Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Vocal music --- Musique vocale --- History and criticism. --- Histoire et critique --- Cantata --- Church music --- Opera --- History and criticism --- Cantata - Italy - History and criticism --- Church music - Italy --- Opera - Italy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- anno 1700-1799 --- France --- Cantata --- Cantate --- Cantatas --- History and criticism --- History and criticism. --- 78.77.4

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

National music --- Folklore and nationalism --- History and criticism. --- Estévez Aponte, Antonio, --- Estévez, Antonio --- National music - Venezuela - History and criticism. --- Folklore and nationalism - Venezuela. --- Estévez Aponte, Antonio, - 1916- - Cantata criolla.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cantata --- Cantate --- Bach, Johann Sebastian, --- Cantatas --- History and criticism --- -Cantatas (Mixed voices) --- Choruses --- Bach, Johann Sebastian. --- -History and criticism --- Bach, Jean-Sébastien --- History and criticism. --- Cantatas (Mixed voices) --- Cantatas - Germany - 18th century - History and criticism --- Bach, Jean Sébastien --- Bach, Johann Sebastian, - 1685-1750 - Cantatas

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Joy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from Warsaw-a short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. Schoenberg, a Jewish composer whose oeuvre had been one of the Nazis' prime exemplars of entartete (degenerate) music, immigrated to the United States and became an American citizen. Both admired and reviled as a pioneer of dodecaphony, he wrote this twelve-tone piece about the Holocaust in three languages for an American audience. This book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Each case is unique, informed by individual geopolitical concerns, but this analysis also reveals common themes in anxieties about musical modernism, Holocaust memory and culpability, the coexistence of Jews and former Nazis, anti-Semitism, dislocation, and the presence of occupying forces on both sides of the Cold War divide.

MUSIC / History & Criticism. --- HISTORY / Europe / General. --- MUSIC / Genres & Styles / Classical. --- Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Appreciation --- Music --- History --- Genres & Styles --- Classical. --- Europe --- General. --- History & Criticism. --- Schönberg, Arnold --- 20th century world history. --- a survivor in warsaw. --- anti semitism. --- arnold schoenberg. --- austria. --- austrian composer. --- cantata. --- chromatic scale. --- cold war. --- composer. --- cultural history. --- czechoslovakia. --- death camps. --- death. --- degenerate music. --- dodecaphony. --- east germany. --- geopolitical concerns. --- geopolitics. --- holocaust victims. --- holocaust. --- jewish composer. --- lens of performance. --- mass death. --- memory. --- music. --- musical modernism. --- nazi. --- norway. --- poland. --- postwar europe. --- reception studies. --- second world war. --- twelve tone technique. --- west germany. --- world history.