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À l'invitation du Collège de France, la chorégraphe belge Anne Teresa De Keersmaeker entreprend de résumer en un court traité l'ensemble de son parcours et de ses principes artistiques. Avec un sens saisissant du raccourci et la franchise qu'autorisent quarante années de recherches et de prises de risque, elle emporte son lecteur dans une méditation en plusieurs stations contrastées, qui constituent autant de définitions possibles de l'art chorégraphique.

Theatrical science --- Choreography --- Modern dance --- dans --- België --- eenentwintigste eeuw --- Rosas --- choreografie --- choreografen --- De Keersmaeker Anne Teresa --- Interpretive dancing --- Modern dancing --- Dance

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Yvonne Rainer's 1965 performance 'Parts of Some Sextets', for 10 people and 12 mattresses, represents a turning point in the American choreographer's oeuvre. Built on her formative years with the Judson Dance Theater, "my mattress monster," as Rainer calls it, was where she asserted her exploration of "ordinary" actions and her disregard for narrative constructions, creating an intricate choreography with a new scene every 30 seconds. More than half a century after its premiere, Rainer, in collaboration with dance artist Emily Coates, directed the 2019 revival of the piece for the Performa 19 Biennial in New York. Remembering a Dance focuses on the two distinct occurrences of this single dance. In this book, exquisitely designed by Nick Mauss, previously unpublished archival images and documents from the 1965 stagings at the Judson Memorial Church in New York and the Wadsworth Atheneum in Hartford resonate with contemporary responses and pose questions about the trajectories of artworks, performers and audiences.

kunst --- dans --- choreografen --- choreografie --- Rainer Yvonne --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- 792.071 --- fotografie --- dansfotografie --- Rainer, Yvonne, --- Performance-art --- Danse

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Qui est donc Sidi Larbi Cherkaoui, homme si apparemment zen et pourtant en colère ? Arabe qui ne se devine pas, Flamand qui n?en porte pas le nom, le chorégraphe belge bouscule et enchante le public depuis une quinzaine d?années, par ses créations nerveusement métissées, solidement ancrées dans le monde. Revendiquant cette identité composite avec laquelle il fertilise sa vie et son travail, Sidi Larbi Cherkaoui hisse la différence et les blessures intimes en fondamentaux d?une danse existentielle et impétueuse. Mu par un désir increvable d?adhérer à l?autre pour mieux le rencontrer, le chorégraphe multiplie les collaborations et partage l?affiche. Son plateau accueille toutes les danses (kathak, kuchipundi, flamenco, tango?), toutes les musiques, toutes les cultures à travers des pièces aux accents de rituels contemporains. Ce livre-parcours donne la parole à ses principaux partenaires de jeu. Tous disent sa rage d?apprendre, son appétit pour l?autre, son plaisir à danser et à transmettre. Le livre se focalise sur une quinzaine de ses créations : Rien de rien (2000), D?Avant (2002), Foi (2003), Tempus Fugit (2004), In Memoriam (2004), Zero Degrees (2005), Myth (2007), Apocrifu (2007), Sutra (2008), Dunas (2009), Babel (Words) (2010), Play (2010), Puzzle (2012), Tezuka (2012), Boléro (2013), M¡longa (2013)

Cherkaoui, Sidi Larbi --- Larbi Cherkaoui, Sidi --- Criticism and interpretation --- 793.07 --- Dans ; choreografie ; 2000-2013 ; Sidi Larbi Cherkaoui --- Cherkaoui, Sidi Larbi °1976 (°Antwerpen, België) --- Belgische kunstenaars --- Dans ; choreografen --- Criticism and interpretation.

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dansen --- Theatrical science --- Dance --- Labanotation --- dans --- kunst en dans --- danstheorie --- choreografie --- muziek --- zestiende eeuw --- Frankrijk --- renaissance --- choreografen --- componisten --- houtgravures --- dansnotatie --- Arbeau Thoinot --- Kinetographie Laban --- Kinetography Laban --- Laban system --- Dance notation

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"What else, besides the body, could physical thinking look like? Choreographer William Forsythe asks this paradigmatic question in William Forsythe: Choreographic Objects, the first extensive publication dedicated to his provocative career in the intersecting disciplines of choreography, dance, and the visual arts. Published on the occasion of Forsythe's major exhibition at The Institute of Contemporary Art/ Boston, this landmark volume provides the first-ever comprehensive survey of the Choreographic Objects, a remarkable body of conceptual work that blurs the lines between performance, installation, sculpture, and video. Additionally, the richly illustrated volume offers illuminating context with original contributions from leading scholars and critics in the fields of the visual arts, choreography, and performance, together with an illustrated chronology of Forsythe's related dance repertoire"--.

Art --- installations [visual works] --- video art --- performance art --- flags --- interactive art --- dances [performance events] --- bodies [animal components] --- Forsythe, William --- 793.07 --- Choreografie ; 1980-2018 ; W. Forsythe --- Forsythe, William °1949 (°New York, Verenigde Staten) --- Dans ; choreografen --- Exhibitions