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Good vibrations : Brian Wilson and the Beach Boys in critical perspective
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ISBN: 9780472119950 Year: 2016 Publisher: Michigan : University of Michigan Press : Ann Arbor,

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Good vibrations : Brian Wilson and the Beach Boys in critical perspective
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ISBN: 0472122274 0472119958 Year: 2016 Publisher: Ann Arbor, Michigan : University of Michigan Press,

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Good Vibrations" brings together scholars with a variety of expertise,from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one themost successful and influential pop bands of the 20th century. Thebook covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hitsingle "Good Vibrations"-to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson,advancing our understanding of his gifts as a songwriter, arranger, and producer. The book joins a growing body of literature on the popular music of the1960s, in general, and on Brian Wilson and the Beach Boys in particular. But Good Vibrations extends the investigation further and deeper than it has gone before, not only offering new understanding and insights into individual songs and albums, but also providing close examination of compositional techniques and reflections on the group's place in American popular culture.


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The Beach Boys' Smile
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ISBN: 1501397419 1623569567 9781623569563 9781623562588 1623562589 1623567998 Year: 2014 Publisher: New York

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Smile is not merely a great unfinished album, but a living work of art that is all at once expansive, indeterminate, and resolutely pop. In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California to become emissaries of a post-war American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new dimensions of creati

Hinduism, TM and Hare Krishna
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ISBN: 0310703913 Year: 1998 Publisher: Grand Rapids, Michigan ZonderVan Publishing House

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Understanding rock
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ISBN: 1423740483 1280451661 0195356624 1602560765 9781602560765 9780195356625 9780195100051 0195100050 9781280451669 9780195100044 0195100042 9786610451661 6610451664 9781423740483 0195100042 0195100050 0199880123 0197729525 Year: 1997 Publisher: New York Oxford University Press

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Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpr


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The Maharishi.The Biography of the Man Who Gave Transcendental Meditation to the World.New Edition. Revised and Updated
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ISBN: 0955036100 Year: 2005 Publisher: Lyndhurst, Hampshire, UK Evolution Publishing

With The Beatles
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ISBN: 0976658321 Year: 2005 Publisher: Hoboken , NJ Melville House Publishing


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Surfing about music
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ISBN: 0520276647 0520957210 9780520957213 1299974597 9781299974593 9780520276635 0520276639 9780520276642 Year: 2014 Publisher: Berkeley

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This first major examination the interrelationships of music and surfing explores different ways that surfers combine surfing with making and listening to music. Tim Cooley uses his knowledge and experience as a practicing musician and avid surfer to consider the musical practices of surfers in locations around the world, taking into account ideas about surfing as a global affinity group and the real-life stories of surfers and musicians he encounters. In doing so, he expands ethnomusicological thinking about the many ways musical practices are integral to human socializing, creativity, and the condition of being human. Cooley discusses the origins of surfing in Hawai'i, its central role in Hawaiian society, and the mele (chants) and hula (dance or visual poetry) about surfing. He covers instrumental rock from groups like Dick Dale and the Del Tones and many others, and songs about surfing performed by the Beach Boys. As he traces trends globally, three broad styles emerge: surf music, punk rock, and acoustic singer-songwriter music. Cooley also examines surfing contests and music festivals as well as the music used in a selection surf movies that were particularly influential in shaping the musical practices of significant groups of surfers. Engaging, informative, and enlightening, this book is a fascinating exploration of surfing as a cultural practice with accompanying rituals, habits, and conceptions about who surfs and why, and of how musical ideas and practices are key to the many things that surfing is and aspires to be.  


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Empire in waves
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ISBN: 0520279115 0520958047 9780520958043 9781306290654 1306290651 9780520279100 9780520279117 0520279107 Year: 2014 Publisher: Berkeley University of California Press

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Surfing today evokes many things: thundering waves, warm beaches, bikinis and lifeguards, and carefree pleasure. But is the story of surfing really as simple as popular culture suggests? In this first international political history of the sport, Scott Laderman shows that while wave riding is indeed capable of stimulating tremendous pleasure, its globalization went hand in hand with the blood and repression of the long twentieth century. Emerging as an imperial instrument in post-annexation Hawaii, spawning a form of tourism that conquered the littoral Third World, tracing the struggle against South African apartheid, and employed as a diplomatic weapon in America's Cold War arsenal, the saga of modern surfing is only partially captured by Gidget, the Beach Boys, and the film Blue Crush. From nineteenth-century American empire-building in the Pacific to the low-wage labor of the surf industry today, Laderman argues that surfing in fact closely mirrored American foreign relations. Yet despite its less-than-golden past, the sport continues to captivate people worldwide. Whether in El Salvador or Indonesia or points between, the modern history of this cherished pastime is hardly an uncomplicated story of beachside bliss. Sometimes messy, occasionally contentious, but never dull, surfing offers us a whole new way of viewing our globalized world.--

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