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Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way. Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of "classic" writing, especially as it was inflected by American racial politics.
American literature --- African American authors --- History and criticism. --- Classical influences. --- african american literature, literary criticism, education, dignity, identity, cultural traditions, western lit, religion, diaspora, africa, ancient greece, rome, slavery, civil rights era, jim crow, phillis wheatley, frederick douglass, ralph ellison, rita dove, poets, poetry, famous novelists, black scholars, racial politics, classical influences, leisure moments, genteel classicism, harlem, satire. --- English literature --- Agrarians (Group of writers)
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The Mason Gross School of the Arts in New Brunswick, New Jersey, stands as a memorial to one of Rutgers University’s most influential leaders. Gross started teaching at Rutgers as an assistant professor of philosophy in 1946, but quickly rose through the ranks to become the university’s provost in 1949 and finally its president from 1959 to 1971. He led the university through an era when it experienced both some of its greatest growth and most intense controversies. Free Spirit explores how Gross helped reshape Rutgers from a sleepy college into a world-renowned public research university. It also reveals how he steered the university through the tumult of the Red Scare, civil rights era, and the Vietnam War by taking principled stands in favor of both racial equality and academic freedom. This biography tells the story of how, from an early age, Gross came to believe in the importance of doing what was right, even when the backlash took a toll on his own health. Written by his youngest son Thomas, this book offers a uniquely well-rounded portrait of Gross as both a public figure and a private person. Covering everything from his service in World War II to his stints as a game-show personality, Free Spirit introduces the reader to a remarkable academic leader.
Presidents --- Gross, Mason Welch, --- Rutgers University --- History --- Mason Welch Gross, Biography, New Brunswick, New Jersey, Rutgers, Rutgers University, professor, teacher, philosophy, university, history, Education, memoir, public university, Red Scare, civil rights movement, civil rights era, Vietnam War, public figure, faculty, Mason Gross School of the Arts, scarlet knights, academia, higher education, college, research university.
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American liberalism today is in a state of confusion and disarray, with the "L word" widely considered a term of derision. By examining both the historical past and the fractious present, Liberalism for a New Century restores a proud political tradition and carves out a formidable defense of its philosophical tenets. This manifesto for a New Liberalism issues an urgent and cogent call for the most important rethinking of its values since the late 1960's, when conservatives reenergized themselves after Barry Goldwater's infamous loss. The essays in this volume, most of them never before published, are written by a leading group of historians, journalists, and public intellectuals. Some of the nation's most highly respected liberal minds explore such topics as the classical liberal tradition, postmodernism's challenge to the American "Enlightenment," the civil rights era, the influence of twentieth-century radicals on American liberalism, the 1950's, tolerance, the cold war, and whether liberalism should have a large and aggressive vision. One essay considers liberalism in Iran and what American liberals might learn from this movement. Fast-paced and encompassing such hot-button issues as the family and religion, here are ringside-seat arguments between people who don't often get to engage with one another: right-leaning liberals like Peter Berkowitz and John Patrick Diggins, and leftier liberals like Michael Tomasky and Mona Harrington. The result is a lively and stimulating collection that articulates a clear-minded alternative to the conservative ascendancy in American history and offers a timely and essential contribution to the growing national debate.
Liberalism --- Liberal egalitarianism --- Liberty --- Political science --- Social sciences --- United States --- Politics and government --- 20th century american radicals. --- america political philosophy. --- american enlightenment. --- american history. --- american liberalism. --- american politics. --- civic. --- civil rights era. --- classical liberalism. --- cold war. --- democracy. --- diplomacy. --- family and religion. --- john patrick diggins. --- liberal. --- liberalism and american values. --- liberalism in iran. --- liberalism. --- michael tomasky. --- mona harrington. --- national debate. --- new liberalism. --- peter berkowitz. --- political ideology. --- postmodernism. --- postmodernity. --- tolerance.
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Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt’s Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America’s most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man.
African Americans in the performing arts. --- African Americans --- American fiction --- Satire, American --- Intellectual life. --- Race identity. --- African American authors --- History and criticism. --- race, 21st century, Satire, black humorists, blackface, Bert Williams, Uncle Julius, Conjure Tales, 20th Century, black, black men, America, United States, black satire, black masculine interiority, black masculine, Post-Civil Rights Era, community building, catharsis, vulnerability, blackness, masculinity, African American literary, African American, Black satirists, Barack Obama, Obama, Kendrick Lamar, Key and Peele.
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"Making Choices, Making Do is a comparative study of Black and White working class women's survival strategies during the Great Depression. Based primarily on analysis of employment histories and Depression-era interviews of 1,340 women in Chicago, Cleveland, Philadelphia, and South Bend, Lois Helmbold discovered that while going through the Depression, both Black and White women lost work fairly equally, but the benefits that White women accrued because of structural racism meant that they avoided utter destitution that more commonly swallowed their Black peers. For example, when let go from a job, a White woman was more successful in securing a less prestigious job, which allowed her continuous employment, while Black women, especially older Black women, were pushed out of the labor force entirely. Helmbold found other ways that Black and White working class women's lives intertwined, sometimes positively, sometimes not. She found that overall, working class women were less racially segregated than men in their jobs. Making Choices, Making Do strives to fill the gap in the labor history of women, both Black and White, during the Depression. The book will challenge the limits of segregated histories and encourage more comparative analysis"--
African American women --- Discrimination in employment --- Working class women --- Women immigrants --- Employment --- History --- United States --- Economic conditions --- the Great Depression, feminism in the 1930s, comparative studies, feminism, workplace feminism, working women in the US, American working women, structural racism, segregation, segregated histories, civil rights era, unemployment in the 30s, 1930s America, racial tension, American structural racism, workplace inequity, race consciousness, Depression-era women, Great Depression case studies, workers in America, worker history in America, job listings, unemployment benefits, unemployment welfare, working women.
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Long a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World. Martin Munro's groundbreaking work traces the central-and contested-role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, Munro takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price-Mars, The Mighty Sparrow, Aimé Césaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, Munro shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history.
Black people --- African Americans --- Music --- History and criticism. --- Brown, James, --- Criticism and interpretation. --- african americans. --- african diaspora. --- african musicians. --- americas. --- artistic expression. --- black cultures. --- civil rights era. --- diversity. --- drum music. --- drummers. --- enslaved africans. --- french caribbean. --- haiti. --- historical. --- jacques roumain. --- james brown. --- jean price mars. --- music and culture. --- music and identity. --- music critics. --- music historians. --- music politics. --- new world. --- nonfiction. --- race issues. --- rhythm. --- role of music. --- shaping identities. --- social history. --- toussaint louverture. --- trinidad. --- united states. --- Blacks
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The first major battle over school choice came out of struggles over equalizing and integrating schools in the civil rights era, when it became apparent that choice could be either a serious barrier or a significant tool for reaching these goals. The second large and continuing movement for choice was part of the very different anti-government, individualistic, market-based movement of a more conservative period in which many of the lessons of that earlier period were forgotten, though choice was once again presented as the answer to racial inequality. This book brings civil rights back into the center of the debate and tries to move from doctrine to empirical research in exploring the many forms of choice and their very different consequences for equity in U.S. schools. Leading researchers conclude that although helping minority children remains a central justification for choice proponents, ignoring the essential civil rights dimensions of choice plans risks compounding rather than remedying racial inequality.
Educational equalization. --- School choice. --- Educational equality --- Educational equity --- Educational inequality --- Equal education --- Equal educational opportunity --- Equality of education --- Equalization, Educational --- Equity, Educational --- Inequality, Educational --- Opportunity, Equal educational --- Education --- Affirmative action programs in education --- Choice of school --- Parents' choice of school --- School, Choice of --- Schools --- Aims and objectives --- Selection --- african american. --- american school system. --- black students. --- charter schools. --- choice plans. --- choice programs. --- civil rights era. --- civil rights. --- communities. --- desegregation plans. --- education. --- empirical research. --- engaging. --- equity. --- family. --- integrating schools. --- life changes. --- market based movement. --- marriage. --- minority children. --- political science. --- political. --- politics. --- racial inequality. --- school choice. --- school settings. --- social hierarchy. --- social issues. --- sociology. --- students and schools. --- students and teachers. --- us schools.
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"A critical look at the realities of community policing in South Los Angeles.The Limits of Community Policing addresses conflicts between police and communities. Luis Daniel Gascón and Aaron Roussell depart from traditional conceptions, arguing that community policing—popularized for decades as a racial panacea—is not the solution it seems to be.Tracing this policy back to its origins, they focus on the Los Angeles Police Department, which first introduced community policing after the high-profile Rodney King riots. Drawing on over sixty interviews with officers, residents, and stakeholders in South LA’s “Lakeside” precinct, they show how police tactics amplified—rather than resolved—racial tensions, complicating partnership efforts, crime response and prevention, and accountability.Gascón and Roussell shine a new light on the residents of this neighborhood to address the enduring—and frequently explosive—conflicts between police and communities. At a time when these issues have taken center stage, this volume offers a critical understanding of how community policing really works." -- Publisher's description.
Police --- Community policing --- Police-community relations --- African Americans --- Hispanic Americans --- Complaints against --- California --- Black studies. --- Latino studies. --- advocacy. --- civilian review boards. --- collaborative ethnography. --- collaborative governance. --- community governance. --- community policing. --- consumer capitalism. --- corporate sponsorship. --- crime prevention. --- genealogy. --- governmentality. --- grassroots activism. --- language differences. --- legality. --- liberalism. --- moral order. --- neighborhood disputes. --- pathologization. --- police accountability. --- police authority. --- police commission. --- police legitimacy. --- police workforce. --- policeability. --- postindustrial city. --- post–civil rights era. --- public complaints. --- public perceptions. --- public service. --- race relations. --- racial order. --- regulation. --- repression. --- responsibilization. --- riot commission. --- riot commissions. --- social change. --- social organization. --- street history. --- symbolic interaction. --- urban redevelopment. --- urban riots. --- urban sociology. --- urban studies.
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