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Bede's Historiae
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ISBN: 9781843834656 1843834650 9781846156939 9786612987731 1846156939 1282987739 Year: 2009 Publisher: Suffolk Boydell & Brewer

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Abstract

A reappraisal of Bede's writings, focusing on his use of genre and rhetoric. The church history of the Anglo-Saxons can only be approached through the lens of a few writers, arguably the greatest of whom is Bede; his works illuminate an otherwise impoverished landscape of ecclesial development from conversion to established Christian church amongst the Anglo-Saxons. Bede, however, had his own agendas - monastic, political, and rhetorical. In her reappraisal of Bede's 'Ecclesiastical History, Lives of the Saints, History of the Abbots', the 'Lesser' and 'Greater Chronicles' and the 'Martyrology' and the audience for these texts, the author draws out the role played by classical forms of genre and rhetoric in the crafting of his work.She also explores the underlying political influences that caused Bede to write 'historia' as he did. In particular, she notes the role of 'historia' in monastic affairs, especially through the generation of a rhetoric of orthodoxy and the power of the cultural capital afforded by this within the relatively newly constituted Christian community in Northumbria. Dr VICKY GUNN is Senior Lecturer, Learning and Teaching Centre, University of Glasgow.


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Schiller the dramatist
Author:
ISBN: 9781571134134 1571134131 9781571137500 9786612795596 1571137505 1282795597 Year: 2009 Publisher: Suffolk Boydell & Brewer

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Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elements of continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed - as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he is fellow and director of studies at Murray Edwards College.

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