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Le récit de la vie mouvementée du père François Casta. On le suit ici pas à pas, de la prime enfance à sa mort aux Invalides en passant par la Résistance, la Deuxième Guerre mondiale, celles d'Indochine et d'Algérie avant de le retrouver dans ses fonctions pastorales, qui l'amenèrent à bâtir deux églises dans l'île de Beauté où il exerça son ministère durant plus de trente ans.
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Há uma lacuna nos estudos antropológicos sobre o sistema de castas na Índia. São raros os trabalhos sobre Intocáveis, castas consideradas "impuras" e, como tal, socialmente depreciadas. Decidiu por isso a autora realizar um trabalho de campo sobre os Vankar, casta Intocável de tecelões do Estado do Gujarat. Ao leitor é proporcionada uma apresentação fascinante do universo Vankar, através das suas práticas e rituais, dos seus deuses e demónios, dos seus mitos. Arigidez atribuída à hierarquia do sistema social indiano é relativizada. Defende a autora que existem inúmeras passagens, contactos e contaminações entre castas - em teoria rigorosamente separadas umas das outras. Em particular, é sugerido que, quando a ordem social e cósmica está ameaçada de ruptura, os últimos passam, num certo sentido, a ser os primeiros. Cabe então à casta mais desvalorizada (Intocável) assumir o poder de sustentar ou restabelecer a ordem vacilante. Em Reis e Intocáveis, Rosa Maria Perez confronta-nos com um caso exemplar. Na aldeia de Valthera, atingida pela grande seca de 1985-1988, os Vankar são solicitados por toda a população, e em primeiro lugar pelos Rajput (a casta dominante), a exercer o poder de trazer a chuva, atributo partilhado com o soberano hindu. Este é um dos primeiros estudos antropológicos realizado numa universidade portuguesa que incide sobre um espaço exterior ao do antigo império colonial.
Sociology & Anthropology --- casta --- ritos --- soberanias --- India --- antropologia do simbólico --- Inde --- anthropologie symbolique --- castes --- rites
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Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Racially mixed people in art. --- Casta painting. --- Mexico --- Social life and customs
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"The Andes are a dry region. Water from melting glaciers, however, forms rivers and lakes that feed irrigation canals that have sustained communities for thousands of years. Managing and maintaining these water resources, then, is essential, and it is not surprising that the attendant responsibilities are grounded in religion. In 1921, in the village of San Pedro de Casta, Peru, when some folks were shirking their responsibilities (and claiming there was nothing written down to hold them accountable), local authorities detailed their duties in a Spanish-language document called the Entablo. This project consists of a critical introduction to the Entablo, a diplomatic transcription of the Spanish language manuscript, and an annotated English translation. The Entablo offers a wealth of insight into local rituals, religion, and community history, especially at an historical moment when these communities were changing rapidly. One of the unique aspects of the Entablo is that it provides instructions for the use of khipu boards, devices that meld the traditional khipus with a written alphabet"--
Quechua Indians --- Quechua Indians --- Quechua Indians --- Water --- Quechua Indians --- Quipu --- Quechua language --- SOCIAL SCIENCE / Archaeology --- Rites and ceremonies. --- Religion. --- Social life and customs. --- Religious aspects. --- Religion --- Rituals --- Texts. --- Writing. --- Entablo --- Entablo --- Translations into English. --- San Pedro de Casta (Peru) --- History.
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Casta painting --- Racially mixed people in art --- Genre painting, Mexican --- Portrait painting, Mexican --- Mexico --- Anáhuac --- Estados Unidos Mexicanos --- Maxico --- Méjico --- Mekishiko --- Meḳsiḳe --- Meksiko --- Meksyk --- Messico --- Mexique (Country) --- República Mexicana --- Stany Zjednoczone Meksyku --- United Mexican States --- United States of Mexico --- מקסיקו --- メキシコ --- Social life and customs --- Painting --- History of civilization --- anno 1700-1799
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"Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century"--Provided by publisher.
Art, Mexican --- Mexican literature --- National characteristics, Mexican, in literature. --- National characteristics, Mexican, in art. --- Mexicans in literature. --- Mexicans in art. --- Contemporáneos (Group of writers) --- Mexican art --- Tepito Arte Acá (Group of artists) --- Themes, motives. --- Mexico --- In literature. --- ART / Caribbean & Latin American. --- ART / History / General. --- Art mexicain --- Art, Mexican. --- Littérature mexicaine --- Mexicains dans l'art --- Mexicains dans la littérature --- Mexican literature. --- Mexicans in art --- Mexicans in literature --- National characteristics, Mexican, in art --- National characteristics, Mexican, in literature --- Histoire et critique --- Histoire --- History and criticism --- History --- 1800-1899. --- Mexico. --- In art --- Casta. --- Costumbrismo. --- Gender Identity. --- Identity. --- Mestizaje. --- Mexican Art. --- Miscegenation. --- National Identity. --- Nationalism. --- Nineteenth-Century Latin American Art. --- Nineteenth-Century Mexican Art. --- Racial Identity. --- Racial Mixing. --- Realism. --- Social Identity.
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