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Marylin, a novel by the Austrian writer Arthur Rundt about a mixed-race woman passing as white, moves from Chicago to New York City and concludes tragically on a Caribbean island. First published in 1928 and now translated into English, it offers a European view of racial attitudes in the US during the era of the Harlem Renaissance and Jim Crow. Rundt's short but powerful novel touches several vital issues in society today, engaging each in a way that prompts further examination and cross-fertilization. First, it sheds historical light on what has become painfully obvious in the Black Lives Matter era (if it wasn't before): the continued injustice experienced by Blacks in America as an effect of structural racism. Second, it confronts issues of migration and hybrid identities. Third, it has relevance for Women's Studies through the title character's interaction with the patriarchy. Through these connections, it responds to a growing current in German Studies concerned with diversity and inclusion and integrating the discipline into the broader humanities. An introduction and an afterword, both of them extensive and scholarly, contextualize the novel in its time and as it relates to ours.
African American women. --- #MeToo. --- Black Lives Matter. --- Caribbean island. --- Chicago. --- German Studies. --- Harlem Renaissance. --- Jim Crow. --- New York City. --- Women's Studies. --- diversity and inclusion. --- hybrid identities. --- migration. --- mixed-race woman. --- passing as white. --- patriarchy. --- racial attitudes. --- structural racism.
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"Mek Some Noise", Timothy Rommen's ethnographic study of Trinidadian gospel music, engages the multiple musical styles circulating in the nation's Full Gospel community and illustrates the carefully negotiated and contested spaces that they occupy in relationship to questions of identity. By exploring gospelypso, jamoo ("Jehovah's music"), gospel dancehall, and North American gospel music, along with the discourses that surround performances in these styles, he illustrates the extent to which value, meaning, and appropriateness are continually circumscribed and reinterpreted in the process of coming to terms with what it looks and sounds like to be a Full Gospel believer in Trinidad. The local, regional, and transnational implications of these musical styles, moreover, are read in relationship to their impact on belief (and vice versa), revealing the particularly nuanced poetics of conviction that drive both apologists and detractors of these styles. Rommen sets his investigation against a concisely drawn, richly historical narrative and introduces a theoretical approach which he calls the "ethics of style"-a model that privileges the convictions embedded in this context and that emphasizes their role in shaping the terms upon which identity is continually being constructed in Trinidad. The result is an extended meditation on the convictions that lie behind the creation and reception of style in Full Gospel Trinidad.Copub: Center for Black Music Research
Gospel music --- African Americans --- Popular music --- Sacred songs --- History and criticism. --- caribbean island. --- caribbean music. --- caribbean. --- creole traditions. --- ethics of style. --- ethnography. --- full gospel community. --- gospel dancehall. --- gospel music. --- gospel. --- gospelypso. --- jamoo. --- jehovahs music. --- memory. --- music studies. --- music. --- musical styles. --- nationalism. --- north american gospel music. --- questions of identity. --- regionalism. --- religious music. --- spiritual music. --- spirituality. --- transnational. --- trinidad and tobago. --- trinidad. --- trinidadian gospel music.
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In this brilliantly evocative ethnography, Francio Guadeloupe probes the ethos and attitude created by radio disc jockeys on the binational Caribbean island of Saint Martin/Sint Maarten. Examining the intersection of Christianity, calypso, and capitalism, Guadeloupe shows how a multiethnic and multireligious island nation, where livelihoods depend on tourism, has managed to encourage all social classes to transcend their ethnic and religious differences. In his pathbreaking analysis, Guadeloupe credits the island DJs, whose formulations of Christian faith, musical creativity, and capitalist survival express ordinary people's hopes and fears and promote tolerance.
Ethnology --- Ethnicity --- Anthropology of religion --- Religion and culture --- Disc jockeys --- Music --- Social aspects --- Saint Martin (West Indies) --- Ethnic relations. --- Race relations. --- Social conditions. --- anthropology. --- attitude. --- binational caribbean island. --- calypso. --- capitalism. --- capitalist survival. --- caribbean sea. --- caribbean. --- christian faith. --- christianity. --- cultural studies. --- dj cimarron. --- dj shadow. --- ethnography. --- ethos. --- hip hop music. --- multiethnic island nation. --- multireligious island nation. --- music. --- musical creativity. --- politics. --- radio disc jockey. --- rastafari individuality. --- rastafarian. --- religious anthropology. --- saint martin. --- sint maarten. --- social classes. --- spiritual. --- tolerance. --- tourism.
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