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In his Beautifying the Ugly and Uglifying the Beautiful ( TaḥsÄ«n al-qabīḥ wa-taqbīḥ al-ḥasan ) the prolific anthologist al-ThaÊ¿ÄlibÄ« (d. 429/1038) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both entertaining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.
Creative nonfiction. --- Poetry. --- Creative nonfiction. --- Poetry.
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"Originally published in 2006 as A Writer's Coach, the book has been updated to address the needs of contemporary writers well beyond print journalists. It retains the structure of the original, beginning by breaking down the writing process into a series of manageable stages-from idea to polishing-each of which is crucial to the next. While emphasizing the importance of the early stages, including information gathering and organizing, Hart also delves deeply into the elusive characteristics achieved through polishing, such as force, clarity, rhythm, color, and voice. Each chapter is filled with real examples, both good and bad, of these attributes. The book concludes with updated advice and resources for mastering the craft of writing. With these revisions, Wordcraft now functions as a set with the new edition of Hart's book Storycraft, on the art of storytelling, as the author always intended"--
Journalism --- Creative nonfiction --- Authorship
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"Best Creative Nonfiction of the South, of which this Virginia collection is the first volume, serves as a valuable resource for scholars, students, writers, and general readers interested in creative nonfiction both from specific areas of the South and across the region as a whole. The writers included in each volume come from diverse backgrounds, generations, and artistic traditions. Most, if not all, volumes in the series indirectly reflect literary changes over time and/or how literary variations have manifested themselves in a given state".
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"Storytelling is one of the few traits common to all human societies. A sequence of actions, a sympathetic character, a complication, a resolution-the key ingredients in a story are as familiar to us today as they were to our ancestors. Although we may associate the form with fictional narratives such as novels and movies, the same ingredients also underlie the best nonfiction works, including those by David Grann, Mary Roach, Tracy Kidder, and John McPhee. In the first edition of Storycraft, Jack Hart illustrated how these and other nonfiction writers, including many he coached over decades at the Oregonian, used the ingredients of story to create compelling and award-winning works of narrative nonfiction. For this revision, he has expanded the field to consider how storytelling techniques can be used in therapidly growing nonfiction form of podcasting. He has added insights from recent research into storytelling and the brain, illustrating how facts and arguments effectively embedded in narrative are more likely to stick in readers' minds. And he has added new examples of effective nonfiction narratives"--
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A former managing editor of the "Oregonian" who guided several Pulitzer Prize-winning narratives to publication shares guidelines for writers of nonfiction that encompass such topics as story theory, scene establishment, and preparing work for submission.
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A celebratory, inclusive, and educational exploration of Lunar New Year for both children that celebrate and children who want to understand and appreciate their peers who do.
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This book comprises 19 creative non-fiction pieces and essays centred around the topics of language, thought, art and existence seen through the prism of practising artist in contemporary Africa. The collection continues with Zimbabwe's Tendai Mwanaka's creative non-fiction ideology of presenting non-fiction in a creative, fresh, easy reading, simple language. With most of the essays driven by personal stories, the author ably renders them accessible to a wide spectrum of readers from the scholarly to the journalistic and the general. The pieces are grouped according to the topics, with the language essays starting the book, followed by thought, existential, and art essays. In tune with the adage the personal is political, Mwanaka lets the personal drive these essays as he tries to investigate and conversationally navigate his thoughts, beliefs, feelings and experience on language, existence and art. This is an invaluable contribution to the academic establishment, social theorists, linguists, literary theorists, journalists, activists and the general readership.
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Lyric essayists draw on memoir, poetry, and prose to push against the arbitrary genre restrictions in creative nonfiction, opening up space not only for new forms of writing, but also new voices and a new literary canon. This anthology features some of the best lyric essays published in the last several years by prominent and emerging writers. Editors Zoë Bossiere and Erica Trabold situate this anthology within the ongoing work of resistance-to genre convention, literary tradition, and the confines of dominant-culture spaces. As sites of resistance, these essays are diverse and include investigations into deeply personal and political topics such as queer and trans identity, the American BIPOC experience, reproductive justice, belonging, grief, and more.The lyric essay is always surprising; it is bold, unbound, and free. This collection highlights the lyric essay's natural capacity for representation and resistance and celebrates the form as a subversive genre that offers a mode of expression for marginalized voices. The Lyric Essay as Resistance features contemporary work by essayists including Melissa Febos, Wendy S. Walters, Torrey Peters, Jenny Boully, Crystal Wilkinson, Elissa Washuta, Lillian-Yvonne Bertram, and many more. Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.
American essays --- Creative nonfiction, American. --- Minority authors.
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Several essays survey the critical conversation regarding American creative non-fiction, an interesting collection of memoirs, autobiographies, travel and nature guides and essays and explore the genre's cultural and historical contexts and offer close and comparative reading of key texts in the genre, including In Cold Blood, A Moveable Feast, The Big Sea, and Zen and The Art of Motorcycle Maintenance .Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of Works Cited, along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources.
Creative nonfiction, American. --- American creative nonfiction --- American prose literature --- Creative nonfiction, American --- Authors, American --- Narration (Rhetoric) --- History and criticism. --- Biography. --- History.
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