Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Este trabalho, marcado por um grande entusiasmo científico e uma investigação muito séria e rigorosa, sobre a novidade do conceito de narrativa histórica de Paul Ricoeur, tem como eixo central a relação entre narrativa histórica e verdade de facto nas conceções históricas de Tucídides e Ricoeur. A grande questão que alimenta todo este trabalho científico é a seguinte: sendo a poética histórica uma mimese da ação humana, será que ela se reduz, contra as teses do positivismo histórico, a mero artefacto literário? Qual o verdadeiro contributo de Paul Ricoeur para uma mediação entre as duas teses mais célebres sobre o discurso histórico: ciência ideográfica ou nomotética? Se a grande tese de Ricoeur é a de que a história é um discurso que visa sempre, através de um método científico e crítico, a verdade dos factos, embora não possa dispensar a imaginação, como compreender a relação entre história e ficção em Tucídides? São as categorias da mimese I, II e III de Ricoeur que Martinho soares aplica a Tucídides, no sentido de com elas apreender, testar e compreender a dimensão da prefiguração – valorizando a história e a memória, o semeion e o tekmerion –; a da configuração narrativa, que implica uma reflexão sobre ação e tempo humano, condensado na narrativa – o que torna pertinente a aproximação Tucídides/Aristóteles –; e, finalmente, a da refiguração, pela qual ao leitor é feito ver o passado como um “tua res agitur”, quiçá, de dimensões trágicas.

Paul Ricoeur --- centenary --- Coimbra --- reception --- Paul Ricoeur --- centenary --- Coimbra --- reception

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Este trabalho, marcado por um grande entusiasmo científico e uma investigação muito séria e rigorosa, sobre a novidade do conceito de narrativa histórica de Paul Ricoeur, tem como eixo central a relação entre narrativa histórica e verdade de facto nas conceções históricas de Tucídides e Ricoeur. A grande questão que alimenta todo este trabalho científico é a seguinte: sendo a poética histórica uma mimese da ação humana, será que ela se reduz, contra as teses do positivismo histórico, a mero artefacto literário? Qual o verdadeiro contributo de Paul Ricoeur para uma mediação entre as duas teses mais célebres sobre o discurso histórico: ciência ideográfica ou nomotética? Se a grande tese de Ricoeur é a de que a história é um discurso que visa sempre, através de um método científico e crítico, a verdade dos factos, embora não possa dispensar a imaginação, como compreender a relação entre história e ficção em Tucídides? São as categorias da mimese I, II e III de Ricoeur que Martinho soares aplica a Tucídides, no sentido de com elas apreender, testar e compreender a dimensão da prefiguração – valorizando a história e a memória, o semeion e o tekmerion –; a da configuração narrativa, que implica uma reflexão sobre ação e tempo humano, condensado na narrativa – o que torna pertinente a aproximação Tucídides/Aristóteles –; e, finalmente, a da refiguração, pela qual ao leitor é feito ver o passado como um “tua res agitur”, quiçá, de dimensões trágicas.

Paul Ricoeur --- centenary --- Coimbra --- reception

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of articles is the outcome of extensive investigations into archival materials, concerning the involvement of various nations in the Great War. The authors analyse the wartime experiences of individuals and local communities, as well as whole nations. They offer a closer, more personal view of the impact of the Great War. The book re-constructs individual war narratives, and studies the long-term consequences of the conflict. The result is a multifaceted portrayal of the war, seen from local and international perspectives.

Agata --- Anna --- Archival Materials --- Centenary --- Central Powers --- Cultural --- Dzikowska --- Eastern Front --- Edition --- Elżbieta --- Great --- Handley --- Impact --- Katarzyna --- Piotr --- Polish independence --- Powęska --- Second --- Social --- Trenches --- War experience --- Wolff --- Zawilski

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of articles is the outcome of extensive investigations into archival materials, concerning the involvement of various nations in the Great War. The authors analyse the wartime experiences of individuals and local communities, as well as whole nations. They offer a closer, more personal view of the impact of the Great War. The book re-constructs individual war narratives, and studies the long-term consequences of the conflict. The result is a multifaceted portrayal of the war, seen from local and international perspectives.

Agata --- Anna --- Archival Materials --- Centenary --- Central Powers --- Cultural --- Dzikowska --- Eastern Front --- Edition --- Elżbieta --- Great --- Handley --- Impact --- Katarzyna --- Piotr --- Polish independence --- Powęska --- Second --- Social --- Trenches --- War experience --- Wolff --- Zawilski

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on. Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.

English poetry --- History and criticism. --- Eliot, T. S., --- Criticism and interpretation. --- Centenary. --- Cultural Impact. --- European Cultural Memory. --- European Identity. --- European Literary Tradition. --- European Literature. --- European Union. --- Language. --- Legacy. --- Literary Legacy. --- Modernism. --- New Poetries. --- Pan-European Identity. --- Poetry. --- T.S. Eliot. --- The Waste Land. --- Twentieth Century. --- Eliot, T. S.