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Les essais réunis dans le recueil KinoFabula interrogent les images du cinéma dans leur rapport originel et sans cesse renouvelé avec la littérature sous toutes ses formes (fable, conte oral, poésie, théâtre ou roman) et analysent les différents types de relations et de circulation qui permettent le dialogue des œuvres : relations intergénériques (fable cinématographique, ciné-skaz, poème cinégraphique…) ; relations intermédiales entre les mots de la littérature et les images du cinéma qui en sont un commentaire a posteriori mais qui favorisent aussi, par un effet rétroactif, un retour sémantique sur les textes et nous renseignent sur le régime de leur interprétation ; relations temporelles qui imbriquent l’Histoire – le passé historique – dans les histoires – le présent de l’énonciation fictionnelle. Les œuvres qui entrent ainsi en dialogue sont considérées comme des espaces (textuels ou visuels) de transition, des objets à jamais imparfaits et inachevés mais qui aspirent à être chacun complétés de la même façon que, selon Walter Benjamin, une traduction viendrait compléter le texte dit « original » et en révéler le mode de visée. En s’ajoutant les unes aux autres, en se commentant les unes et les autres, en se traduisant les unes les autres ou en se réécrivant les unes les autres, les œuvres littéraires et visuelles participent du mouvement même de la culture qui ne cesse de « métisser » et de réinterpréter et ses propres données. The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a…

Art --- littérature russe --- cinéma russe --- cinéma européen --- cinéma d’adaptation --- classique littéraire --- intermédialité --- transfert culturel --- histoire --- fiction --- Russian cinema --- Russian literature --- European cinema --- film adaptation --- literary classics --- intermediality --- cultural transfers --- history

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What was the perception of Greece in Europe during the later 19th century, when the attraction of romantic philhellenism had waned? This volume focuses on the reception of medieval and modern Greece in the European press, rigorously analysing journals and newspapers published in England, France, Germany, Italy, and The Netherlands. The essays here suggest that reactions to the Greek state's progress and irredentist desires were followed among the European intelligentsia. Concurrently, new scholarship on the historical development of the Greek language and vernacular literature enhanced the image of medieval and modern Greece. This volume's contributors consider the press's role in this Europe-wide exchange of ideas, explore the links between romantic and late philhellenism and highlight the scholarly nature of the latter.

Mass media and culture. --- HISTORY / Europe / General. --- Language, Identities, Cultural transfers, cultural networks, Journals, the Press, Greece, Europe. --- Culture and mass media --- Culture --- Philhellenism. --- European newspapers --- History --- Greece --- In mass media --- Politics and government --- Public opinion

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This collection of essays studies the expression and diffusion of radical ideas in Britain from the period of the English Revolution in the mid-seventeenth century to the Romantic Revolution in the early nineteenth century. The essays included in the volume explore the modes of articulation and dissemination of radical ideas in the period by focusing on actors ('radical voices') and a variety of written texts and cultural practices ('radical ways'), ranging from fiction, correspondence, pamphlets and newspapers to petitions presented to Parliament and toasts raised in public. They analyse the way these media interacted with their political, religious, social and literary context. This volume provides an interdisciplinary outlook on the study of early modern radicalism, with contributions from literary scholars and historians, and uses case studies as insights into the global picture of radical ideas. It will be of interest to students of seventeenth- and eighteenth-century literature and history.

Radikalismus --- Radicalism in literature. --- Radicalism and the press. --- Radicalism. --- Radicalism and the press --- Radicalism --- Press and radicalism --- Press --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- History --- Grossbritannien --- Great Britain. --- Storbritannien --- Anglia --- Wielka Brytania --- Nagy-Britannia --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Grande-Bretagne --- Angliyah --- Briṭanyah --- Velikobritanii︠a︡ --- Saharātchaʻānāčhak --- Marea Britanie --- Prydain Fawr --- Royaume-Uni --- Iso-Britannia --- Yhdistynyt kuningaskunta --- Förenade kungariket --- Grã-Bretanha --- בריטניה --- イギリス --- Igirisu --- Northern Ireland --- Scotland --- Wales --- England and Wales --- 1600-1799 --- Extremismus --- Politischer Extremismus --- Radikaler --- Radikalisierung --- Velikobritanii͡ --- Vereinigtes Königreich von Großbritannien und Nordirland --- Großbritannien und Nordirland --- England --- UK --- Angleterre --- Brīṭāniyā al-ʿUẓmā --- Brīṭāniya 'l-ʿUẓmā --- Vereinigtes Königreich Großbritannien und Nordirland --- Great Britain --- Grande Bretagne --- British Isles --- Gran Bretagna --- U.K. --- GB --- British Empire --- Britisches Reich --- Briten --- Schottland --- Commonwealth --- 1707 --- -Radikalismus --- cultural transfers. --- eighteenth century. --- print culture. --- radicalism. --- seventeenth century. --- -cultural transfers.