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Poetry --- Belgium --- Netherlands --- Beeldvorming. --- Concrete poëzie. --- Visuele poëzie. --- België. --- Nederland. --- Vlaanderen (België). --- Poetry [Modern ] --- 20th century
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Taalvaardigheid is van groot belang. Poëzieonderwijs draagt bij aan taalontwikkeling en de (zelf)reflectie van kinderen, maar poëzie kweekt ook meer begrip voor andere ideeën. Je wereld wordt groter, je leert anders kijken.Deze doorlopende leerlijn poëzie is een receptenboek, een bladerboek, een ideeënboek. De auteurs, soms ook zelf dichter, kennen het onderwijs goed en weten wat daar wel en niet werkt.(bron: Poëziepaleis)
Poëzie --- Poëzie-onderwijs --- Taalvaardigheid --- Creatief schrijven --- Intellectuele ontwikkeling --- Lager onderwijs --- Didactische werkvorm --- Waarneming --- Concrete poëzie
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kunst --- twintigste eeuw --- literatuur --- kunst en literatuur --- poëzie --- kunst en poëzie --- Mallarmé Stéphane --- concrete poëzie --- 7.038 --- Exhibitions --- Book history --- Art --- Mallarmé, Stéphane
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Cursus dichten in woord en veel beelden. Met aandacht voor beeldsonnetten: wat zijn dat en hoe maak je ze zelf? Met kleurenfoto's van bv. een sonnet van bloemen of fietsen en informatie over poëzie. Vanaf ca. 9 t/m 13 jaar.
Dutch literature --- lager onderwijs 1ste graad (doelgroep) --- lager onderwijs 3de graad (doelgroep) --- lager onderwijs 2de jaar (doelgroep) --- Sonnetten --- Jeugdpoëzie --- Visuele poëzie --- Taalbeschouwing --- PXL-Education 2020 --- poëzie : analyse --- vanaf 9 jaar --- Visuele poëzie. --- Kinderpoëzie --- Sonnet --- Concrete poëzie --- Wiskundige initiatie
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Initially, inspired by the experimental visual poetry of the mid-sixties, Ketty La Rocca critically investigated questions of communication in the age of mass media. She soon began addressing herself in her work as both an artist and a woman in a desire to find another language to express difference and the non-identical. She worked with collage, photography, video, text, drawing, and performance to develop a language of gestures and appropriated imagery of disempowerment. But her work was only granted the short time span of a decade's production, during which she underwent a rapid artistic development with enormous energy and intelligence.
7.07 --- Ketty La Rocca (°1938 La Spezia – 976, in Firenze, Italië) --- Collage --- Performance --- Visuele poëzie --- Concrete poëzie --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- conceptual artists --- Rocca, La, Ketty --- Italy
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The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blind spots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
7.01 --- Neo-avantgardisme --- Kunsttheorie ; Avant-Garde ; Neo-Avant-Garde --- Concrete poëzie --- Kunst ; theorie, filosofie, esthetica --- Conferences - Meetings --- Art and society --- Art, European --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Avant-garde (Esthétique) --- Art européen --- Art et société --- Congresses. --- Congrès --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists)
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Karl Holmqvist explore avec ce livre d'artiste différents niveaux d'interaction entre le textuel et le visuel. L'ouvrage est constitué de poèmes visuels qui sont à la fois des « dessins » textuels, dans lesquels les lettres et les mots s'assemblent pour constituer des motifs qui varient et se transforment au gré des répétitions, entre sens et non-sens, entre figuration et abstraction. Il contient aussi des suites plus longues de spoken words, destinées à être lues lors de performances, avec des structures rythmiques et musicales proches de mnémoniques ou de diverses traditions orales. De larges parties du livre sont constituées d'« emprunts » à d'autres artistes et forment une petite collection historique de jeux de langage, depuis Dada Berlin et Zurich, le Futurisme, le Vorticisme ou le Lettrisme, jusqu'aux formulations plus contemporaines d'artistes tels que Ferdinand Kriwet ou Shannon Ebner.
Holmqvist, Karl. --- Ecrit d'artiste --- Ecriture --- Art graphique --- Graphisme --- Holmqvist, Karl --- Words in art --- Art and literature --- kunst --- 82 --- 7.071 HOLMQVIST --- Holmqvist Karl --- concept art --- conceptuele kunst --- kunst en literatuur --- kunst en poëzie --- concrete poëzie --- woord en beeld --- Zweden --- eenentwintigste eeuw --- twintigste eeuw --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature
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kunst --- twintigste eeuw --- kunsttheorie --- kunstmarkt --- kitsch --- musea --- informele kunst --- Hard edge --- post-painterly abstraction --- op art --- objectkunst --- nieuw realisme --- pop art --- minimal art --- conceptuele kunst --- nieuwe figuratie --- performances --- concrete poëzie --- lyrische abstractie --- individuele mythologieën --- fantastische schilderkunst --- hyperrealisme --- 7.038 --- Art, Modern --- Themes, motives --- Subjects
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The beloved typewriter--its utilitarian beauty, the pleasing percussive action of striking its keys, the singularity of the impressed page--is enjoying a genuine renaissance across the creative industries. In this authoritative publication, the founders of the Sackner Archive of Visual and Concrete Poetry, the largest such collection in the world, apply their experience, mining the collection they have created over four decades to present examples produced by more than 200 of the world's finest typewriter artists. From the early ornamental works produced by secretaries in the late nineteenth century to more recent works that consider the unique position of the typewritten document in the digital age, there is an astonishing and delightful range of creativity in every artwork.
Typewriter art --- kunst --- 7.038/039 --- 7.038 --- eenentwintigste eeuw --- concept art --- conceptuele kunst --- kunst en literatuur --- poëzie --- woord en beeld --- concrete poëzie --- tikmachines --- typemachines --- twintigste eeuw --- schrijfmachines --- Art, Typewriter --- Art, Modern --- Typewriting --- Visual literature --- 766:655.262 --- udc --- Visuele poëzie ; poëtische typografie --- Collages --- Kunstgeschiedenis ; 1950 - 2000 --- Gebruiksgrafiek ; typografie ; tekstverdeling
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