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Claydon, Steven --- Art --- sculpture [visual works] --- busts [figures] --- installations [visual works] --- philosophy --- Antique, the --- video art --- busts [general, figures]

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Wlérick, Robert --- Sculpture --- Drawing --- drawings [visual works] --- sculpture [visual works] --- busts [figures] --- monuments --- heads [representations] --- human figures [visual works] --- Wlerick, Robert --- Wlérick, Robert. --- busts [general, figures]

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Alberto Giacometti a toujours éprouvé une fascination pour les œuvres de l'Égypte antique, qu'il a dessinées tout au long de sa carrière. Cette inspiration de l'art égyptien est régulièrement présente, par ailleurs, dans la sculpture et la peinture, à la fois comme un répertoire de formes et comme une composante essentielle de sa conception esthétique. L'Institut Giacometti, en collaboration avec le musée du Louvre, invite à prolonger et à approfondir cette relation du sculpteur à l'art égyptien. Exhibition: Institut Giacometti, Paris, France (22.06-10.10.2021).

Sculpture, French --- Sculpture, Egyptian --- Themes, motives. --- Giacometti, Alberto, --- Exhibitions --- Art --- drawings [visual works] --- sculpture [visual works] --- bronzes [visual works] --- busts [figures] --- human figures [visual works] --- Giacometti, Alberto --- Egypt --- busts [general, figures]

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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was. This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.

Portrait sculpture, Roman. --- Altered sculptures --- Sculpture de portraits romaine --- Sculptures transformées --- busts [figures] --- Portrait sculpture, Roman --- Plastieken --- Vandalisme --- Aanpassing --- Romeinse rijk. --- Plastieken. --- Portretten. --- Vandalisme. --- Aanpassing. --- 733.5 --- Arts Sculpture Roman --- Sculpture --- Roman history --- Political aspects. --- Mutilation, defacement, etc --- History --- Roman portrait sculpture --- Mutilation, defacement, etc. --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Sculpture, Primitive --- busts [general, figures]

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stone [worked rock] --- coins [money] --- busts [figures] --- Applied arts. Arts and crafts --- marble [rock] --- History --- relief [sculpture techniques] --- Iconography --- Art --- Sculpture --- art history --- outdoor sculpture --- Art styles --- Pre-Raphaelite --- sculpting --- medals --- tokens [exchange media] --- Gilbert, Alfred --- Reynolds-Stephens, William Ernest --- Millais, John Everett --- Rossetti, Dante Gabriel --- Tupper, John Lucas --- Legros, Alphonse --- Brett, John --- Sargent, John Singer --- Munro, Alexander --- Bell, Robert Anning --- Burne-Jones, Edward Coley --- Hancock, John --- Smith, Bernhard --- Woolner, Thomas --- Frampton, George --- anno 1800-1999 --- anno 1800-1899 --- Great Britain --- Pre-Raphaelitism --- Sculpture, British --- Préraphaélisme --- Sculpture britannique --- Exhibitions --- Expositions --- Préraphaélisme --- busts [general, figures]