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Haidee Wasson provides a rich cultural history of cinema's transformation from a passing amusement to an enduring art form by mapping the creation of the Film Library of the Museum of Modern Art (MoMA), New York, established in 1935. The first North American film archive and museum, the film library pioneered an expansive moving image network, comprising popular, abstract, animated, American, Canadian, and European films. More than a repository, MoMA circulated these films nationally and internationally, connecting the modern art museum to universities, libraries, women's clubs, unions, archives, and department stores. Under the aegis of the museum, cinema also changed. Like books, paintings, and photographs, films became discrete objects, integral to thinking about art, history, and the politics of modern life.
Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- Preservation --- History and criticism --- Museum of Modern Art (New York, N.Y.). --- Museum of Modern Art Film Library (New York, N.Y.) --- Film Library of the Museum of Modern Art (New York, N.Y.) --- 1935. --- american film. --- art cinema. --- art forms. --- art history. --- birth of art cinema. --- canadian film. --- cinema scholars. --- cinemas transformation. --- cultural history. --- european film. --- film analysis. --- film archives. --- film historians. --- film history. --- film library. --- film museum. --- film students. --- historical. --- historiography. --- information sciences. --- libraries. --- modern life. --- modern politics. --- moma. --- movie theory. --- museum of modern art. --- new york. --- popular films. --- universities.
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