenentwintigste eeuw --- postkolonialisme --- gender studies --- 130.2 --- kunsttheorie --- esthetica --- multiculturalisme --- kunst en politiek --- Identity (Psychology) --- Politics of identity --- Political participation --- Aesthetics --- Globalization and art --- Globalization --- Political aspects --- History --- Kunstopvattingen ; over de multiculturele samenleving --- Globalisering --- Kunst en politiek --- Kunst ; theorie, filosofie, esthetica --- Aesthetics, Modern. --- Art and globalization. --- Identity politics. --- Multiculturalism in art. --- 2000-2099. --- Sociology of culture --- Art