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Currently, researchers from many excellent departments are working in the broad field of biodiversity and sustainability research on the Göttingen Campus. In the Museum of Biodiversity, we will introduce the research from these groups to present what biodiversity is, how it evolved and its interactions within ecosystems. We, as humans, totally depend on this biodiversity and are part of it. However, because of our impact, biodiversity is in crisis. We will show the significant impact of human activity on the planet's biodiversity. Understanding that biodiversity matters to us and what that means for our future is the key to start acting to stop this crisis. The planned exhibition will opened in will be hosted at the second floor of the former Naturhistorisches Museum building at the Berliner Straße. The overall aim of the museum is to promote and support a scientific culture in the society. By kindling enthusiasm for the natural world and its exploration, we strive to make science from the university accessible to the general public.

anthropocene --- biodiversity --- biodiversity crisis --- museums --- outreach --- scientific communication --- Life sciences. --- Biosciences --- Sciences, Life --- Science

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In Abundant Earth, Eileen Crist not only documents the rising tide of biodiversity loss, but also lays out the drivers of this wholesale destruction and how we can push past them. Looking beyond the familiar litany of causes-a large and growing human population, rising livestock numbers, expanding economies and international trade, and spreading infrastructures and incursions upon wildlands-she asks the key question: if we know human expansionism is to blame for this ecological crisis, why are we not taking the needed steps to halt our expansionism? Crist argues that to do so would require a two-pronged approach. Scaling down calls upon us to lower the global human population while working within a human-rights framework, to deindustrialize food production, and to localize economies and contract global trade. Pulling back calls upon us to free, restore, reconnect, and rewild vast terrestrial and marine ecosystems. However, the pervasive worldview of human supremacy-the conviction that humans are superior to all other life-forms and entitled to use these life-forms and their habitats-normalizes and promotes humanity's ongoing expansion, undermining our ability to enact these linked strategies and preempt the mounting suffering and dislocation of both humans and nonhumans. Abundant Earth urges us to confront the reality that humanity will not advance by entrenching its domination over the biosphere. On the contrary, we will stagnate in the identity of nature-colonizer and decline into conflict as we vie for natural resources. Instead, we must chart another course, choosing to live in fellowship within the vibrant ecologies of our wild and domestic cohorts, and enfolding human inhabitation within the rich expanse of a biodiverse, living planet.

Biodiversity conservation --- Human-animal relationships --- Human-plant relationships --- anthropocentrism --- biodiversity crisis --- bioregionalism --- ecological civilization --- food production --- human population --- human supremacy --- pulling back --- scaling down --- wilderness

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A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast – monster or hero – has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.

Animals and civilization --- Human-animal relationships --- Wolves in literature. --- Wolves --- Social aspects --- affect. --- animal histories. --- biodiversity crisis. --- biopolitics. --- canids. --- conservation. --- critical theory. --- emotion. --- environmental history. --- environmental humanities. --- environmentalism. --- historical geographies. --- human/animal relations. --- nation-building. --- political ecology. --- posthumanism. --- settler colonialism. --- wildlife management.