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This book presents the first study of voice-over from a wide approach, including not only academic issues but also a description of the practice of voice-over around the globe. The authors define the concept of voice-over in Film Studies and Translation Studies and clarify the relationship between voice-over and other audiovisual transfer modes. They also describe the translation process in voice-over both for production and postproduction, for fiction and non-fiction. The book also features course models on voice-over which can be used as a source of inspiration by trainers willing to include this transfer mode in their courses. A global survey on voice-over in which both practitioners and academics express their opinions and a commented bibliography on voice-over complete this study. Each chapter includes exercises which both lecturers and students can find useful.

Voice in motion pictures --- Voice overs --- Dubbing of motion pictures --- Motion pictures --- Translating and interpreting --- Dubbing --- Voice-overs. --- Translating and interpreting in motion pictures. --- commentaarstemmen --- Voix off --- Synchronisation --- Doublage --- Sous-titrage --- commentaarstemmen. --- Films --- Cinéma --- Audiovisuel --- Traduction et interprétation --- Voice-overs --- Translating and interpreting in motion pictures --- Film --- Dubbing. --- Dubbing of motion pictures. --- Sous-titrage. --- Voix off. --- Synchronisation. --- Doublage. --- Traduction et interprétation. --- Commentaarstemmen.