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"Focusing on the Roman west, this book examines the rituals of cursing, their cultural contexts, and their impact on the lives of those who practised them. A huge number of Roman curse tablets have been discovered, showing their importance for helping ancient people to cope with various aspects of life. Curse tablets have been relatively neglected by archaeologists and historians. This study not only encourages greater understanding of the individual practice of curse rituals but also reveals how these objects can inform ongoing debates surrounding power, agency and social relationships in the Roman provinces. McKie uses new theoretical models to examine the curse tablets and focuses particularly on the concept of 'lived religion'. This framework reconfigures our understanding of religious and magical practices, allowing much greater appreciation of them as creative processes. Our awareness of the lived experiences of individuals is also encouraged by the application of theoretical approaches from sensory and material turns and through the consideration of comparable ritual practices in modern social contexts. These stimulate new questions of the ancient evidence, especially regarding the motives and motivations behind the curses"-- Provided by publisher. The huge number of curses found in the Roman world shows that their use was an important method for ancient people to cope with life. Curses could address a variety of personal issues, including sexual relationships, crime and legal trials. This book firmly embeds the rituals of cursing into the social contexts in which they were practiced and explores their impact on the lives of those who practiced them.To achieve this aim, this book examines curse tablets through the lens of several exciting new theoretical models and discussions, in particular the idea of ‘lived religion.’ This reconfigures our understandings of religious and magical practices, to allow a much greater appreciation of them as creative processes. Alongside lived religion, this book also applies theoretical approaches from the sensory and material turns, which also seek to advance understandings of an individual’s lived experience.This book looks at similar ritual practices in modern social contexts that have been observed by anthropologists and ethnographers and uses them to ask new questions of the ancient evidence, particularly regarding the motives and motivations behind the curses. By thinking in these new ways, this book moves the scholarly discussions on curse tablets beyond the preoccupations about categorization. It also brings curse tablets into contact with ongoing scholarly discussions about materiality and agency in the Roman provinces and shows that these objects have great potential for informing these debates.
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"Quel est le point de rencontre improbable, locus communis rassemblant mnémotechniquement Théocrite, Callimaque, Apollonius de Rhodes, Ovide, L.-E Céline et J.-P. Sartre ? Qu'arriva-t-il au gracieux poète de l'Art d'aimer pour qu'il entreprenne à cinquante ans d'évoquer en 388 vers plus de 230 tortionnaires ou suppliciés par plus de cent genres de supplices différents, en usant dans deux cas sur trois de définitions par énigmes ? Comment put-il y parvenir ? Les antiques furent-ils oulipiens ? Leur mémoire survitaminée ? Olivier Sers répond à toutes ces questions et à bien d'autres dans son introduction à sa traduction du Contre Ibis. Établie vers pour vers (alexandrin, décasyllabe), celle-ci dévoile à droite du texte, en italiques, les noms exprimés par énigmes. Lui font suite le texte du calligramme de Théocrite La Syrinx, dont les liens avec l'Ibis sont pour la première fois mis en lumière, un bilan des supplices, et un copieux index des noms propres, l'ensemble fournissant toutes informations utiles sur les anecdotes évoquées, leur contexte, les techniques de codage employées par le poète, et les mobiles de sa reconversion inattendue dans l'oulipisme."
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Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.
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Although the demographics of World Christianity demonstrate a population shift to the Global South, especially in Sub-Saharan Africa, the preponderance of biblical scholarship continues to be dominated by Western scholars in pursuit of their contextual questions that are influenced by an Enlightenment-oriented worldview. Unfortunately, nascent methodologies used to bridge this chasm often continue to marginalize indigenous voices. In contradistinction, Beth E. Elness-Hanson’s research challenges biblical scholars to engage stronger methods for dialogue with global voices, as well as encourages Majority World scholars to share their perspectives with the West. Elness-Hanson’s fundamental question is: How do we more fully understand the “generational curses” in the Pentateuch? The phrase, “visiting the iniquity of the fathers on the children to the third and the fourth generation,” appears four times in the Pentateuch: Exod 20:4–6; Exod 34:6–7; Num 14:18; and Deut 5:8–10. While generational curses remain prevalent within the Maasai worldview in East Africa, an Enlightenment-influenced worldview diminishes curses as a phenomenon. However, fuller understandings develop as we listen and learn from each other. This research develops a theoretical framework from Hans-Georg Gadamer’s “fusion of horizons” and applies it through Ellen Herda’s anthropological protocol of “participatory inquiry.” The resulting dialogue with Maasai theologians in Tanzania, builds bridges of understanding across cultures. Elness-Hanson’s intercultural analysis of American and Maasai interpretations of the Pentateuchal texts on the generational curses demonstrates that intercultural dialogues increase understandings, which otherwise are limited by one worldview.
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