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Die Reihe Gegenwartsliteratur - Autoren und Debatten präsentiert konzise Auseinandersetzungen mit vorwiegend deutschsprachiger Literatur nach 1989. Sie ermöglicht ihren Leserinnen und Lesern Annäherungen an Texte, deren Bedeutungsspektrum noch längst nicht ausgeleuchtet ist. Die thematisch fokussierten Bände liefern Impulse zu den drängendsten Fragen der literarischen Jetztzeit.
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
Demonstrations & protest movements --- Austria --- Theatre studies --- Film theory & criticism --- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna --- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
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Cet essai interprète le théâtre d’Aimé Césaire au prisme de la fluidité textuelle, à travers une analyse des révisions, des réécritures et des traductions des pièces de l’auteur martiniquais. En considérant l’ensemble des versions publiée et inédites de l’œuvre théâtrale de Césaire et en s’intéressant tout particulièrement au rôle qu’y tiennent les langues, cette étude met en exergue l’importance de la collaboration entre Césaire, ses traducteurs et ses metteurs en scène. Au fil des pages, il est donc question du rôle et de l’influence joués par les mondes de la traduction dans la construction et la réception de toute œuvre. Voilà qui pourra ouvrir une authentique réflexion sur la littérature comme système complexe en évolution constante.
Césaire, Aimé --- Oeuvres --- Théâtre (genre littéraire) --- Traductions. --- Theater --- théâtre contemporain --- traduction --- créolisation --- Aimé Césaire --- teatro contemporaneo --- traduzione --- creolization --- contemporary theater --- translation
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
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9/11. --- Aufführung. --- Contemporary Drama. --- Contemporary Theater. --- Cultural Studies. --- Deutsch. --- Drama. --- Fleeing. --- Flucht --- Flucht. --- Gegenwartsdramatik. --- Gegenwartstheater. --- German literature. --- Germanistik. --- Gewalt --- Gewalt. --- Kulturwissenschaften. --- Migration. --- Performance. --- Theater-Literatur. --- Theaterwissenschaft. --- Theatre Studies. --- Theatre. --- Violence. --- 09/11/2001.
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Confrontation des expériences menées dans les cultures minoritaires en Europe, au Canada, au Brésil et en Nouvelle-Zélande et qui permettent de contribuer à une meilleure connaissance de l'expression théâtrale des minorités.
Minorities --- Theater and society --- Minorities in the performing arts --- Minorités --- Théâtre et société --- Minorités dans les arts du spectacle --- Recreation --- Loisirs --- Drama --- Minorities in literature --- Social aspects --- Contemporary Theater and Minorities - Criticism --- Contemporary Theater and Minorities --- Criticism --- Minorités --- Théâtre et société --- Minorités dans les arts du spectacle --- Theater and society - Congresses --- Drama - Social aspects - Congresses --- Minorities in literature - Congresses --- Théâtre --- Au théâtre --- 20e siècle --- Aspect social --- 1990 --- -Theater and society --- -Minorités --- 1990-
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Die zunehmende Technologisierung der Gegenwart betrifft in vielschichtiger Art und Weise auch das Theater: von Körpertechniken des Schauspielens, Tanzens und Singens zu Formen digitaler Medienperformance und Game Theatre. Die Beiträger*innen des Bandes widmen sich jenen Technologien des Performativen im Kontext ihrer je eigenen medientechnischen Umgebungen. »Das ist ein ›weites Feld‹, das hierbei in dichter Beschreibung geboten wird und zum Lesen anregt. Da ist kein Beitrag, der nicht mit großem Interesse aufgenommen wird und zum Nachdenken oder Nachforschen anregt. Ein spannendes Lesebuch.« Peter Dahms, www.TanzInfo-Berlin.de/www.OpernInfo-Berlin.de, 09.11.2020
Theater; Technik; Technologie; Performance; Performativität; Medien; Kunst; Technikphilosophie; Immersion; Künstliche Intelligenz; Szenographie; Game Theatre; Virtual Reality; Körpertechnik; Kulturtechnik; Gegenwartstheater; Intermedialität; Transmedialität; Theaterwissenschaft; Technikgeschichte; Theatre; Technology; Performativity; Media; Art; Philosophy of Technology; Artificial Intelligence; Scenography; Body Technology; Cultural Technique; Contemporary Theater; Intermediality; Transmediality; Theatre Studies; History of Technology --- Art. --- Artificial Intelligence. --- Body Technology. --- Contemporary Theater. --- Cultural Technique. --- Game Theatre. --- History of Technology. --- Immersion. --- Intermediality. --- Media. --- Performance. --- Performativity. --- Philosophy of Technology. --- Scenography. --- Technology. --- Theatre Studies. --- Transmediality. --- Virtual Reality.
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