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African Americans --- Book collectors --- Historians --- Librarians --- Libraries --- Bibliography --- Methodology --- Historiography --- Special collections --- Schomburg, Arthur Alfonso, --- Schomburg Center for Research in Black Culture --- History.

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Simone C. Drake spent the first several decades of her life learning how to love and protect herself, a black woman, from the systems designed to facilitate her harm and marginalization. But when she gave birth to the first of her three sons, she quickly learned that black boys would need protection from these very same systems-systems dead set on the static, homogenous representations of black masculinity perpetuated in the media and our cultural discourse. In When We Imagine Grace, Drake borrows from Toni Morrison's Beloved to bring imagination to the center of black masculinity studies-allowing individual black men to exempt themselves and their fates from a hateful, ignorant society and open themselves up as active agents at the center of their own stories. Against a backdrop of crisis, Drake brings forth the narratives of black men who have imagined grace for themselves. We meet African American cowboy, Nat Love, and Drake's own grandfather, who served in the first black military unit to fight in World War II. Synthesizing black feminist and black masculinity studies, Drake analyzes black fathers and daughters, the valorization of black criminals, the black entrepreneurial pursuits of Marcus Garvey, Berry Gordy, and Jay-Z, and the denigration and celebration of gay black men: Cornelius Eady, Antoine Dodson, and Kehinde Wiley. With a powerful command of its subjects and a passionate dedication to hope, When We Imagine Grace gives us a new way of seeing and knowing black masculinity-sophisticated in concept and bracingly vivid in telling.

African American men --- African Americans --- Social conditions. --- Social conditions. --- agency. --- black culture. --- black feminism. --- black male crisis. --- black masculinity. --- imagination. --- intersectionality. --- law. --- subjectivity.

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Key study on writer and activist Kgositsile that presents a new approach to studying the radicalism of Africa and its diaspora and makes a major contribution to the histories of Black lives, gender studies, jazz studies, politics, and creativity.The cultural configurations of the Black Atlantic cannot be fully understood without recognising the significant presence of writers and artists from the African continent itself. Among the most influential was South African poet laureate Keorapetse Kgositsile, or 'Bra Willie', as he was affectionately known. Yet, until now, there has been no full-length study of his work. Uhuru Phalafala's wide-ranging book reveals the foundational influence of Kgositsile's mother and grandmother on his craft and unveils the importance of the oral/aural traditions, indigenous knowledge systems, and cosmologies he carried with him into and after exile. It illuminates a southern African modernity that was strongly gendered and deployed in anti-imperialist, anti-colonial, anti-apartheid, and civil rights struggles. Using the original concept of 'elsewhere', the author maps the sources of Kgositsile's transformative verse, which in turn generated 'poetics of possibility' for his contemporaries in the Black Arts and Black Power Movements and beyond - among them Maya Angelou, Larry Neal, Gwendolyn Brooks, Tom Dent, members of The Last Poets, Otabenga Jones & Associates, and rapper Earl Sweatshirt - who all looked to his work to model their identities, cultural movements and radical traditions.

Black Arts movement. --- African American Culture. --- African Poetry. --- African-American Poets. --- Black Culture. --- Bra Willie Poet. --- Poetry in Africa. --- Political Activism. --- South African Poet. --- South African Political Activist. --- South African Tswana Poet. --- Kgositsile, Keorapetse.

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From Central District Seattle to Harlem to Holly Springs, Black people have built a dynamic network of cities and towns where Black culture is maintained, created, and defended. But imagine-what if current maps of Black life are wrong? Chocolate Cities offers a refreshing and persuasive rendering of the United States-a "Black map" that more accurately reflects the lived experiences and the future of Black life in America. Drawing on film, fiction, music, and oral history, Marcus Anthony Hunter and Zandria F. Robinson trace the Black American experience of race, place, and liberation, mapping it from Emancipation to now. As the United States moves toward a majority minority society, Chocolate Cities provides a provocative, broad, and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape.

African Americans --- Black history --- History. --- African Americans history --- history --- african american. --- american history. --- black american. --- black culture. --- black experience. --- black life. --- black lives. --- black people. --- blackness. --- cities. --- city life. --- economics. --- emancipation. --- ethnic minority. --- film. --- government. --- history. --- lived experiences. --- minority groups. --- minority society. --- music. --- oral history. --- politics. --- race. --- racial minority. --- racism. --- towns. --- united states history. --- united states. --- urban studies. --- urban.

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According to relational sociology, power imbalances are at the root of human conflicts and consequently shape the physical and symbolic struggles between interdependent groups or individuals. This volume highlights the role of power relations in the African American experience by applying key concepts of Pierre Bourdieu and Norbert Elias to black literature and culture. The authors offer new readings of power asymmetries as represented in works of canonical and contemporary black writers (Richard Wright, Ralph Ellison, Gwendolyn Brooks, Toni Morrison, Percival Everett, Colson Whitehead), rap music (e.g., Jay Z), images of black homelessness, and figurations of political activism (civil rights activist Bayard Rustin Besprochen in: Begegnungszentrum für aktive Gewaltlosigkeit, Rundbrief, 1 (2018)

American literature --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American authors --- Negro authors --- African American Literature. --- America. --- American Studies. --- Black Culture. --- Capital. --- Cultural Sociology. --- Cultural Studies. --- Established-Outsider Relationships. --- Field. --- Habitus. --- Literary Studies. --- Norbert Elias. --- Pierre Bourdieu. --- Political Activism. --- Power Asymmetries. --- Power Imbalances. --- Power Relations. --- Racism. --- Rap Music. --- Social Relations. --- Sociological Theory. --- Sociology of Literature. --- Symbolic Violence. --- Relational Sociology; Pierre Bourdieu; Norbert Elias; Sociology of Literature; Cultural Sociology; Power Relations; Racism; African American Literature; Black Culture; Rap Music; Political Activism; Habitus; Field; Capital; Symbolic Violence; Established-Outsider Relationships; Power Asymmetries; Power Imbalances; America; Social Relations; American Studies; Sociological Theory; Cultural Studies; Literary Studies --- Racism in literature. --- African Americans --- Politics and government. --- History and criticism --- Bourdieu, Pierre, --- Elias, Norbert, --- Elías, N. --- Burdʹe, Pʹer, --- Burdʹe, P. --- Bourdieu, P. --- Pūrtiyu, Piyar,