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Radio still remains an important form of media, with millions listening to it daily. It has been reborn for the digital era, and is an area where there is great interest in its development, role and form. Attempting to fill the gap in research on British radio criticism, this volume explores the development and role of radio criticism in the discourse around radio in Britain from its birth in the 1920s up to present day. Using a historical approach to explore how, as radio emerged, the press provided coverage which helped shape and reflect radio’s position in popular culture, Paul Rixon delivers an interesting and engaging exploration that provides a cultural perspective on radio, with a specific focus on newspaper criticism. Radio Critics and Popular Culture is an innovative and original addition to existing research and will be invaluable for those interested in the way that British radio has evolved.
Radio broadcasting --- History. --- Journalism. --- Ethnology-Europe. --- British Culture. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Ethnology—Europe.
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“Stephen Glynn has a thoroughbred pedigree in the field of sport in British cinema, and The British Horseracing Film is an odds-on favourite to be another winner. Written with verve and vigour, this gallop through a hitherto unknown subject is also good fun to read. I recommend all film and turf enthusiasts to take a punt.” —James Chapman, Professor of Film Studies at the University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema. .
Motion pictures --- Motion pictures—Great Britain. --- Ethnology—Europe. --- British Cinema and TV. --- British Culture.
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This collection of essays highlights the variety of 1970's culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970's was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many...
Nineteen seventies. --- Geschichte 1970-1980 --- Great Britain --- Civilization --- British culture --- Culture --- Society
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church --- religion --- British culture --- gender issues --- the sexual revolution --- moral change --- censorship --- entertainment
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‘Terence Rattigan was among the most successful British playwrights of the modern era – a master of comedy as well as tragedy. He is so incredibly good it should come as no surprise that a significant revival has been underway for some time. In fact, Rattigan has been slowly achieving a permanent place of esteem in the essential repertoire of twentieth century dramatists. And that place will be bolstered by this brilliant comprehensive study of the playwright’s art by John A. Bertolini. His book is a pleasure to read: elegantly written, persistently intelligent, and lucid, and it does exactly what it promises: makes a case for Rattigan.’ - Jay Parini, D.E.Axinn Professor of English, Middlebury College, USA This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan’s dramatic art and its basis in his use of subtext, implication, and understatement. By discussing every play in chronological order, the book also articulates the trajectory of Rattigan’s darkening vision of the human potential for happiness from his earlier comedies through his final plays in which death appears as a longed for peace. New here is the exploration through close analysis of Rattigan’s style of writing dialogue and speeches, and how that style expresses Rattigan’s sense of life. Likewise, the book newly examines how Rattigan draws on sources in Greek and Roman history, literature, and myth, as well as how he invites comparison with the work of other playwrights, especially Bernard Shaw and Shakespeare. It will appeal broadly to college and university students studying dramatic literature, but also and especially to actors and directors, and the play-going, play-reading public.
Culture --- Ethnology --- Theater --- Cultural and Media Studies. --- Theatre History. --- British Culture. --- Study and teaching. --- Europe. --- History. --- Rattigan, Terence. --- Cultural studies --- Theater-History. --- Ethnology-Europe. --- Theater—History. --- Ethnology—Europe.
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This open access book provides a detailed exploration of the British media coverage of the press reform debate that arose from the News of the World phone hacking scandal and the Leveson Inquiry. Gathering data from a content analysis of 870 news articles, Ogbebor shows how journalists cover debates on media policy and illustrates the impact of their coverage on democracy. Through this analysis, the book contributes to knowledge of paradigm repair strategies; public sphere; gatekeeping theory; the concept of journalism as an interpretive community; political economy of the press; as well as the neoliberal and social democratic interpretations of press freedom. Providing insight into factors inhibiting and aiding the role of the news media as a democratic public sphere, it will be a valuable resource for the press, media reform activists, members of the public, and academics in the fields of journalism, politics and law.
Journalism. --- Ethnology—Europe. --- Mass media—Political aspects. --- British Culture. --- Media Policy. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Journalism --- British Culture --- Media Policy --- Media Policy and Politics --- Leveson Inquiry --- News of the World --- Phone hacking --- Phone hacking scandal --- Media policy --- Media and democracy --- Journalistic metadiscourse --- open access --- Media studies: Journalism --- Media, entertainment, information & communication industries --- Cultural studies --- Media studies
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This book constitutes the first full volume dedicated to an academic analysis of British football as depicted on film. From early single-camera silents to its current multi-screen mediations, the repeated treatment of football in British cinema points to the game’s importance not only in the everyday rhythms of national life but also, and especially, its immutable place in the British imaginary landscape. Through close textual analysis together with production and reception histories, this book explores the ways in which professional footballers, amateur players and supporters (the devoted and the demonized) have been represented on the British screen. As well as addressing the joys and sorrows the game necessarily engenders, British football is shown to function as an accessible structure to explore wider issues such as class, race, gender and even the whole notion of ‘Britishness’. .
Soccer in motion pictures. --- Motion pictures --- Motion pictures-Great Britain. --- Ethnology-Europe. --- Sports-Sociological aspects. --- British Cinema and TV. --- British Culture. --- Sociology of Sport and Leisure. --- Motion pictures—Great Britain. --- Ethnology—Europe. --- Sports—Sociological aspects.
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This book assesses the extent to which British news organizations gave exposure and credence to different political interpretations of economics and business news in the decade before the 2008 Financial Crisis. Through the content analysis of some 1,600 news items, this study provides compelling empirical evidence to inform often theoretical debates about neoliberal assumptions in the media. In each of the three pre-2008 case studies – economic globalization, private finance and public services, and Tesco – Merrill finds that the Telegraph, The Times, the Sunday Times and, to varying extents, the Guardian-Observer and the BBC gave limited exposure and credence to ideas from the left of the political spectrum. As such, he builds an important comparative picture of economic, business and financial journalism in the period before the defining event of the decade, the effects of which continue to resonate.
Journalism, Commercial. --- Business journalism --- Commercial journalism --- Economic journalism --- Financial journalism --- Financial news --- Journalism --- Journalism, Economic --- Trade journalism --- Commerce --- Journalism. --- Ethnology-Europe. --- Business enterprises-Finance. --- British Culture. --- Business Finance. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Ethnology—Europe. --- Business enterprises—Finance.
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This book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.
Television programs --- Motion pictures—Great Britain. --- Ethnology—Europe. --- Religion and sociology. --- British Cinema and TV. --- British Culture. --- Religion and Society. --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Motion pictures --- Ethnology
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This book uncovers the revolutionary journey of British Asian radio broadcasting. It investigates how British Asian radio broadcasting began in England in the 1960s and developed into the 2000s. The book reflects on the existing literature on media and migration, particularly the issues of settlement and race relations, and examines how the BBC and the government took initiative to address these issues. It also critically analyses the need and demand of the Asian community for its own radio platform, discerning the role of the BBC’s radio initiatives, as well as other community-oriented radio experiments, in contributing to the creation of independent British Asian radio in England. This book is essential reading for anyone interested in Ethnic and Mother-tongue Radio Broadcasting, Cultural and Communication Studies, Media History and British Cultural History. It will also help broadcasters, media regulators and policy-makers understand the social and cultural context of the communities they address. Gloria Khamkar is an Academic and Researcher in Media Studies, with a particular interest in the area of radio and migrants, and holds a doctorate from Bournemouth University, UK. She is an experienced journalist and a community radio practitioner, who continues to research in the area of media and migration. Having migrated from India and now settled in the UK, Gloria is passionate about examining migration and integration processes and their impact on the media we consume.
Philosophy and psychology of culture --- History of civilization --- cultuur --- Great Britain --- Radio broadcasting. --- Ethnology—Great Britain. --- Culture. --- Race. --- Emigration and immigration—Social aspects. --- Radio. --- British Culture. --- Race and Ethnicity Studies. --- Sociology of Migration. --- Ethnic radio broadcasting --- BBC Asian Network.
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