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In this ethnographic examination of Mexican-American and white girls coming of age in California's Central Valley, Julie Bettie turns class theory on its head, asking what cultural gestures are involved in the performance of class, and how class subjectivity is constructed in relationship to color, ethnicity, gender, and sexuality. A new introduction contextualizes the book for the contemporary moment and situates it within current directions in cultural theory. Investigating the cultural politics of how inequalities are both reproduced and challenged, Bettie examines the discursive formations that provide a context for the complex identity performances of contemporary girls. The book's title refers at once to young working-class women who have little cultural capital to enable class mobility; to the fact that analyses of class too often remain insufficiently transformed by feminist, ethnic, and queer studies; and to the failure of some feminist theory itself to theorize women as class subjects. Women without Class makes a case for analytical and political attention to class, but not at the expense of attention to other social formations.
Children, White --- Teenage girls, White --- Mexican American teenage girls --- Teenage girls, Mexican American --- Teenage girls --- White teenage girls --- White children --- Social conditions --- Race identity --- Social conditions. --- Social stratification --- Age group sociology --- Sociology of the family. Sociology of sexuality --- California --- anthropologist. --- california women. --- central valley. --- class performance. --- class theory. --- color. --- coming of age. --- contemporary movement. --- cultural reference. --- cultural theory. --- ethnicity. --- gender. --- historical context. --- income disparity. --- mexican-american women. --- sexuality. --- sociologists. --- theorists. --- white girls.
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David Grazian's riveting tour of downtown Philadelphia and its newly bustling nightlife scene reveals the city as an urban playground where everyone dabbles in games of chance and perpetrates elaborate cons. Entertainment in the city has evolved into a professional industry replete with set designers, stage directors, and method actors whose dazzling illusions tempt even the shrewdest of customers. As entertaining and illuminating as the confessional stories it recounts, On the Make is a fascinating exposé of the smoke and mirrors employed in the city at night.
Young adults --- Nightlife --- City and town life --- Bars (Drinking establishments) --- Nightclubs --- Clubs (Nightclubs) --- Clubs, Night --- Night clubs --- Night spots --- Nightspots --- Hospitality industry --- Ale-houses --- Cafés --- Dive bars (Drinking establishments) --- Dives (Drinking establishments) --- Dramshops --- Drinking establishments --- Hotels, taverns, etc. --- Public houses --- Pubs --- Saloons --- Shebeens --- Taverns (Drinking establishments) --- Happy hours --- City life --- Town life --- Urban life --- Sociology, Urban --- Night life --- Amusements --- Manners and customs --- Young people --- Young persons --- Adulthood --- Youth --- Social conditions. --- nightlife, urban, downtown, philadelphia, city, entertainment, nightclubs, pennsylvania, marketing, public relations, bars, pubs, college students, pre-game, coolness, drinking, dressing, fraternizing, sexuality, sexual exploitation, women workers, gender, labor, nonfiction, sociology, strip clubs, gay bar, dives, class, performance, sex, fine dining, consumerism, social interaction.
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