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1840 - 1940 --- Beeldhouwkunst + architectuur ; Nederland ; 1840 tot 1940 --- 73:72 --- Beeldhouwkunst ; 1900 - 1950 --- Beeldhouwkunst en architectuur --- Allegories --- Decoration and ornament, Architectural --- Catalogs. --- History --- Catalogs --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Allegory (Art) --- Exempla --- Fiction --- Homiletical illustrations --- Tales --- Fables --- Parables --- History&delete& --- Decoration and ornament --- beeldhouwkunst --- architectuur (bouwwerken) --- 19de eeuw --- 20ste eeuw --- Sculpture --- architecture [discipline] --- architectural sculpture --- anno 1800-1999 --- Netherlands --- (069) --- 73.037 --- (Musea. Collecties) --- burgerlijke architectuur; gebouwen; huisvesting --- sculptuur --- 1840 - 1940. --- 19de eeuw. --- 20ste eeuw.
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In The Pliable Plane, curator and historian Penelope Curtis traces the ways sculpture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved, cast, applied, imagined, and even conceptual – in such places as bomb shelters, caves, war memorials, and public buildings, Curtis introduces a cast of renowned and lesser-known practitioners who defined the three-dimensional conception of the years 1945 to 1975.With close readings of the work and lives of Henry Moore, Anni Albers, Frederick Kiesler, Jorge Oteiza, and Mary Martin, among others, Curtis’s lucid history encompasses the developments of wartime production, the discovery of the Lascaux Caves, and the rise of relief art. Turning away from familiar pairings and dichotomies, it considers spaces and surfaces of coalescence and influence. Curtis compels us to understand the wall as support as much as partition, arguing for the centrality of this very pliability to the entwined development of both sculpture and architecture.
Art and architecture --- Sculpture --- Architecturale follies ; grotten --- Architectuur en beeldhouwkunst ; integratie --- Moore, Henry 1898-1986 (°Castleford, Yorkshire, Groot-Brittannië) --- Albers, Anni (Annelise Else Frieda Fleischmann) 1899-1994 (°Berlijn, Duitsland) --- Beelden buiten ; beeldhouwkunst in de publieke ruimte --- Kunsttheorie ; kunst in de publieke ruimte --- Beeldhouwkunst ; reliëfs --- 73:72 --- 73.01 --- 72.049 --- 73.049 --- Beeldhouwkunst en architectuur --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Architectuur ; verschillende onderwerpen --- Beeldhouwkunst ; iconografie ; verschillende onderwerpen --- kunst --- kunsttheorie --- beeldhouwkunst --- architectuur --- kunstgeschiedenis --- Art --- reliefs [sculptures] --- architecture [object genre] --- walls --- sculpture [visual works] --- architecture [discipline] --- wanden --- Murs --- Matières plastiques. --- Esthétique. --- Architecture
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Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. Drawing from literature, philosophy, psychoanalysis and semiotics, Ernst van Alphen explores 'seven logics' of sculpture: the logic of inner necessity; the logic of narration; the logic of sculpting space; the logic of the solid; the logic of assemblage; the logic of architectural space; and the logic of the specific object. These relate to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. 'Seven logics of sculpture' opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art's experience; how sculpture can be shaped, assembled, encountered, seen and embodied.
73.036/039 --- beeldhouwkunst --- beeldhouwkunst en architectuur --- architectuur --- twintigste eeuw --- eenentwintigste eeuw --- kunstgeschiedenis --- kunst --- kunsttheorie --- 73.01 --- Giacometti Alberto --- Bourgeois Louise --- Hovy Hans --- Szapocznikow Alina --- Tahon Johan --- Hesse Eva --- Christensen Jeannette --- Rodin Auguste --- Bernini Gian Lorenzo --- Hepworth Barbara --- Kobro Katarzyna --- Andre Carl --- Serra Richard --- Judd Donald --- Sandback Fred --- Nauman Bruce --- Whiteread Rachel --- Kirkeby Per --- Schouten Marien --- Vermeiren Didier --- Janssens Ann Veronica --- Clark Lygia --- Hammons David --- Kesteren, Maria van --- Lap Geert --- Bakker Aldo --- Choucair Saloua Raouda --- Kunsttheorie ; kunstbeschouwing ; beeldhouwkunst --- Beeldhouwkunst ; theorie ; kunstbeschouwing --- Beeldhouwkunst ; kunsttheorie --- Beeldhouwkunst ; 20ste en 21ste eeuw --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Sculpture --- philosophy of art --- sculpting
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architectural models --- Mexico --- History of civilization --- Ethnology. Cultural anthropology --- Architecture --- Amerika --- Amérique --- Beeldhouwkunst --- Bouwkunst --- Miniature objects --- Miniatuur voorwerpen --- Objets miniatures --- Sculpture --- Architectural models --- Indians of Mexico --- Modèles architecturaux --- Indiens d'Amérique --- Antiquities --- Antiquités --- Guerrero (Mexico : State) --- Guerrero (Mexique : Etat) --- Mexique --- Antiquities. --- 721.02 --- -Indians of Mexico --- Indians of North America --- Indigenous peoples --- Meso-America --- Meso-American Indians --- Mesoamerica --- Mesoamerican Indians --- Pre-Columbian Indians --- Precolumbian Indians --- Ethnology --- Buildings --- Models, Architectural --- Architectural casts --- Artists' preparatory studies --- Communication in architectural design --- Models and modelmaking --- Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- Models --- -Mexico --- -Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- 721.02 Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- -721.02 Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- Modèles architecturaux --- Indiens d'Amérique --- Antiquités --- Stone carving --- Guerrero (State) --- Sculpture [Primitive ] --- 7.031.8 --- 73:72 --- Pre-Columbiaanse architectuur; Mexico --- Kunstgeschiedenis ; Pre-Columbiaanse kunst ; Mexico, Centraal en Zuid-Amerika --- Beeldhouwkunst en architectuur --- Pre-Columbiaanse architectuur ; Mexico --- Bouwkundige schaalmodellen --- Architecturale modellen ; miniatuurformaat --- Architectural models - Mexico - Guerrero (State) --- Indians of Mexico - Mexico - Guerrero (State) - Antiquities --- Guerrero (Mexico : State) - Antiquities --- Mexico - Antiquities --- Art primitif
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Architecture --- hedendaagse architectuur --- France --- Sculpture and architecture --- 73.036 --- Architecture Principe --- Architecture-Sculpture --- architectuur --- beeldhouwkunst --- beeldhouwkunst en architectuur --- Bloc André --- Breuer Marcel --- Cardot Véra --- Chanéac --- Espace --- Häusermann Pascal --- Joly, Pierre --- Kalouguine Vladimir --- kunst en architectuur --- Lovag Antti --- organische architectuur --- Parent Claude --- Porro Ricardo --- Renaudie Jean --- Székely Pierre --- Architecture and sculpture --- History --- Centre Georges Pompidou --- Fonds régional d'art contemporain du Centre --- Centre national d'art et de culture Georges Pompidou --- France. --- C.N.A.C. --- CNAC --- CNAC GP --- Centre Pompidou --- C.N.A.C.G.P. --- Georges Pompidou Centre --- Centre de culture Georges Pompidou --- Cultural Center Georges Pompidou --- Centro Georges Pompidou --- Nat︠s︡ionalʹnyĭ t︠s︡entr iskusstva i kulʹtury imeni Zhorzha Pompidu --- Kokuritsu Joruju Ponpidū Geijutsu Bunka Sentā (France) --- Ponpidū Bunka Sentā (France) --- 蓬皮杜中心 --- Pompidou Centre --- Centre Pompidou-Metz --- Centre Beaubourg --- FRAC Centre --- Exhibitions --- France. Centre Georges Pompidou --- Fonds régional d'art contemporain Centre-Val de Loire --- sculpture [visual works] --- architecture [discipline] --- Chanéac, Jean-Louis --- Häusermann, Pascal --- Kalouguine, Vladimir --- Lovag, Antti --- Bloc, André --- Parent, Claude --- Porro, Ricardo --- Renaudie, Jean --- Székely, Pierre --- Breuer, Marcel
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architectuur --- Sculpture --- Painting --- film --- vormgeving --- Film --- film [performing arts] --- beeldende kunst --- Architecture --- design [discipline] --- architecture [discipline] --- fine arts --- Architecture, Modern --- Art, Modern --- Art --- Exhibitions. --- Expositions --- Palazzo ducale (Genoa, Italy) --- edited by Germano Celant --- kunst --- design --- kunst en architectuur --- schilderkunst --- beeldhouwkunst --- fotografie --- film en architectuur --- schilderkunst en architectuur --- fotografie en architectuur --- beeldhouwkunst en architectuur --- naslagwerk --- abstracte kunst --- abstractie --- twintigste eeuw --- Bauhaus --- constructivisme --- dadaïsme --- expressionisme --- futurisme --- informele kunst --- pittura metafisica --- neoplasticisme --- new dada --- purisme --- rationalisme --- suprematisme --- surrealisme --- de Chirico Giorgio --- De Stijl --- neorealisme --- situationisme --- Boccioni Umberto --- Balla Giacomo --- Depero Fortunato --- Marchi Virgilio --- Pannaggi Ivo --- Prampolini Enrico --- Sant'Elia Antonio --- Sartoris Alberto --- Malevich Kazimir --- Al'tman Nathan --- Chashnik Ilya --- Chernikhov Yakov --- Gabo Naum --- Pevsner Antoine --- Kassak Lajos --- Klucis Gustav --- Lissitzky El --- Yermolaevna Vera --- Kogan Nina --- Mansurov Pavel --- Melnikov Konstantin --- Rodchenko Alexander --- Medunetskii Konstantin --- Stenberg Vladimir --- Stenberg Georgi --- Suetin Nikolai --- Tatlin Vladimir --- Vesnin Victor --- Mondrian Piet --- Mondriaan Piet --- van Doesburg Theo --- Gorin Jean --- Oud J.J.P. --- Rietveld Gerrit --- van der Leck Bart --- van Eesteren Cornelis --- Vantongerloo Georges --- Taut Bruno --- Finsterlin Hermann --- Scharoun Hans --- Schwitters Kurt --- Arp Hans --- Tzara Tristan --- Spengemann Christoph --- Kiesler Frederick --- Gropius Walter --- Stölz Gunta --- Kandinsky Wassily --- Klee Paul --- Moholy-Nagy Laszlo --- Schlemmer Oskar --- Mies van de Rohe Ludwig --- Le Corbusier --- Ozenfant Amédée --- CIAM --- Léger Fernand --- Loos Adolf --- Abbott Berenice --- Ferriss Hugh --- Goff Bruce --- Constant --- Debord Guy --- Fontana Lucio --- Kahn Louis --- Tobey Mark --- Veodva Emilio --- Venturi Robert --- Klein Yves --- Manzoni Piero --- Oldenbur Claes --- Schöffer Nicolas --- Soleri Paolo --- concept art --- conceptuele kunst --- deconstructie --- minimalisme --- pop art --- postmodernisme --- Oldenburg Claes --- 7.036 --- 72.036 --- Palazzo ducale (Genoa, Italy). --- fine arts [discipline] --- Oud J.J.P --- Ducal Palace (Genoa, Italy) --- Doge's Palace (Genoa, Italy) --- film [discipline]
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