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This book introduces readers to co-creation --- a complex, value-based, context-driven and collaborative effort to develop new paradigms, products and services to satisfy human wants. Co-creation is built not only around the perceptions of challenges, cause-and-effect relationships and constraints, but also around available alternatives for dealing with or overcoming those challenges. Co-creation is not about transferring or outsourcing activities, and neither is it about the customization of products and services. This book explains the emergence of the co-creation approach. It describes various models of value creation, as well as different stages and the contract process involved in co-creation. It also explores different types of learning and learning techniques, and how co-creation impacts the learning process. The book allows practitioners and policymakers to understand the processes involved in implementing co-creation in any organization, while also presenting case studies to show how to apply the relevant concepts in their day-to-day activities.
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Teaching --- co-creation --- onderwijs --- opvoeding
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"Embodied Inquiry is offered to all who want to deepen the connection to their bodies. Here is the inspiration to see your body as a place of inquiry, learning, understanding and perceiving. Listening to the sensual knowing and aliveness within the body can inform our personal and professional lives and reveal the connections between living, being, and creating. Snowber writes this book in poetic and visceral language as a love letter from the body wooing readers to inhabit their own skins and celebrate the beautiful and paradoxical place where limitations and joy dwell together. Touching on the vastness of our body’s call to us, Embodied Inquiry explores solitude, paradox, inspiration, lament, waking up to the sensuous, ecology, listening, and writing from the body. This is not a manual, but a book to accompany you in befriending the body and let your own gestures, stories and bodily ways of being lead you to listen to your own rhythm. Whether an artist or educator, researcher or administrator, performer or poet, seeker or scientist, you will find this book as a companion to sustain a vibrant life and co-create a better world. “A beautiful, creative and highly original book. Written with passion and wisdom, this book makes significant contributions to arts-based research, artistic research practice, embodiment, and living artful, intentional and connected lives. A stunning achievement.” – Patricia Leavy, Ph.D., author of Method Meets Art and editor of the Social Fictions series “Snowber offers wisdom for learning to live exotically, erotically, emotionally, and ecstatically. Reading Embodied Inquiry is like walking on a wilderness trail, in sunlight-infused rain, learning to embrace the possibilities of vitality and vulnerability, joy and grief, love and loss.” – Carl Leggo, Ph.D., poet & professor, University of British Columbia “Weaving prose and poetry, Snowber awakens our sensual and embodied self at the very roots of living. This deeply personal work will move educators, researchers, artists, and those for whom lived experience is core to their creative processs.” – Daniel Deslauriers, Ph.D., Professor, Transformative Studies Doctorate Program, CIIS".
Teaching --- co-creation --- onderwijs --- opvoeding
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This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter. In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
Theatrical science --- theater --- co-creation
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De werkelijkheid beweegt altijd: van verleden naar toekomst, van idee naar realiteit. Ook professioneel worden we voortdurend geconfronteerd met keuzes die de toekomst beïnvloeden. Succes hangt af van hoe je krachten bundelt met JA en NEE. JA leidt naar wat je wel wilt, naar mogelijkheden en enthousiasme. NEE sluit risico's uit of spaart middelen voor wat je belangrijk vindt.Ja en Nee nodigt je uit om actief aan de slag te gaan met jezelf, je organisatie en de wereld. Je merkt onmiddellijk resultaat op basis van de keuzes die je maakt. Met 39 oefeningen en 9 gereedschappen om teams en projecten vooruit te helpen.
managementvaardigheden --- co-creation --- Organization theory --- Management --- Organisatieleer
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Tourism --- Marketing --- co-creation --- marketing --- toerisme
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Schools and teachers are facing various challenges in a rapidly changing world. In such circumstances, discussing and sharing concerns of mutual interest regarding policy, practice and research is crucial to creating more sophisticated understandings of the various challenges as a first step in the improvement of education. While the future should not be imprisoned in the past, the past does provide valuable lessons that will undergo new iterations in constructing the future. The future will be multi-faceted and complex and the different chapters included in this book are intended to provide important contributions from which to build the future of education. The different chapters provide readers with international perspectives, frameworks and empirical evidence of legacies, continuities and changes in educational policy, practice and research in teaching, teacher education and learning. We hope that they inspire the readers to build the future and to change their own professional realities. —Cheryl J. Craig, Ph.D., Professor, University of Houston, Houston, TX, USA, Secretary, ISATT This book metaphorically captures the looking backward to the past—pressing forward to the future that typically takes place on celebratory occasions. It causes us to pause and remember even as we race toward a time unknown to us. In a sense, the authors featured in this book serve as tour guides pointing out legacies, continuities and changes in teaching and teacher education. I strongly urge readers not only to peruse the chapters that follow, but to distill them to their essences and to glean what is of value to be learned from them. In conclusion, the ISATT Executive especially thanks the co-editors of this volume who have compiled a superb collection of chapters on a timely and relevant topic.
Teaching --- Teaching --- co-creation --- onderwijs --- onderwijs
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The Teaching Writing series publishes user-friendly writing guides penned by authors with publishing records in their subject matter. Through detailed exercises, exemplars, and a breakdown of the key elements and considerations of personal writing, Faulkner and Squillante provide a lively introduction and guide for writers to the art and craft of personal writing. Their conversational tone about audience, point of view, form, structure, ethics, research, and finding and making time for writing practice is a not-to-miss primer and reference. This book is appropriate for classes focused on poetry, creative nonfiction, ethnography, qualitative research, memoir, narrative inquiry, and other types of life writing, as well as individual writers honing their craft. Writing the Personal invites us all to find our stories and instructs us how to shape them for an audience and for ourselves. “Writing the Personal is the ideal book for anyone interested in exploring his or her life through writing. It is a must-read for any writer serious about deepening her understanding of craft.” – Kate Hopper, author of Ready for Air and Use Your Words and co-author of Silent Running “A focus on techniques makes this a useful book to read straight through or equally to dip in and out of according to your personal tastes. However you come to the recipes offered in this clever cookbook, you’re sure to enjoy the feast inside.” – Stacy Holman Jones and Anne Harris, co-authors of Writing for Performance “Faulkner and Squillante seamlessly collaborate to each bring their unique and varied writing backgrounds and academic credentials to this text to create a unique and invaluable book.” – Bernadette Marie Calafell, University of Denver, author of Monstrosity, Performance and Race in Contemporary Culture “Faulkner and Squillante are skillful, honest, and generous teachers of the craft.” – Dinty W. Moore, author of The Mindful Writer: Noble Truths of the Writing Life “In this innovative and inspiring book, Faulkner and Squillante offer practical advice about writing personal stories.” – Tony E. Adams, Northeastern Illinois University Sandra L. Faulkner teaches, writes poetry, and researches about close relationships at Bowling Green State University in NW Ohio. Sheila Squillante is a poet and essayist living in Pittsburgh and teaching in the MFA program at Chatham University.
Teaching --- mindfulness --- co-creation --- onderwijs --- opvoeding
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“In this smart, wide-ranging study of texts on the move, the global history of the book becomes a counter-history of the nation. Rather than pitting one against the other, contributors show how entangled these spheres are – and how key print culture is to illuminating points of convergence and divergence. Moving skillfully between dog-eared volumes and the booksellers, readers and marketplaces that made them, this collection brims with insights about the lives of books and their role not simply in reflecting global relations but in creating them -- with every turn of the page.” — Antoinette M. Burton, Professor of History, University of Illinois, USA, and co-author with Isabel Hofmeyr of Ten Books that Shaped the British Empire. This collection is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.
Book history --- book history --- co-creation
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